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<\/p>\nUberbau_house welcomes to the art researcher Michel Marx from Montevideo (Uruguay) to International Residency [Research in Contemporary Art] for January 2018.<\/p>\n
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Michel Marx <\/b>(Montevideo, Uruguay, 1980)\u00a0<\/span> Vive y trabaja en Montevideo, Uruguay \/ Mora e trabalha em Montevideo, Uruguay \/ Based in Montevideo, Uruguay. \u00a0<\/span><\/p>\n http:\/\/vadb.org\/people\/michel-marx<\/span><\/p>\n \/\/\/ english \/\/\/<\/p>\n curricular review:<\/strong> Studied journalism between 1998-1999. In 2003 he started the career of Letters (Udelar), which he takes up again in 2017, at the University of Montevideo. He is currently in the process of submitting the thesis of Bachelor of Arts, and pursuing the Masters in History: Art and Heritage in the same institution (UM). He is assistant professor of the Chair of Art History (Art II) in the Faculty of Communication of this university. She is also an educator of complementary Literacy spaces in Liceo Impulso (public private management educational institution). In 2017, he manages the Literacy Team for the implementation of a Plan that allows us to reduce the linguistic gap of our students. He takes courses on specific topics on art and design or management of artistic production (Ita\u00fa Foundation).<\/span><\/p>\n research review:<\/strong> role of artist in the Local Scene of Montevideo. Through a historical study of the organizations of the Scene of Montevideo (Uruguay), in evident a recurrence and predominance of the role of the artist in the institutional and power spaces within the local art circuit.<\/span><\/p>\n \/\/\/ portugu\u00e9s \/\/\/<\/p>\n resenha curricular:<\/strong> Ele estudou jornalismo entre 1998-1999. Em 2003 iniciou a carreira de Letras (Udelar), que retoma em 2017, na Universidade de Montevid\u00e9u. Atualmente, ele est\u00e1 no processo de apresentar a tese de Bacharel em Artes, e prossegue o Mestrado em Hist\u00f3ria: Arte e Patrim\u00f4nio na mesma institui\u00e7\u00e3o (UM). \u00c9 professor assistente da C\u00e1tedra de Hist\u00f3ria da Arte (Arte II) na Faculdade de Comunica\u00e7\u00e3o desta universidade. \u00c9 tamb\u00e9m educadora de espa\u00e7os complementares de Alfabetiza\u00e7\u00e3o no Liceo Impulso. Em 2017, ele gerencia a equipe de alfabetiza\u00e7\u00e3o para a implementa\u00e7\u00e3o de um plano que nos permite reduzir a lacuna lingu\u00edstica de nossos alunos. Realiza cursos sobre temas espec\u00edficos de arte e design ou gest\u00e3o da produ\u00e7\u00e3o art\u00edstica (Funda\u00e7\u00e3o Ita\u00fa).<\/span><\/p>\n resenha de pesquisa:<\/b> papel do artista e da cena local de Montevid\u00e9u. Atrav\u00e9s de um estudo hist\u00f3rico das organiza\u00e7\u00f5es da Cena de Montevid\u00e9u (Uruguai), \u00e9 evidente a recorr\u00eancia e predomin\u00e2ncia do papel do artista nos espa\u00e7os institucionais e de poder dentro do circuito de arte local.<\/span><\/p>\n \/\/\/ espa\u00f1ol \/\/\/<\/p>\n rese\u00f1a curricular:<\/b> Estudi\u00f3 periodismo entre 1998-1999. En 2003 comenz\u00f3 la carrera de Letras (Udelar), que retoma en 2017, en la Universidad de Montevideo. Actualmente se encuentra en proceso de entrega de la tesis de Licenciatura en Humanidades, y cursando la Maestr\u00eda en Historia: Arte y Patrimonio en la misma instituci\u00f3n (UM). Es docente ayudante de la C\u00e1tedra de Historia del Arte (Arte II) en la Facultad de Comunicaci\u00f3n de esta universidad. Tambi\u00e9n es educadora de espacios complementarios de Alfabetizaci\u00f3n en Liceo Impulso (instituci\u00f3n educativa p\u00fablica de gesti\u00f3n privada). En 2017 gestiona el Equipo de Alfabetizaci\u00f3n para la implementaci\u00f3n de un Plan que permita disminuir la brecha ling\u00fc\u00edstica de nuestros estudiantes. Realiza cursos de temas espec\u00edficos sobre arte y dise\u00f1o o gesti\u00f3n de la producci\u00f3n art\u00edstica (Fundaci\u00f3n Ita\u00fa). <\/span><\/p>\n rese\u00f1a de investigaci\u00f3n: <\/b>rol de artista y Escena Local de Montevideo. <\/span><\/i>A trav\u00e9s de un estudio hist\u00f3rico de las organizaciones de la Escena de Montevideo (Uruguay) se evidencia la recurrencia y predominancia del rol del artista <\/span>en los espacios institucionales y de poder dentro del circuito de arte local.<\/span><\/p>\n
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