{"id":1185,"date":"2018-06-08T16:24:28","date_gmt":"2018-06-08T16:24:28","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?p=1185"},"modified":"2019-07-23T14:21:37","modified_gmt":"2019-07-23T14:21:37","slug":"residentes-junho-junho-2018-5","status":"publish","type":"post","link":"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-5\/","title":{"rendered":"Residents July 2018 – Felipe Nu\u00f1ez"},"content":{"rendered":"

Uberbau_house welcome to the artist Felipe Nu\u00f1ez from Oaxaca (M\u00e9xico) to the International Residency [Contemporary Art Residency] <\/b>for June 2018.<\/p>\n

\"\"<\/b><\/p>\n

Felipe Nu\u00f1ez<\/b>  (<\/span>Oaxaca, M\u00e9xico, 1979) <\/span>\/ residente Junio 2018<\/span><\/p>\n

Vive y trabaja en Oaxaca, M\u00e9xico \/ Mora e trabalha em Oaxaca, M\u00e9xico \/ Based in Oaxaca, Mexico<\/span><\/p>\n

http:\/\/vadb.org\/people\/felipe-nunez<\/span><\/a><\/p>\n

\n

\/\/\/ english \/\/\/<\/p>\n

curricular review:<\/b> He studied at the National School of Painting, Sculpture and Engraving \u00abLa Esmeralda\u00bb, in Mexico City. He has exhibited his work individually and collectively highlighting the Museum of Contemporary Art of Oaxaca (Mexico), Parque Fundidora, Monterrey, Mexico, Rufino Tamayo Museum, Mexico City, The National Center for the Arts and the Fresno Art Museum, California (USA) . He has made residencies at FAM, California, (USA). His work is in MACO collection, Oaxaca (Mexico); Valent\u00edn Ruiz Aznar Foundation, Granada (Spain); the Pinacoteca of the Autonomous University of Guerrero (Mexico); the Museum of the Oaxaque\u00f1os Painters and in the Autonomous University of the State of Mexico.<\/span><\/p>\n

Research review:<\/b> the possibility of contemporary painting manifesto. Through an investigation on several types of artistic manifestos, throughout the history of art, he asked about the validity of this manifestation. So he tries to prove his actuality through the elaboration of a document to think about painting in his own production.<\/span><\/p>\n

\n

\/\/\/ portugues \/\/\/<\/p>\n

resenha curricular: <\/b>Estudou na Escola Nacional de Pintura, Escultura e Gravura \u00abLa Esmeralda\u00bb, na Cidade do M\u00e9xico. Exp\u00f4s seu trabalho individual e coletivamente, destacando o Museu de Arte Contempor\u00e2nea de Oaxaca (M\u00e9xico), Parque Fundidora, Monterrey, M\u00e9xico, Museu Rufino Tamayo, Cidade do M\u00e9xico, o Centro Nacional de Artes e o Museu de Arte de Fresno, Calif\u00f3rnia (EUA). Ele fez resid\u00eancias na FAM, Calif\u00f3rnia, EUA. Seu trabalho est\u00e1 nas cole\u00e7\u00f5es da MACO, Oaxaca (M\u00e9xico); Funda\u00e7\u00e3o Valent\u00edn Ruiz Aznar, Granada (Espanha); a Pinacoteca da Universidade Aut\u00f4noma de Guerrero (M\u00e9xico); o Museu dos Pintores de Oaxaque\u00f1os e na Universidade Aut\u00f4noma do Estado do M\u00e9xico.<\/span><\/p>\n

Resenha de pesquisa<\/b>: a possibilidade de manifesto de pintura contempor\u00e2nea. Atrav\u00e9s de uma investiga\u00e7\u00e3o sobre v\u00e1rios tipos de manifestos art\u00edsticos, ao longo da hist\u00f3ria da arte, questiona-se a validade dessa manifesta\u00e7\u00e3o. Ent\u00e3o tenta provar sua atualidade atrav\u00e9s da elabora\u00e7\u00e3o de um documento para pensar a pintura em sua pr\u00f3pria produ\u00e7\u00e3o.<\/span><\/p>\n

\n

\/\/\/ espa\u00f1ol \/\/\/<\/p>\n

rese\u00f1a curricular:<\/b> Curs\u00f3 estudios en la Escuela Nacional de Pintura, Escultura y Grabado \u201cLa Esmeralda\u201d, en Ciudad de M\u00e9xico. Ha exhibido su trabajo individual y colectivamente destacando el Museo de Arte Contempor\u00e1neo de Oaxaca (M\u00e9xico), Parque Fundidora, Monterrey, M\u00e9xico, Museo Rufino Tamayo, Ciudad de M\u00e9xico, El Centro Nacional de las Artes y el Fresno Art Museum, California (EEUU). Ha realizado residencias en el FAM, California, (EEUU). Su obra se encuentra en colecciones del MACO, Oaxaca (M\u00e9xico); Fundaci\u00f3n Valent\u00edn Ruiz Aznar, Granada (Espa\u00f1a); la Pinacoteca de la Universidad Aut\u00f3noma de Guerrero (M\u00e9xico); el Museo de los Pintores Oaxaque\u00f1os y en la Universidad Aut\u00f3noma del Estado de M\u00e9xico.<\/span><\/p>\n

rese\u00f1a de investigaci\u00f3n:<\/b> la posibilidad de manifiesto de pintura contempor\u00e1neo. <\/span><\/i>A trav\u00e9s de una investigaci\u00f3n sobre varios tipos de manifiestos art\u00edsticos, a lo largo de la historia del arte, se pregunta sobre la validez de esta manifestaci\u00f3n. As\u00ed es que intenta probar su actualidad a trav\u00e9s de la elaboraci\u00f3n de un documento para pensar la pintura en su propia producci\u00f3n.<\/span><\/p>\n

> +info: Uberbau_house \u2013 Residency \/ Resid\u00eancia \/Residencia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Uberbau_house welcome to the artist Felipe Nu\u00f1ez from Oaxaca (M\u00e9xico) to the International Residency [Contemporary Art Residency] for June 2018. Felipe Nu\u00f1ez  (Oaxaca, M\u00e9xico, 1979) \/ residente Junio 2018 Vive y trabaja en Oaxaca, M\u00e9xico \/ Mora e trabalha em Oaxaca, M\u00e9xico \/ Based in Oaxaca, Mexico http:\/\/vadb.org\/people\/felipe-nunez \/\/\/ english \/\/\/ curricular review: He studied at the … <\/p>\n

Continuar leyendo \u00abResidents July 2018 – Felipe Nu\u00f1ez\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1186,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[11],"tags":[],"class_list":["post-1185","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-residencia-residency"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=1185"}],"version-history":[{"count":5,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1185\/revisions"}],"predecessor-version":[{"id":1742,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/posts\/1185\/revisions\/1742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media\/1186"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=1185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/categories?post=1185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/tags?post=1185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}