{"id":957,"date":"2017-08-28T15:28:22","date_gmt":"2017-08-28T15:28:22","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?p=957"},"modified":"2019-12-05T15:23:09","modified_gmt":"2019-12-05T15:23:09","slug":"naoko_mabon","status":"publish","type":"post","link":"https:\/\/www.uberbau-house.org\/site\/2017\/08\/28\/naoko_mabon\/","title":{"rendered":"Residents September \/ Setembro \/ Septiembre 2017 – Naoko Mabom"},"content":{"rendered":"

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Uberbau_house welcome to the curator Naoko Mabon (Japan \/ Scotland) for International Residency [Research in Contemporary Art] for September 2017.<\/p>\n

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Naoko Mabon<\/b> (Fukuoka, Jap\u00f3n, 1982)\u00a0<\/span>
<\/span> Based in Aberdeen, Escocia \/ Mora e trabalha em Aberdeen, Esc\u00f3cia. \/\u00a0Vive y trabaja en Aberdeen, Escocia<\/span><\/p>\n

http:\/\/vadb.org\/people\/naoko-mabon<\/span><\/a><\/p>\n

\/\/\/ english \/\/\/<\/p>\n

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curricular review:<\/strong> independent curator. She received a MA from Tama Art University, Tokyo (Japan) in 2007, and initiated her own curatorial practice WAGON in 2014 after working in contemporary art in Japan and the UK for a decade. Her recent work includes: Ilana Halperin: Geologic Intimacy (Yu no Hana), Fujiya Gallery Hanayamomo, Beppu (Japan) in 2016 and Peacock Visual Arts, Aberdeen (Scotland) in 2017; Leaves Without Routes, Nanmoncho323, Taipei Botanical Garden (Taiwan) in 2016; Bushiro Mohri exhibition, AIS Gallery, Gunma (Japan) in 2016; Atsuo Hukuda exhibition, Duff House, Banff (Scotland) in 2016; contribution to the publication Roger Ackling: Between the Lines in 2015; among others.<\/span><\/div>\n
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research review::<\/strong> Historical and conceptual research on Japanese immigration in Brazil and the construction of Japanese-Brazilian identity in the city of S\u00e3o Paulo.<\/span><\/div>\n
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\/\/\/ portugu\u00e9s \/\/\/<\/div>\n
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resenha curricular:<\/strong> Curadora independente. Ela estudou o Mestrado em Tama Art University em T\u00f3quio (Jap\u00e3o) em 2007, e iniciou sua pr\u00f3pria pr\u00e1tica curatorial WAGON em 2014, depois de trabalhar na arte contempor\u00e2nea no Jap\u00e3o e no Reino Unido por uma d\u00e9cada. Seus trabalhos recentes incluem: <\/span>Geologic Intimacy<\/span> (Yu no Hana), Galeria Fujiya Hanayamomo, Beppu (Jap\u00e3o) em 2016 e Peacock Visual Arts, Aberdeen (Esc\u00f3cia) em 2017; <\/span>Leaves Without Routes<\/span>, Nanmoncho323, Jardim Bot\u00e2nico de Taipei (Taiwan) em 2016; Exposi\u00e7\u00e3o Bushiro Mohri, AIS Gallery, Gunma (Jap\u00e3o) em 2016; Exposi\u00e7\u00e3o Atsuo Hukuda, Duff House, Banff (Esc\u00f3cia) em 2016; contribuindo com a publica\u00e7\u00e3o Roger Ackling: Entre as Linhas em 2015; entre outros.<\/span><\/div>\n
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resenha de pesquisa:<\/strong> pesquisa hist\u00f3rica e conceitual sobre a imigra\u00e7\u00e3o japonesa no Brasil e a constru\u00e7\u00e3o da identidade nipo-brasileira na cidade de S\u00e3o Paulo.<\/span><\/div>\n
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\/\/\/ espa\u00f1ol \/\/\/<\/div>\n
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rese\u00f1a curricular:<\/b> Curadora independiente. Estudi\u00f3 la Maestr\u00eda en la Universidad de Arte Tama en Tokio (Jap\u00f3n) en 2007, y comenz\u00f3 su propia pr\u00e1ctica curatorial WAGON en 2014 despu\u00e9s de trabajar en arte contempor\u00e1neo en Jap\u00f3n y Reino Unido durante una d\u00e9cada. Sus trabajos recientes incluyen: Geologic Intimacy (Yu no Hana), Fujiya Gallery Hanayamomo, Beppu (Japan) en 2016 y Peacock Visual Arts, Aberdeen (Scotland) en 2017; Leaves Without Routes, Nanmoncho323, Taipei Botanical Garden (Taiwan) en 2016; Bushiro Mohri exhibition, AIS Gallery, Gunma (Japan) en 2016; Atsuo Hukuda exhibition, Duff House, Banff (Scotland) en 2016; contribuyendo con la publicaci\u00f3n Roger Ackling: Between the Lines en 2015; entre otros.<\/span><\/p>\n

rese\u00f1a de investigaci\u00f3n:<\/b> Investigaci\u00f3n hist\u00f3rica y conceptual sobre la inmigraci\u00f3n japonesa en Brasil y la construcci\u00f3n de la identidad nipo-brasile\u00f1a en la ciudad de S\u00e3o Paulo.<\/span><\/p>\n