{"id":1204,"date":"2018-07-11T14:02:24","date_gmt":"2018-07-11T14:02:24","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?p=1204"},"modified":"2019-07-23T14:21:06","modified_gmt":"2019-07-23T14:21:06","slug":"residentes-mateo-lopez","status":"publish","type":"post","link":"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-mateo-lopez\/","title":{"rendered":"Residents July 2018 – Mateo Lopez Im\u00e1n"},"content":{"rendered":"

Uberbau_house welcomes to the artist Mateo Lopez from El Bols\u00f3n (Argentina) to International Residency [Contemporary Art Research] <\/b>for July 2018.<\/p>\n

\"\"<\/p>\n

Mateo Lopez Im\u00e1n <\/b>(Gualeguay, Argentina, 1979) \/ residente Julio 2018<\/span>
\n<\/span>Vive y trabaja en el Bols\u00f3n, Argentina \/ Mora e trabalha em El Bols\u00f3n, Argentina \/ Based in El Bols\u00f3n, Argentina<\/span><\/p>\n

http:\/\/vadb.org\/people\/mateo-lopez-44decefd-0f1f-461b-991c-0adfd87ff376<\/span><\/a><\/p>\n

\n

\/\/\/ english \/\/\/<\/p>\n

curricular review:<\/b> Business Administrator by the Externado de Colombia University. Since October 2015, he has been developing curatorship and cultural management projects. He is currently artistic assistant director of Compacta Galer\u00eda, an autonomous space interested in detecting, promoting and putting into circulation innovative proposals in the arts. He is also part of the organizing group of the 8th edition of the Biennial of Venice in Bogot\u00e1, which after twenty-one years has established itself as one of the most outstanding artistic proposals in art in the context of Colombia, articulating new spaces and new audiences for the visual arts. <\/span><\/p>\n

research review: <\/b>economics in autonomous art management. Through an analysis of the formal and autonomous institutionality of the city of S\u00e3o Paulo, emphasizing of its funding sources, it is able to determine a strong dependence on state funds. Based on this, he proposes other ways in which these spaces could manage their budget.<\/span><\/p>\n

\n

\/\/\/ portugues \/\/\/<\/p>\n

resenha curricular:<\/b> Administrador de Empresas pela Universidade Externado de Colombia. Desde outubro de 2015, desenvolve projetos de curadoria e gest\u00e3o cultural. Atualmente \u00e9 diretor assistente art\u00edstico da Compacta Galer\u00eda, um espa\u00e7o aut\u00f4nomo interessado em detectar, promover e colocar em circula\u00e7\u00e3o propostas inovadoras nas artes. Ele tamb\u00e9m faz parte do grupo organizador da 8\u00aa edi\u00e7\u00e3o da Bienal de Veneza de Bogot\u00e1, que depois de vinte anos estabeleceu-se como uma das propostas art\u00edsticas mais importantes no contexto da arte da Col\u00f4mbia, articulando novos espa\u00e7os e novos p\u00fablicos para as artes visuais. <\/span><\/p>\n

resenha de pesquisa<\/b>: economia na gest\u00e3o aut\u00f4noma da arte. Atrav\u00e9s de uma an\u00e1lise da institucionalidade formal e aut\u00f4noma da cidade de S\u00e3o Paulo, enfatizando suas fontes de financiamento, consegue-se determinar uma forte depend\u00eancia de recursos estatais. Com base nisso, ele prop\u00f5e outras maneiras pelas quais esses espa\u00e7os poderiam gerenciar seu or\u00e7amento.<\/span><\/p>\n

\n

\/\/\/ espa\u00f1ol \/\/\/<\/p>\n

rese\u00f1a curricular:<\/strong> <\/span>(Gualeguay, Argentina, 1979). Vive y trabaja en el Bols\u00f3n. Es Artista Visual y Profesor de Arte. En el a\u00f1o 2000 ingresa al Instituto Nacional de Arte (I.U.N.A) y cursa algunos a\u00f1os de la Licenciatura en Artes Visuales. En 2007 egresa en la Escuela de Artes de la Cordillera en Lago Puelo (Argentina). En 2015 obtiene la Beca del Fondo Nacional de las Artes:<\/span> Taller de An\u00e1lisis de obra y seguimiento de proyectos en Artes Visuales,<\/span><\/i> en la ciudad de Bariloche (Argentina). Ha participado de varias muestras colectivas e individuales en diferentes partes de la Argentina. En 2017 participa de la 3\u00b0Bienal <\/span>Neuqu\u00e9n Contempor\u00e1neo<\/span><\/i> \u201cHuellas\u201d. Se perfecciona en el Programa Federal para las artes \u201cArt Boomerang\u201d dirigido por el curador Daniel Fischer, en San Mart\u00edn de los Andes (Argentina).<\/span><\/p>\n

rese\u00f1a de investigaci\u00f3n:<\/strong> genocidio Ling\u00fc\u00edstico. S\u00edmbolo, Poder y Arte Contempor\u00e1neo en Am\u00e9rica Latina. <\/span><\/i>La investigaci\u00f3n recorre a trav\u00e9s de una esquematizaci\u00f3n diagram\u00e1tica la relaci\u00f3n entre el poder, el lenguaje y el arte contempor\u00e1neo, revisando la recurrencia de la violencia en la producci\u00f3n Latinoamericana.<\/span><\/p>\n

> +info: Uberbau_house \u2013 Residency \/ Resid\u00eancia \/Residencia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Uberbau_house welcomes to the artist Mateo Lopez from El Bols\u00f3n (Argentina) to International Residency [Contemporary Art Research] for July 2018. Mateo Lopez Im\u00e1n (Gualeguay, Argentina, 1979) \/ residente Julio 2018 Vive y trabaja en el Bols\u00f3n, Argentina \/ Mora e trabalha em El Bols\u00f3n, Argentina \/ Based in El Bols\u00f3n, Argentina http:\/\/vadb.org\/people\/mateo-lopez-44decefd-0f1f-461b-991c-0adfd87ff376 \/\/\/ english \/\/\/ curricular review: … <\/p>\n

Continuar leyendo \u00abResidents July 2018 – Mateo Lopez Im\u00e1n\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1207,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-residencia-residency"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=1204"}],"version-history":[{"count":10,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1204\/revisions"}],"predecessor-version":[{"id":1740,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1204\/revisions\/1740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media\/1207"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=1204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/categories?post=1204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/tags?post=1204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}