{"id":2169,"date":"2020-05-14T15:35:49","date_gmt":"2020-05-14T15:35:49","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?p=2169"},"modified":"2020-05-28T17:30:48","modified_gmt":"2020-05-28T17:30:48","slug":"residents-february-2020-lyzu-carcamo","status":"publish","type":"post","link":"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-lyzu-carcamo\/","title":{"rendered":"Residents February 2020 &#8211; Lyz\u00fa C\u00e1rcamo"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Uberbau_house welcomes to the artist Lyz\u00fa C\u00e1rcamo from Valpara\u00edso (Chile), to the International Residency&nbsp;<strong>[Contemporary Art Research]&nbsp;<\/strong>for February 2020.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-1024x1024.png\" alt=\"\" class=\"wp-image-2182\" srcset=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-1024x1024.png 1024w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-300x300.png 300w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-150x150.png 150w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-768x768.png 768w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-250x250.png 250w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02-174x174.png 174w, https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2020\/05\/UBERBAU-HOUSE-Residentes-Enero-2020-instagram-02.png 1081w\" sizes=\"auto, (max-width: 767px) 89vw, (max-width: 1000px) 54vw, (max-width: 1071px) 543px, 580px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Lyzu C\u00e1rcamo (Chile, 1975) \/ Resident February 2020<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/vadb.org\/people\/lyzu-carcamo\">https:\/\/vadb.org\/people\/lyzu-carcamo<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\/\/\/ english \/\/\/<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>curriculum review:<\/strong> social artist \/ artisan &#8211; activist feminist. Training in audiovisual communication and various artistic techniques. She began her work as a videographer and soon ventured into other artistic forms, including engravings, textiles, ceramics and metals. She developed regulated studies in ceramics and goldsmithing, by the Faculty of Art of the University of Playa Ancha, in addition to other studies abroad and his constant search for materials and languages as self-taught. Currently, she is on the board of the NGO Matriavision, a feminist group that works from art, with women who inhabit the hills of Valpara\u00edso. In addition, it is part of the House of women in this same city, a state community entity where it works with artisan crafts, in the context of social art and feminist economies. Along with this, he exhibits regularly at city fairs in a personal and collective way.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>research review: <\/strong>she research how to articulate different aspects of feminism for the integration and benefit of women and dissent people, from different social and professional strata.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\/\/\/ portugues \/\/\/<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>resenha curricular<\/strong>: artista social \/ artes\u00e3o &#8211; feminista ativista. Forma\u00e7\u00e3o em comunica\u00e7\u00e3o audiovisual e diversas t\u00e9cnicas art\u00edsticas. Ela come\u00e7ou seu trabalho como cinegrafista e logo se aventurou em outras formas art\u00edsticas, incluindo gravuras, t\u00eaxteis, cer\u00e2micas e metais. Ela desenvolveu estudos regulamentados em cer\u00e2mica e ourivesaria, pela Faculdade de Arte da Universidade de Playa Ancha, al\u00e9m de outros estudos no exterior e sua constante busca por materiais e idiomas como autodidata. Atualmente, ela faz parte da ONG Matriavision, um grupo feminista que trabalha com arte, com mulheres que habitam as colinas de Valpara\u00edso. Al\u00e9m disso, faz parte da Casa das mulheres nesta mesma cidade, uma entidade comunit\u00e1ria do estado onde trabalha com artesanato, no contexto da arte social e das economias feministas. Junto com isso, ele exp\u00f5e regularmente nas feiras da cidade de maneira pessoal e coletiva.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>resenha de pesquisa:<\/strong> como articular diferentes aspectos do feminismo para a integra\u00e7\u00e3o e benef\u00edcio de mulheres e pessoas dissidentes, a partir de diferentes estratos sociais e profissionais.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\/\/\/ espa\u00f1ol \/\/\/<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>rese\u00f1a curricular: <\/strong>artista social\/artesana &#8211; Feminista activista. Formaci\u00f3n en comunicaci\u00f3n audiovisual y en diversas t\u00e9cnicas art\u00edsticas. Comenz\u00f3 su quehacer como vide\u00edsta y pronto incursiona en otras formas art\u00edsticas pasando por grabados, textiles, cer\u00e1mica y metales; desarroll\u00f3 estudios reglados en cer\u00e1mica y orfebrer\u00eda, por la Facultad de Arte de la Universidad de Playa Ancha, adem\u00e1s de otros estudios en el extranjero y de su b\u00fasqueda constante de materialidades y lenguajes como autodidacta.&nbsp;&nbsp;En la actualidad, integra el directorio de la ONG Matriavision, agrupaci\u00f3n feminista que trabaja desde el arte, con mujeres que habitan los cerros de Valpara\u00edso; adem\u00e1s, forma parte de la Casa de la mujer de esta misma ciudad, entidad comunitaria estatal donde trabaja con oficios artesanos, en el contexto del arte social y las econom\u00edas feministas. Junto con ello, expone regularmente en ferias de la ciudad a modo personal y colectivo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>rese\u00f1a de investigaci\u00f3n:<\/strong> de que manera articular a diferentes vertientes del feminismo para la integraci\u00f3n y beneficio de mujeres y disidencias, de distintos estratos sociales y profesionales. <\/p>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-18-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lyz\u00fa C\u00e1rcamo - Residencia Uberbau_house [Investigaci\u00f3n de Arte Contempor\u00e1neo] febrero 2020\" src=\"https:\/\/player.vimeo.com\/video\/392737756?dnt=1&amp;app_id=122963\" width=\"525\" height=\"239\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.uberbau-house.org\/site\/residency\/\">&gt; +info:&nbsp;Uberbau_house \u2013 Residency \/ Resid\u00eancia \/Residencia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uberbau_house welcomes to the artist Lyz\u00fa C\u00e1rcamo from Valpara\u00edso (Chile), to the International Residency&nbsp;[Contemporary Art Research]&nbsp;for February 2020. Lyzu C\u00e1rcamo (Chile, 1975) \/ Resident February 2020 https:\/\/vadb.org\/people\/lyzu-carcamo \/\/\/ english \/\/\/ curriculum review: social artist \/ artisan &#8211; activist feminist. Training in audiovisual communication and various artistic techniques. She began her work as a videographer and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-lyzu-carcamo\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abResidents February 2020 &#8211; Lyz\u00fa C\u00e1rcamo\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2182,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/2169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=2169"}],"version-history":[{"count":7,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/2169\/revisions"}],"predecessor-version":[{"id":2222,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/2169\/revisions\/2222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media\/2182"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=2169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/categories?post=2169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/tags?post=2169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}