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Let’s keep in touch:
- instagram Uberbau_house
- talk group in whatsapp.
- talk group in telegram.
Final Presentations 2023
Final Presentations 2022
Final Presentations 2016 – 2020
Who has already participated in the Uberbau_house residences?
More than 80 art workers have already participated in the contemporary art research residency.
Uberbau_house has hosted the following activities and collective work residences:
- Diplomado Arte Aplicada a la Sociedad (2020 y 2021)
- Sistemática y Seductora (2018)
- Espacio de Fala (2019, 2020 y 2022)
- Habeas Data (2016, 2017, 2018 y 2019)
- Acción / Transacción (2018 y 2019)
- The Real Fake (2017)
Residents Uberbau_house 2023
- Camila Lucero (Concepción, Chile / Basel, Switzerland) – images narratives
- Gabriela Hijar (Chihuahua, México) – ceramics and sounds
- Henrique Fagundez (Canoas, Brasil) – AI images
- Jimena Granados (Mexico City, México) – containment procedures in public space
- Kiana de Tramontana (Lima, Perú) – how to set a residency program
- Adalí Torres (Lima, Perú) – male transgender representation in reggeton music.
- Felipe Ortiz (Santiago, Chile) – muralism and public politucs
- José Gilberto Castillejo (Barranquilla, Colombia) – latin american violence conflicts
- Mayte Miranda (Mexicali, México) – subjetivity in social media
- Natalia Documet (Lima, Perú) – common sense about neodivergency in pop culture
- Pierre Dalpé (Montreal, Canada) – mask and subjetivity
- Renato Almeida (São Paulo, Brazil) – visual exercises about language and coloniality
Residents Uberbau_house 2022
- Francisca Paris (Puerto Montt, Chile)
- Daniela Stevens (San Luis Potosí, México)
- Ricardo Caicedo Cardona (Cali, Colombia)
- Renan Teles (São Paulo, Brazil)
- Verónica Zapata (Santiago de Chile, Chile)
- Aaron Jiménez (Mexico City México) – how to develop an lgtbqia+ contemporary art Opera
- Alejandro Orozco Mexico City, México) – teory of conceptual diagrams
- Ale Sotelo (Lima, Perú) – ltbqia+ communnity representation
- Miguel Keerveld (Paramaribo, Surinam) – social proccess curatorship
- Rosario Capanegra (Buenos Aires, Argentina)
- Gianna Salamanca (Concepción, Chile)
- Julian Cardona (Medellín, Colombia)
- Mía Zavalia (Pilar, Argentina)
- Mónica Romero (Bogotá, Colombia)
- Sergio Gerson Zamora (Morelos, México)
- Yumi Fukuda (Japón)
- Tin Ayala (Quito, Ecuador / France)
- Astrid Suárez (Medellín, Colombia) – community practise about desaparition proccess in Colombia and Mexico
- Beatriz Paiva (Belem, Brazil) – black subjetivity in the north of Brazil
- Mika Sampaio (Teresinha, Brazil)
- Lennyn Santacruz (Quito, Ecuador) – art and pedagogy
Residents Uberbau_house 2021
- Andrés Ovelar (Asunción, Paraguay)
- Ximena García Mexico City, México)
- Andrea Chávez (Morelia, México)
- Alberto Patiño (Lima, Perú)
- Sofía Enríquez González (Viña del Mar, Chile)
- Cecilia Coddou and Fernanda Radetich (Santiago de Chile, Chile)
- Mariane Beline (São Paulo, Brazil)
- Elisabeth Verdugo (Cipolletti, Argentina)
- Karem Morales (Santiago de Chile) – comparation bettween Chilean and Brazil public politics.
Residents Uberbau_house 2020
- Miguel Keerveld (Commewijne, Suriname) – human as a cyborg in relation with citys
- Francisco García Villavicencio (Lima, Perú) – value in the art object
- Abari Antonio Ruiz (Tepic, México) – art and pedagogy
- Pamela Gonzalez (Tucumán, Argentina) – autonomous art management in an art community
- Uilton Júnior (São Paulo, Brazil) – Brazilian history of black art
- Camila Lacroze (Montevideo, Uruguay) – contemporary illustration and painting
- Lyzú Cárcamo (Valparaíso, Chile) – applied feminism for art and culture
Residents Uberbau_house 2019
- Lía Arenas (Santiago de Chile) – an art managment as a mobile body in the space.
- Wynnie Mynerva Mendoza (Lima Perú) – the LGBTQI+ community in realation with the religion hegemony in Perú and Brazil.
- Viviana Errecalde (San Martín de los Andes) – Local Scene of San Martín de los Andes, Argentina.
- Luis Enrique Zela-Koort (Lima, Perú) – the relation between the capitalist machine, nature and the construction of subjetivity.
- Manuel La Rosa (Santiago de Chile) – a relation between nature and technology in contemporary art.
- M. Román (Lima, Perú) – contemporary art and social normative institutions.
- Andrés Argüelles (Lima, Perú) – the problematic of painting as contemporary art.
- Heleen de Hoon (Países Bajos) – contemporary art in public spaces.
- Martha León Nava (Ciudad de México, México) – residency models for art and community.
- Alexandra Mora -Úrsula Ramirez Giraldo- (Manizales, Colombia) – journalistic clown and performance in Colombian scenes.
- Nancy Alvarado (Tucumán, Argentina) – ceramics in the relation between artisans and contemporary art.
Residents Uberbau_house 2018
- Michel Marx (Montevideo, Uruguay) – artist role in Montevideo Local Scene Local
- Andrea Ferrero (Lima, Peru) – Memory process in Latin America
- Romina Estecher (Buenos Aires, Argentina) – recurrency in contemporary art process
- Pablo Foladori (Buenos Aires, Argentina) – the relation between Opera and contemporary art practices
- Felipe Nuñez (Oaxaca, Mexico) – la posibilidad de manifiesto de pintura contemporáneo
- María de los Ángeles Otarola (Mar del Plata, Argentina) – gestión cultural y gestión de arte
- Majo Vidal (Buenos Aires, Argentina) – art and feminism
- Jesús Jimenez (Morelia, Mexico) – concrete poetry and violence
- Tarix Sepúlveda (Santiago de Chile) – arquitecture
- Mateo Lopez Imán (El Bolsón, Argentina) – lingüístic genocide. symbol, power and contemporary art in Latin America.
- Genietta Varsi (Lima, Peru) – domestication and discipline of the human body.
- Frances Munar (Lima, Peru) – sound architecture. Dialogues between codes and intersubjectivity for Latin America.
Residents Uberbau_house 2016 / 2017
- Juan Fernando Lopez (Bogotá, Colombia) – economy and autonomus art management
- Laura Carvalho (São Paulo, Brazil) – the relation between color, architecture and the context
- Dafne Valdivia (Guanajuato, Mexico) – formal institutions v.s. autonomous art managements
- Dana Ferrrari (Buenos Aires, Argentina) – history of the artist role
- Jazmin Saidman (Buenos Aires, Argentina) – art pedagogy and didactics
- Guillermo Rodriguez (San Juan, Puerto Rico) – art and technology
- Leonel Mittmann (Porto Alegre, Brazil) – pixaçao, graffiti and urban art
- Abhishek Panchal (Mumbai, India) – artist as a educator
- Estíbaliz Barato (Madrid, Spain) – analisis models for art production
- Andrea Ospina (Manizales, Colombia) – art management, cultural management and temporal exception zone
- Fernanda Avendaño (Santiago of Chile) – architecture and social body
- Natalia Murcia (Bogota, Colombia) – contemporary art as methodology of research
- Silvia Mariotti (Milan, Italia) – the relation between visual and literary production
- Naoko Mabon (Scotland, UK) – construction of identity in japanese culture in Brazil