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<\/b><\/p>\nUberbau_house welcomes to the artist Genietta Varsi from Lima (Per\u00fa) to the International Residency [Contemporary Art Research] <\/b>for July 2018.<\/p>\n
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Genietta Varsi <\/b> (Lima, Per\u00fa, 1991)<\/span> \/ residente Julio 2018<\/span><\/p>\n Vive y trabaja en Lima, Per\u00fa \/ Mora e trabalha em Lima Per\u00fa \/ Based in Lima, Per\u00fa <\/span><\/p>\n http:\/\/vadb.org\/people\/genietta-varsi<\/span><\/a><\/p>\n \/\/\/ english \/\/\/<\/p>\n curricular review:<\/b> Sculptor graduated from the Pontifical Catholic University of Peru. She has participated in group exhibitions and fairs, among the most outstanding \u00ab<\/span>\u201cI Premio de Arte Contempor\u00e1neo<\/span>\u00ab, ICPNA, Lima, (Peru) \u00abEncuentro Nacional de Artes Visuales\u201d (Peru), \u00ab<\/span>Legado y divergencia: 78 a\u00f1os de arte en el centenario de la PUCP <\/span>\u00ab,\u00bbAl L\u00edmite, Sin Limites\u00bb in Espacio Fundaci\u00f3n Telef\u00f3nica of Santiago de Chile. In 2016 she held the individual exhibition \u00ab<\/span>Pulsos y pulsiones<\/span>\u00bb in the Rottenslat gallery. In the past years she has received prizes and mentions such as the Adolfo WInternitz Award from the PUCP, the second PUCP Critic Award, Honorable Mention at the National Encounter of Visual Arts of Trujillo and the Biafarin Award of Honor via the Arte Laguna Prize, in Lima Peru). She also worked as a teacher at the School of sculpture of the Pontifical Catholic University of Peru and the school of Art Corriente Alterna, in Lima (Peru). She is also co-founder and co-director of SERES, a cultural platform dedicated to the dissemination, exhibition, creation and education of Peruvian and emerging art.<\/span><\/p>\n research review: <\/b>discipline and domestication of the human body. Based on his own work, she develops a diagram that allows structuring the conceptual notions that can be identified as variables in her work, such as the dogmatic cultural construction that disciplines the body, the performativity, as opposed to its abject aspects.<\/span><\/p>\n \/\/\/ portugu\u00e9s \/\/\/<\/p>\n resenha curricular:<\/b> Escultora formado pela Pontif\u00edcia Universidade Cat\u00f3lica do Peru. Tem participado em exposi\u00e7\u00f5es colectivas e feiras, entre os mais proeminentes ICPNA \u00ab<\/span>I Premio de Arte Contempor\u00e1neo\u201d, <\/span>Lima (Peru) \u00abEncuentro Nacional de Artes Visuales\u00bb, Trujillo (Peru), \u00ab<\/span>Legado y divergencia: 78 a\u00f1os de arte en el centenario de la PUCP <\/span>\u00ab,\u00bbAl L\u00edmite, Sin Limites \u00abno Espacio Fundaci\u00f3n Telef\u00f3nica de Santiago de Chile. Em 2016, ela realizou a exposi\u00e7\u00e3o individual \u00ab<\/span>Pulsos y pulsiones<\/span>\u00bb na galeria Rottenslat. Nos \u00faltimos anos ela tem recebido pr\u00eamios e men\u00e7\u00f5es como Adolfo Winternitz Award PUCP, o segundo Pr\u00eamio da Cr\u00edtica PUCP, Men\u00e7\u00e3o Honrosa no Encontro Nacional de Artes Visuais de Trujillo e Honor Award Biafarin via Pr\u00eamio Arte Laguna em Lima (Peru). Ela tamb\u00e9m trabalhou como professor na Escola de Escultura da Pontif\u00edcia Universidade Cat\u00f3lica do Peru e na Escola de Arte Corriente Alterna, em Lima (Peru). Ela tamb\u00e9m \u00e9 co-fundadora e co-diretora da SERES, uma plataforma cultural dedicada \u00e0 divulga\u00e7\u00e3o, exibi\u00e7\u00e3o, cria\u00e7\u00e3o e educa\u00e7\u00e3o da arte peruana e emergente.<\/span><\/p>\n resenha de pesquisa: <\/b>disciplina e domestica\u00e7\u00e3o do corpo humano. Baseado em seu pr\u00f3prio trabalho, ele desenvolve um diagrama que permite estruturar as no\u00e7\u00f5es conceituais que podem ser identificadas como vari\u00e1veis em seu trabalho, como a constru\u00e7\u00e3o cultural dogm\u00e1tica que disciplina o corpo, a performatividade, em oposi\u00e7\u00e3o aos seus aspectos abjetos.<\/span><\/p>\n \/\/\/ espa\u00f1ol \/\/\/<\/p>\n rese\u00f1a curricular:.<\/b> Escultora egresada de la Pontificia Universidad Cat\u00f3lica del Per\u00fa. Ha participado en exhibiciones grupales y ferias, entre las m\u00e1s destacadas \u201cI Premio de Arte Contempor\u00e1neo\u201d, ICPNA, Lima, (Per\u00fa) \u201cEncuentro Nacional de Artes Visuales\u201d, Trujillo (Per\u00fa), \u201cLegado y divergencia: 78 a\u00f1os de arte en el centenario de la PUCP \u201c, \u201cAl L\u00edmite, Sin Limites\u201d in Espacio Fundaci\u00f3n Telef\u00f3nica of Santiago de Chile. En 2016 realiz\u00f3 la exposici\u00f3n individual \u201cPulsos y pulsiones\u201d en galer\u00eda Rottenslat. En los pasados a\u00f1os ha recibido premios y menciones como el Premio Adolfo WInternitz de la PUCP, el segundo Premio de la Cr\u00edtica de la PUCP, Menci\u00f3n Honrosa en el Encuentro Nacional de Artes Visuales de Trujillo y Premio de Honor de Biafarin v\u00eda Premio Arte Laguna, en Lima (Per\u00fa). Tambi\u00e9n trabaj\u00f3 como docente en la Facultad de escultura de la Pontificia Universidad Cat\u00f3lica del Per\u00fa y de la escuela de Arte Corriente Alterna, en Lima (Per\u00fa). Adem\u00e1s es co-fundadora y co-directora de SERES, una plataforma cultural dedicada a la difusi\u00f3n, exhibici\u00f3n, creaci\u00f3n y educaci\u00f3n del arte peruano y emergente.<\/span><\/p>\n rese\u00f1a de investigaci\u00f3n:<\/b> disciplina y domesticaci\u00f3n del cuerpo humano<\/span><\/i>. Basada en su propia producci\u00f3n de obra desarrolla un diagrama que permite estructurar las nociones conceptuales que se pueden identificar como variables en su trabajo, como la construcci\u00f3n cultural dogm\u00e1tica que disciplina al cuerpo, la performatividad, en contraposici\u00f3n con sus aspectos abyectos.<\/span><\/p>\n
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