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<\/p>\nUberbau_house welcomes to the curator and art manager Juan Fernando L\u00f3pez from Bogot\u00e1 (Colombia) for the International Residency\u00a0[Contemporary Art Research]\u00a0<\/b>for December 2016.<\/p>\n
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Juan Fernando L\u00f3pez <\/b>(Bogot\u00e1, Colombia, 1986).\u00a0<\/span><\/p>\n <\/p>\n \/\/\/ english \/\/\/<\/p>\n curricular review:<\/b> Business Administrator by the Externado de Colombia University. Since October 2015, he has been developing curatorship and cultural management projects. He is currently artistic assistant director of Compacta Galer\u00eda, an autonomous space interested in detecting, promoting and putting into circulation innovative proposals in the arts. He is also part of the organizing group of the 8th edition of the Biennial of Venice in Bogot\u00e1, which after twenty-one years has established itself as one of the most outstanding artistic proposals in art in the context of Colombia, articulating new spaces and new audiences for the visual arts. <\/span><\/p>\n research review: <\/b>economics in autonomous art management. Through an analysis of the formal and autonomous institutionality of the city of S\u00e3o Paulo, emphasizing of its funding sources, it is able to determine a strong dependence on state funds. Based on this, he proposes other ways in which these spaces could manage their budget.<\/span><\/p>\n \/\/\/ portugu\u00e9s \/\/\/<\/p>\n resenha curricular:<\/b> Administrador de Empresas pela Universidade Externado de Colombia. Desde outubro de 2015, desenvolve projetos de curadoria e gest\u00e3o cultural. Atualmente \u00e9 diretor assistente art\u00edstico da Compacta Galer\u00eda, um espa\u00e7o aut\u00f4nomo interessado em detectar, promover e colocar em circula\u00e7\u00e3o propostas inovadoras nas artes. Ele tamb\u00e9m faz parte do grupo organizador da 8\u00aa edi\u00e7\u00e3o da Bienal de Veneza de Bogot\u00e1, que depois de vinte anos estabeleceu-se como uma das propostas art\u00edsticas mais importantes no contexto da arte da Col\u00f4mbia, articulando novos espa\u00e7os e novos p\u00fablicos para as artes visuais. <\/span><\/p>\n resenha de pesquisa<\/b>: economia na gest\u00e3o aut\u00f4noma da arte. Atrav\u00e9s de uma an\u00e1lise da institucionalidade formal e aut\u00f4noma da cidade de S\u00e3o Paulo, enfatizando suas fontes de financiamento, consegue-se determinar uma forte depend\u00eancia de recursos estatais. Com base nisso, ele prop\u00f5e outras maneiras pelas quais esses espa\u00e7os poderiam gerenciar seu or\u00e7amento.<\/span><\/p>\n \/\/\/ espa\u00f1ol \/\/\/<\/p>\n rese\u00f1a curricular: <\/b>Administrador de empresas por la universidad Externado de Colombia. Desde octubre de 2015 viene desarrollando proyectos de curadur\u00eda y gesti\u00f3n cultural. Actualmente es subdirector art\u00edstico de Compacta Galer\u00eda, un espacio aut\u00f3nomo interesado en detectar, promover y poner en circulaci\u00f3n propuestas innovadoras en las artes. As\u00ed mismo hace parte del grupo organizador de la 8va edici\u00f3n de la Bienal de Venecia de Bogot\u00e1, que despu\u00e9s de veinti\u00fan a\u00f1os se ha consolidado como uno de las propuestas art\u00edsticas m\u00e1s destacadas en el arte en contexto de Colombia, articulando nuevos espacios y nuevos p\u00fablicos para las artes visuales.<\/span><\/p>\n rese\u00f1a de investigaci\u00f3n:<\/b> econom\u00eda en gesti\u00f3n aut\u00f3noma de arte<\/span><\/i>. A trav\u00e9s de un an\u00e1lisis de la institucionalidad formal y aut\u00f3noma de la ciudad de S\u00e3o Paulo haciendo \u00e9nfasis en sus fuentes de financiamiento es que consigue determinar una fuerte dependencia a los fondos estatales. En funci\u00f3n de esto propone otras maneras en que estos espacios podr\u00edan gestionar su presupuesto.<\/span><\/p>\n\n
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