{"id":4992,"date":"2026-07-08T14:31:33","date_gmt":"2026-07-08T14:31:33","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?page_id=4992"},"modified":"2026-07-28T17:28:39","modified_gmt":"2026-07-28T17:28:39","slug":"residencias-pasadas","status":"publish","type":"page","link":"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/","title":{"rendered":"resid\u00eancias pasadas"},"content":{"rendered":"<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 21px; padding-bottom: 16px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h4 class=\"wp-block-heading\" style=\"text-align: right;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">[espa\u00f1ol]<\/a> &nbsp;<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a>&nbsp; <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div>\r\n<div>\r\n<div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 17px; padding-bottom: 18px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<p class=\"isSelectedEnd\">Nesta p\u00e1gina da Uberbau_house apresentamos um panorama das resid\u00eancias realizadas, que j\u00e1 acolheram mais de <strong>207 trabalhadores da arte<\/strong> provenientes de <strong>27 pa\u00edses e 63 cidades<\/strong>. O conte\u00fado permite conhecer as pesquisas e os processos desenvolvidos durante as resid\u00eancias, oferecendo um recurso valioso para pessoas interessadas em arte contempor\u00e2nea e nas investiga\u00e7\u00f5es realizadas nesse campo.<\/p>\r\n<p class=\"isSelectedEnd\">Ao longo desses anos, recebemos atividades e resid\u00eancias de trabalho coletivo e colaborativo, como o <strong>Diplomado Arte Aplicada \u00e0 Sociedade<\/strong>, <strong>Sistem\u00e1tica e Sedutora<\/strong> e <strong>Espa\u00e7o de Fala<\/strong>, abordando temas como arte e processos sociais, bienais de arte contempor\u00e2nea, g\u00eanero, sexualidade, ra\u00e7a e classe.<\/p>\r\n<p class=\"isSelectedEnd\">Nesta se\u00e7\u00e3o, est\u00e3o dispon\u00edveis as <strong>Apresenta\u00e7\u00f5es Finais<\/strong> das pesquisas realizadas pelos participantes desde 2016. Al\u00e9m disso, o <strong>Mapa de Participantes<\/strong> das resid\u00eancias, abrangendo o per\u00edodo de 2016 a 2026, oferece uma vis\u00e3o geral da diversidade e do alcance das colabora\u00e7\u00f5es desenvolvidas na Uberbau_house.<\/p>\r\n<p>Esta p\u00e1gina oferece um panorama das atividades e resid\u00eancias realizadas ao longo dos anos, evidenciando pesquisas que abordam quest\u00f5es relevantes da arte contempor\u00e2nea, como arte e processos sociais, bienais de arte contempor\u00e2nea, g\u00eanero, sexualidade, ra\u00e7a e classe.<\/p>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h1 class=\"\"><strong>ACESSO R\u00c1PIDO AO CONTE\u00daDO<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><a href=\"#residentes2016-2023\">Mapa de Participantes nas resid\u00eancias Uberbau_house 2016 \u2013 2026<\/a><\/li>\r\n<li><a href=\"#temas\">Diagrama de Participantes organizados por tema de investigaci\u00f3n 2016 \u2013 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2026\">Apresenta\u00e7\u00f5es finais 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2025\">Apresenta\u00e7\u00f5es finais 2025<\/a><\/li>\r\n<li><a href=\"#presentaciones2024\">Apresenta\u00e7\u00f5es finais 2024<\/a><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">Apresenta\u00e7\u00f5es finais 2023<\/a><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">Apresenta\u00e7\u00f5es finais 2022<\/a><\/li>\r\n<li><a href=\"#presentaciones2016\">Apresenta\u00e7\u00f5es finais 2016 &#8211; 2021<\/a><\/li>\r\n<li><a href=\"#participantes\">Quem participou da resid\u00eancia?<\/a><\/li>\r\n<li><a href=\"#fanzine\">Fanzine informativo 6 anos de Uberbau_house (2016 \u2013 2022)<\/a><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.instagram.com\/uberbau_house\/\" target=\"_blank\" rel=\"noopener\">instagram<\/a> | <a href=\"https:\/\/www.facebook.com\/Uberbau.house\" target=\"_blank\" rel=\"noopener\">facebook<\/a> | <a href=\"https:\/\/www.tiktok.com\/@uberbau_house\" target=\"_blank\" rel=\"noopener\">tiktok <\/a>| <a href=\"https:\/\/www.linkedin.com\/company\/uberbau-house\/\" target=\"_blank\" rel=\"noopener\">linkedin<\/a><br><a href=\"http:\/\/tiny.cc\/uberbau_house\" target=\"_blank\" rel=\"noopener\">grupo de conversa no Whatsapp<\/a> | <a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noopener\">grupo de conversa no&nbsp;telegram<\/a>.<\/p>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Quer participar das Resid\u00eancias Uberbau_house?<\/strong><\/span><\/h2>\r\n<p class=\"\">Selecione o tipo de resid\u00eancia, per\u00edodo de dura\u00e7\u00e3o e datas dispon\u00edveis seguindo estes links.<\/p>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/residency\/residencia\/\">Resid\u00eancia em pesquisa art\u00edstica<\/a><\/strong>&nbsp;(18 e 45 dias de dura\u00e7\u00e3o)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Resid\u00eancia de Produ\u00e7\u00e3o de Arte Contempor\u00e2nea<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\"> (2 meses)<\/a><\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">RESID\u00caNCIAS DE LONGO PRAZO. resid\u00eancias de pesquisa art\u00edstica <\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">(3 e 6 meses de dura\u00e7\u00e3o)<\/a><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row color3-background-color color-3-text-contrast bg-background-color\" style=\"padding-top: 0px;\" id=\"residentes2016-2023\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"mapa2025\" class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/residencias-pasadas\/#mapa2025:~:text=Mapa%20de%20participantes%20nas%20Resid%C3%AAncias%20Uberbau_house.%202016%20%E2%80%93%202026%0Av.%201.3%20%E2%80%93%20Janeiro%202026%C2%A0\"><strong>Mapa de participantes nas Resid\u00eancias Uberbau_house. 2016 \u2013 2026<br><\/strong>v. 1.3 \u2013 Janeiro 2026<\/a><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 11px; padding-bottom: 19px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" id=\"temas\">\r\n<h1 id=\"2023\" class=\"\"><strong>Diagrama dos participantes organizados por tema de pesquisa. 2016 \u2013 2026<br><\/strong>\/ v. 1.3 \u2013 Janeiro 2026 \/<\/h1>\r\n<h1 id=\"2023\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset; text-align: center;\"><strong>&nbsp;<\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2025\/01\/Uberbau_house-Residentes_por_Ejes_Tematicos_2025.pdf\" target=\"_blank\" rel=\"noopener\"> | Abrir em uma janela nova |<\/a><\/p>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2026\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Apresenta\u00e7\u00f5es finais 2026<br><\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/12078697\/embed2\" frameborder=\"0\"><\/iframe><\/div>\r\n<h1 id=\"presentaciones2025\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Apresenta\u00e7\u00f5es finais 2025.<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" style=\"text-align: center;\">\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/11549056\/embed2\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 19px; padding-bottom: 15px;\" id=\"presentaciones2023\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2024\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Apresenta\u00e7\u00f5es finais 2024.<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/10942218\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<h1 class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\">&nbsp;<\/h1>\r\n<h1 id=\"presentaciones2023\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Apresenta\u00e7\u00f5es finais 2023.<\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><iframe title=\"Uberbau_house [Pesquisa de Arte Contempor\u00e2nea] - 2023\" src=\"https:\/\/vimeo.com\/showcase\/10163247\/embed2\" width=525 height=295 allowfullscreen frameborder=\"0\"><\/iframe><\/p>\r\n<h1 id=\"presentaciones2022\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px;\"><strong>Apresenta\u00e7\u00f5es finais 2022.<\/strong><\/h1>\r\n<p class=\"\"><\/p>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/9312557\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 13px; padding-bottom: 8px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2016\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Apresenta\u00e7\u00f5es finais 2016 &#8211; 2021<\/strong><\/h1>\r\n<p class=\"\"><\/p>\r\n<div style=\"padding: 45.53% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/8245630\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 8px; padding-bottom: 8px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\"><\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" style=\"text-align: center;\">\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<div>\r\n<h1 class=\"\"><strong>Quem j\u00e1 participou das resid\u00eancias Uberbau_house?<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-10 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<p>&nbsp;<\/p>\r\n<p class=\"\">Mais de 200 trabalhadores da arte j\u00e1 participaram da resid\u00eancia de pesquisa em arte contempor\u00e2nea<\/p>\r\n<p class=\"\"><strong>A Uberbau_house sediou as seguintes atividades e resid\u00eancias de trabalho coletivo:<br><\/strong><\/p>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/diplomado\/\"><strong>Diplomado Arte Aplicada a la Sociedad<\/strong> <\/a>(2020 e 2021) &#8211; arte e processos sociais.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\"><strong>Sistem\u00e1tica y Seductora<\/strong><\/a> (2018) &#8211; bienais de arte contempor\u00e2nea.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\"><strong>Espacio de Fala<\/strong><\/a> (2019, 2020 e 2022) &#8211; g\u00eanero, sexualidade, ra\u00e7a e classe.<\/li>\r\n\r\n\r\n\r\n<li><strong>Habeas Data<\/strong> (2016, 2017, 2018 e 2019) &#8211; arquivos e pesquisa de dados.<\/li>\r\n\r\n\r\n\r\n<li><strong>Acci\u00f3n \/ Transacci\u00f3n<\/strong> (2018 e 2019) &#8211; economia e mercado da arte.<\/li>\r\n\r\n\r\n\r\n<li><strong>The Real Fake<\/strong> (2017) &#8211; arte e processos sociais.<\/li>\r\n<\/ul>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><strong><span style=\"color: #000000;\"><br>Residentes Uberbau_house 2026 \/ Pesquisa<\/span><\/strong><\/h2>\r\n<ul class=\"\">\r\n<li class=\"isSelectedEnd\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/johanna_boya\/\"><span style=\"text-decoration: underline;\"><strong>Johanna Boya <\/strong><\/span><\/a>(Col\u00f4mbia \/ Chile) \u2013 Colagem e descoloniza\u00e7\u00e3o: narrativas para dignificar o arquivo.<\/li>\r\n<li class=\"isSelectedEnd\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/josuetorreschavez\/\"><span style=\"text-decoration: underline;\"><strong style=\"font-size: 1rem;\">Josu\u00e9 Torres Ch\u00e1vez<\/strong><\/span> <\/a>(M\u00e9xico)<span style=\"font-size: 1rem;\"> \u2013 <\/span><em style=\"font-size: 1rem;\">Circo em Minhas M\u00e3os.<\/em><span style=\"font-size: 1rem;\"> Modelo de interven\u00e7\u00e3o circense socioeducativa.<\/span><\/li>\r\n<li class=\"isSelectedEnd\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/yannehoras\/\"><strong style=\"font-size: 1rem;\">Yanne Horas <\/strong><\/a><\/span>(Alemanha)<span style=\"font-size: 1rem;\"> \u2013 <\/span><em style=\"font-size: 1rem;\">O que vem depois da arte contempor\u00e2nea?<\/em><span style=\"font-size: 1rem;\"> Rumo a uma nova economia pol\u00edtica.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-katherinemoyafarias\/\"><span style=\"text-decoration: underline;\"><strong>Katherine Moya Far\u00edas <\/strong><\/span><\/a>(Chile \/ Argentina) &nbsp;&#8211; <em>Reivindicar lo fruna<\/em>: o desvio e a vulgaridade como m\u00e9todo espacial para superar a domina\u00e7\u00e3o cultural.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-guillerminabravo\/\"><span style=\"text-decoration: underline;\"><strong>Guillermina Bravo<\/strong><\/span><\/a> (Argentina) &#8211; <em>A mem\u00f3ria \u00e9 um brinquedo.<\/em> Estrat\u00e9gias coletivas para construir e desconstruir mem\u00f3rias.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-epifania-queta\/\"><strong>Epifania Queta<\/strong> <\/a><\/span>(Angola \/ Pa\u00edses Baixos) \u2013 <em>Negritude em contexto: geografia, cultura e o olhar da arte global.<\/em> Uma investiga\u00e7\u00e3o sobre como seu posicionamento como mulher negra de pele retinta se transforma de acordo com o contexto geogr\u00e1fico e cultural, e o que essas mudan\u00e7as revelam sobre a constru\u00e7\u00e3o da negritude no mundo da arte, predominantemente branco.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-majo-abreu-2\/\"><strong>Majo Abreu<\/strong> <\/a><\/span>(Guanajuato, M\u00e9xico) &nbsp;&#8211; <em>Articula\u00e7\u00e3o de rela\u00e7\u00f5es comunit\u00e1rias: diagn\u00f3stico e propostas para a Caja de Cambios (Guanajuato, M\u00e9xico).<\/em> Uma pesquisa voltada ao fortalecimento dos v\u00ednculos comunit\u00e1rios e \u00e0 amplia\u00e7\u00e3o do impacto social desse espa\u00e7o.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-rita-gajardo\/\"><strong>Rita Gajardo<\/strong><\/a><\/span> (Rancagua, Chile) &#8211; Estrat\u00e9gias profissionais para seu trabalho como artista, gestora e produtora na cena local de Rancagua, Chile. Uma an\u00e1lise voltada ao desenvolvimento de carreira e \u00e0 sustentabilidade no contexto cultural regional.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-sara-pirani\/\"><strong>Sara Pirani<\/strong><\/a><\/span> (It\u00e1lia \/ Irlanda) &#8211; <em>Ideias para adiar o fim da humanidade pelas m\u00e3os das m\u00e1quinas.<\/em> Sua apresenta\u00e7\u00e3o explora como a arte contempor\u00e2nea pode operar como um mecanismo de negocia\u00e7\u00e3o em sistemas antropoc\u00eantricos, questionando nosso papel diante do avan\u00e7o tecnol\u00f3gico.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-carmin-santos-posca\/\"><strong>Carmin Santos<\/strong> <\/a><\/span>(Argentina) &#8211; Pesquisa os saberes de mulheres ind\u00edgenas no Brasil dos s\u00e9culos XVI e XVII para discutir o olhar colonial.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-elisabeth-verdugo\/\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) &#8211; Organiza uma publica\u00e7\u00e3o que re\u00fane seu trabalho sobre sua pr\u00f3pria experi\u00eancia de nomadismo e a hist\u00f3ria da migra\u00e7\u00e3o na Patag\u00f4nia argentina.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-federico-mattioli\/\"><strong>Federico Mattioli<\/strong><\/a><\/span> (Argentina) &#8211; Revisa a forma como diferentes concep\u00e7\u00f5es arbitr\u00e1rias do tempo produzem distintos tipos de subjetividade.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-kiki-pertinez-heidenreich\/\"><strong>Kiki Perti\u00f1ez<\/strong><\/a><\/span> (Venezuela \/ Espanha) &#8211; Apresentam a pesquisa de campo realizada no Brasil para seu modelo de festival latino-americano de arte contempor\u00e2nea +Latina na Europa. Sua participa\u00e7\u00e3o \u00e9 poss\u00edvel gra\u00e7as ao apoio da Boom! Art Community e do Festival +Latina.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-luis-lujan\/\"><strong>Luis Luj\u00e1n<\/strong><\/a><\/span> (Chihuahua, M\u00e9xico) &#8211; Imagina din\u00e2micas para experi\u00eancias e sistematiza\u00e7\u00e3o de produ\u00e7\u00f5es editoriais coletivas com comunidades migrantes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-oscar-manrique-ares\/\"><strong>Oscar Manriquez<\/strong><\/a><\/span> (Espanha) &#8211; Apresentam a pesquisa de campo realizada no Brasil para seu modelo de festival latino-americano de arte contempor\u00e2nea +Latina na Europa. Sua participa\u00e7\u00e3o \u00e9 poss\u00edvel gra\u00e7as ao apoio da Boom! Art Community e do Festival +Latina.<\/li>\r\n<\/ul>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2026 \/ Produ\u00e7\u00e3o<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-cleo-fuentes\/\"><strong>Cleo Fuentes<\/strong><\/a><\/span> (Chile)<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong><br>Residentes Uberbau_house 2025\/ Pesquisa<\/strong><br><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-joaquin-henriquez-valdebenito\/\"><span style=\"text-decoration: underline;\"><strong>Joaqu\u00edn Henr\u00edquez Valdebenito<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Santiago de Chile, Chile) &#8211; An\u00e1lise de pr\u00e1ticas e modelos curatoriais no Chile. Rela\u00e7\u00e3o entre Sistema da Arte e Cenas Locais.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-georgina-sanchez-celaya\/\"><span style=\"text-decoration: underline;\"><strong>Georgina S\u00e1nchez Celaya<\/strong><\/span><\/a> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; Performance, ritual e lutas pelo meio ambiente na Am\u00e9rica Latina. Estudos de caso e contribui\u00e7\u00f5es te\u00f3ricas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-charlotte-rohde\/\"><span style=\"text-decoration: underline;\"><strong>Charlotte Rohde<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Alemanha) &#8211; A Casca Suave de uma Palavra\u2122\ufe0f \u2013 Sobre escrever o desejo (parte 2) e a economia do controle lingu\u00edstico.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-ana_maria_bernal_cortes\/\"><span style=\"text-decoration: underline;\"><strong>Ana Mar\u00eda Bernal Cort\u00e9s<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Ibagu\u00e9, Col\u00f4mbia) \u2013 Intera\u00e7\u00f5es entre curadoria e media\u00e7\u00e3o nos eventos bienalizados da Col\u00f4mbia e do Brasil em 2025 e suas pol\u00edticas.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-manuel-saldana-minchala\/\"><span style=\"text-decoration: underline;\"><strong>Manuel Salda\u00f1a Minchala<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Equador) \u2013 Diagn\u00f3stico da Cena Local de Arte para a proje\u00e7\u00e3o da Trayectoria.<br><\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-hannah-westphal\/\"><span style=\"text-decoration: underline;\"><strong>Hannah Westphal<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Alemanha) &#8211; Explora como a narrativa visual e a arte da performance se tornam caminhos para a regula\u00e7\u00e3o coletiva e a cura, a partir das pr\u00e1ticas culturais brasileiras e de artistas contempor\u00e2neos.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-ana-carolina-benitez-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carolina Benitez Bravo <\/strong><\/span><\/a>(Quito, Equador) \u2013 <em>Arquivo Aberto.<\/em> Mem\u00f3ria das pr\u00e1ticas art\u00edsticas de mulheres e pessoas LGBTIQ+ no Equador e no Brasil desde 2020.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-lorena-santamaria-2\/\"><span style=\"text-decoration: underline;\"><strong>Lorena Santamar\u00eda&nbsp;<\/strong><\/span><\/a><span class=\"\">(Cuenca, Equador) \u2013 Desenvolvimento de modelos de pedagogias horizontais e cria\u00e7\u00e3o art\u00edstica nos ecossistemas urbanos de Cuenca (Equador).<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-claudia-vidal-sepulveda\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Vidal Sep\u00falveda&nbsp;<\/strong><\/span><\/a><span class=\"\"><span class=\"\">(Santiago de Chile, Chile) &#8211;<\/span><\/span>\r\n<p class=\"isSelectedEnd\">Transforma\u00e7\u00f5es nos espa\u00e7os expositivos. Estudo de institui\u00e7\u00f5es, dispositivos de media\u00e7\u00e3o e p\u00fablicos da arte contempor\u00e2nea.<\/p>\r\n<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong> <\/span><\/a>(Chaco, Argentina) &#8211; Resid\u00eancia Lataxac: arte, territ\u00f3rio e comunidade. Modelos de resid\u00eancia e comunidade na Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-november-2025-maria-gavaldon\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Gavaldon<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; <em>Como?<\/em> Uma aproxima\u00e7\u00e3o \u00e0s estrat\u00e9gias de produ\u00e7\u00e3o em arte contempor\u00e2nea a partir das artes visuais e c\u00eanicas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-erika-venecia-ramirez-garcia\/\"><span style=\"text-decoration: underline;\"><strong>\u00c9rika Venecia Ramirez Garc\u00eda<\/strong><\/span><\/a> (Oaxaca, M\u00e9xico) &#8211; <em>Tradi\u00e7\u00e3o Viva:<\/em> dan\u00e7a e figurino atrav\u00e9s da arte e da cultura. Evolu\u00e7\u00e3o da dan\u00e7a e do vestu\u00e1rio no M\u00e9xico desde o per\u00edodo pr\u00e9-hisp\u00e2nico at\u00e9 a atualidade.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-olgamargarita-davila\/\"><span style=\"text-decoration: underline;\"><strong>olgaMargarita D\u00e1vila<\/strong><\/span><\/a> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; <em>Relacionalidade(s):<\/em> uma aproxima\u00e7\u00e3o a tr\u00eas Bienais de S\u00e3o Paulo (Brasil).<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-mitchel-lopez-granados\/\"><strong><span style=\"text-decoration: underline;\">Mitchel L\u00f3pez Granados <\/span><\/strong>(Salamanca, M\u00e9xico)<\/a>&#8211; A cr\u00edtica curatorial como pr\u00e1tica intelectual que encontra sua materialidade na escrita.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-victoria-papagni\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"text-decoration: underline;\">Victoria Papagni<\/span>&nbsp;<\/strong><\/a>(Buenos Aires, Argentina \/ Zurique, Su\u00ed\u00e7a) \u2013 Tens\u00e3o e complementaridade entre estrat\u00e9gias de carreira e estrat\u00e9gias de produ\u00e7\u00e3o.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-majo-abreu\/\"><strong><span style=\"text-decoration: underline;\">Majo Abreu <\/span><\/strong><\/a>(Guanajuato, M\u00e9xico) &#8211; Diagn\u00f3stico de agentes, institui\u00e7\u00f5es e comunidades para a articula\u00e7\u00e3o de rela\u00e7\u00f5es em Cenas Locais.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-arasy-benitez\/\"><span style=\"text-decoration: underline;\"><strong>Arasy Ben\u00edtez<\/strong><\/span><\/a> (Assun\u00e7\u00e3o, Paraguai \/ Serra da Mantiqueira, Brasil) \u2013 Microexperimenta\u00e7\u00e3o Social Curatorial para uma acessibilidade participativa.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-lucia-ramundo\/\" target=\"_blank\" rel=\"noopener\"><strong>Luc\u00eda Ramundo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; Paisagem como metodologia curatorial na 36\u00aa Bienal de S\u00e3o Paulo.<\/span><\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-paula-martinez-montt\/\">Paula Mart\u00ednez Montt<\/a>&nbsp;<\/span><\/strong>(Concepci\u00f3n, Chile) &#8211; Ecologias em Zonas de Sacrif\u00edcio na Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-luis-daniel-jaramillo-vazquez\/\"><strong><span style=\"text-decoration: underline;\">Luis Daniel Jaramillo V\u00e1zquez<\/span><\/strong><\/a> (Salamanca, M\u00e9xico) &#8211; Sobre grandes hipersti\u00e7\u00f5es.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-david-duponchel\/\"><span style=\"text-decoration: underline;\"><strong>David Duponchel<\/strong><\/span><\/a> (Lima, Per\u00fa) &#8211; An\u00e1lise comparativa da representa\u00e7\u00e3o da morte no cinema.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-luis-mata\/\"><strong><span style=\"text-decoration: underline;\">Luis Mata<\/span> <\/strong><\/a>(Margarita \/ Caracas, Venezuela) &#8211; An\u00e1lise e organiza\u00e7\u00e3o da produ\u00e7\u00e3o.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-susan-elizabeth-rocha-ramirez\/\"><span style=\"text-decoration: underline;\"><strong>Susan Elizabeth Rocha Ram\u00edrez&nbsp;<\/strong><\/span><\/a> (Quito, Equador) &#8211; Produ\u00e7\u00e3o de arte votiva no Equador.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-cristian-hidalgo\/\">Cristian Hidalgo<\/a> <\/strong><\/span>(Pasto, Col\u00f4mbia) \u2013 Como a arte contempor\u00e2nea e o document\u00e1rio podem atuar como sistemas participativos em contextos situados?<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-pryianca-ambalvi\/\">Pryianca Ambalvi<\/a><\/strong><\/span> (Goa, \u00cdndia) \u2013 Processos de produ\u00e7\u00e3o cultural e escrita de n\u00e3o fic\u00e7\u00e3o sobre migra\u00e7\u00e3o, sistema de castas e g\u00eanero\/sexualidade. Rela\u00e7\u00f5es entre autobiografia, enraizamento\/pertencimento e processos coletivos.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-maria-de-la-paz-heredia\/\">Mar\u00eda de la Paz Heredia<\/a><\/strong><\/span> (Zapala, Argentina) &#8211; Ferramentas da linguagem visual para distinguir os limites da constru\u00e7\u00e3o cultural na educa\u00e7\u00e3o vincular.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-alma-sofia-velazquez-garcia\/\">Alma Sof\u00eda Vel\u00e1zquez Garc\u00eda<\/a><\/strong><\/span> (Quer\u00e9taro, M\u00e9xico) &#8211; A arte contempor\u00e2nea produzida por mulheres artistas latino-americanas nos \u00faltimos dez anos como catalisadora de reflex\u00f5es, exerc\u00edcios e din\u00e2micas que fomentam o pensamento cr\u00edtico em adolescentes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-june-2025-hastur-mora\/\">Hastur Mora<\/a><\/strong> <\/span>(Pasto, Col\u00f4mbia) &#8211; An\u00e1lise de como o conceito de identidade mudou ao longo do tempo em rela\u00e7\u00e3o direta com o desenvolvimento das tecnologias da informa\u00e7\u00e3o.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-carlos-silva\/\"><span style=\"text-decoration: underline;\"><strong>Carlos Silva<\/strong><\/span><\/a> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; Movimentos sociais e representa\u00e7\u00f5es art\u00edsticas populares no M\u00e9xico e no Brasil.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-claudia-piquet\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Piquet<\/strong><\/span><\/a> (La Plata, Argentina) &#8211; Rumo \u00e0 experi\u00eancia coletiva da Arte P\u00fablica Contempor\u00e2nea.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-esteban-vivalda-matus\/\"><strong>Esteban Vivalda-Matus<\/strong><\/a><\/span> (Santiago de Chile) &#8211; Interven\u00e7\u00e3o art\u00edstica em espa\u00e7os p\u00fablicos para a cria\u00e7\u00e3o de experi\u00eancias sociopol\u00edticas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-ivone-flores-balseca\/\"><span style=\"text-decoration: underline;\"><strong>Ivone Flores Balseca<\/strong><\/span><\/a> (Quito, Equador) &#8211; Algumas notas sobre luz e som em ambientes urbanos.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/10\/residents-february-2025-alejandra-karina-florez-bayona\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra Karina Fl\u00f3rez Beyona<\/strong><\/span><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 Di\u00e1logo entre literatura e objetualidade. Ferramentas para acompanhar a avalia\u00e7\u00e3o de um livro-obra.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/11\/residents-february-2025-blu-azcue\/\"><strong>Bl\u00fa Azcue<\/strong><\/a><\/span> (Guanajuato, M\u00e9xico) &#8211; Assembleias para construir acordos comunit\u00e1rios e consensos voltados \u00e0 proposi\u00e7\u00e3o de pol\u00edticas p\u00fablicas.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-claudia-marcela-cadena-sandoval\/\"><strong>Claudia Marcela Cadena Sandoval<\/strong> <\/a><\/span>(Toluca, M\u00e9xico) &#8211; Din\u00e2micas de coopera\u00e7\u00e3o e coletiviza\u00e7\u00e3o em comunidades organizadas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-leonardo-glenza\/\"><span style=\"text-decoration: underline;\"><strong>Leonardo Glenza<\/strong> <\/span><\/a>(Buenos Aires, Argentina) &#8211; Rela\u00e7\u00e3o entre m\u00fasica e cosmogonia nas culturas guarani.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-carmen-mendoza-chavez\/\">Carmen Mendoza Ch\u00e1vez<\/a><\/strong><\/span> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; Estrat\u00e9gias de carreira e consolida\u00e7\u00e3o de prest\u00edgio no sistema da arte.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-camila-cuervo\/\"><strong>Camila Cuervo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; O texto como imagem: comunidades e conflu\u00eancias.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luz-moyano\/\"><span style=\"text-decoration: underline;\"><strong>Luz Moyano<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; Estrat\u00e9gias de carreira e forma\u00e7\u00e3o de redes.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luiz-lujan\/\"><span style=\"text-decoration: underline;\"><strong>Luis Lujan<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; Rela\u00e7\u00e3o com comunidades migrantes em tr\u00e2nsito e processos identit\u00e1rios.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-february-2025-gonzalo-zurita\/\"><span style=\"text-decoration: underline;\"><strong>Gonzalo Zurita<\/strong><\/span><\/a> (Quito, Equador) &#8211; Mem\u00f3ria e movimentos pol\u00edticos.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-elisabeth-verdugo\/\" target=\"_blank\" rel=\"noopener\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) -Processos migrat\u00f3rios e nomadismo.<\/span><\/li>\r\n<\/ul>\r\n<ul class=\"\"><\/ul>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\"><\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2024 \/ Pesquisa<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-mel-gross\/\">Mel Gross<\/a> <\/strong><\/span>(Tyler, Estados Unidos) &#8211; Fugacidade e fluidez. <em>Aquilombar<\/em> como processo topol\u00f3gico.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-jada-imani\/\"><strong>Jada Imani<\/strong><\/a> <\/span>(Oakland, Estados Unidos) &#8211; <em>Bamboo SZN (um relan\u00e7amento).<\/em> Cultivando liberdade geogr\u00e1fica, criativa e financeira.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hugo-palmar\/\"><strong>Hugo Palmar<\/strong><\/a><\/span> (Amsterd\u00e3, Pa\u00edses Baixos) \u2013 <em>Aparecer Juntos <span class=\"text-token-text-primary cursor-text rounded-sm\" data-placeholder-token=\"true\">[Genealogia de uma S\u00edndrome]<\/span>.<\/em> Relaciona a obra pict\u00f3rica de Albert Eckhout e Frans Post durante o per\u00edodo colonial neerland\u00eas no Brasil, juntamente com outras refer\u00eancias historiogr\u00e1ficas, ao conceito da S\u00edndrome Holandesa.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\">Hannah<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\"><strong> Hughes <\/strong><\/a><\/span>(Los Angeles, Estados Unidos)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-2024-maria-alejandra-daza\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Alejandra Daza<\/strong><\/span><\/a> (Medell\u00edn, Col\u00f4mbia) \u2013 <em>Vozes da \u00c1gua.<\/em> Museu itinerante em reciclagem.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-jose-antonio-torres\/\"><strong><span style=\"text-decoration: underline;\">Jos\u00e9 Antonio Torres<\/span><\/strong><\/a> (Lima, Per\u00fa) &#8211; A rela\u00e7\u00e3o entre a mem\u00f3ria e a m\u00fasica popular.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-alejandro-paz-romero\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Paz Romero<\/strong><\/span><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 Estudo da cultura pop por meio da an\u00e1lise de sua mitologia.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-naledi-wiberg\/\"><span style=\"text-decoration: underline;\"><strong>Naledi Wiberg<\/strong> <\/span><\/a>(California, Estados Unidos) &#8211; Aspectos do queer na arte e sua implementa\u00e7\u00e3o.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/29\/residents-october-november-2024-karen-lorena-palacios\/\"><span style=\"text-decoration: underline;\"><strong>Karen Lorena Palacios<\/strong><\/span><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 Estrutura\u00e7\u00e3o de um modelo de festival dedicado \u00e0 luz no espa\u00e7o p\u00fablico.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-dyan-del-rivero-teran\/\"><span style=\"text-decoration: underline;\"><strong>Dyan del Rivero Ter\u00e1n<\/strong><\/span><\/a> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; An\u00e1lise hist\u00f3rica da institucionalidade privada mexicana.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-alberto-jimenez-melendez\/\" target=\"_blank\" rel=\"noopener\"><strong>Alberto Jim\u00e9nez Mel\u00e9ndez<\/strong><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 A fotografia vertical como estrutura para a p\u00f3s-fotografia.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-wladimir-ojeda-sendra\/\"><span style=\"text-decoration: underline;\"><strong>Wladimir Ojeda Sendra<\/strong><\/span><\/a> (Rosario, Argentina) &#8211; Os tecidos da pol\u00edtica por tr\u00e1s dos inc\u00eandios florestais.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-daniel-benoit\/\"><span style=\"text-decoration: underline;\"><strong>Daniel Benoit<\/strong> <\/span><\/a>(Montevid\u00e9u, Uruguai) \u2013 Cena local de Montevid\u00e9u e possibilidades de constru\u00e7\u00e3o de mercado.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-christiana-dafni-tatsi\/\"><strong>Christiana Dafni Tatsi <\/strong><\/a>(Atenas, Gr\u00e9cia \/ Madri, Espanha) \u2013 An\u00e1lise da linguagem criptografada, da caligrafia e da ocupa\u00e7\u00e3o do espa\u00e7o p\u00fablico.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/25\/residents-september-2024-xavier-delgado\/\"><span style=\"text-decoration: underline;\"><strong>Xavier Delgado<\/strong><\/span><\/a> (Quito, Equador) &#8211; Epistemologia queer para as artes c\u00eanicas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-ricardo-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>Ricardo Caicedo<\/strong><\/span><\/a> (Cali, Col\u00f4mbia) \u2013 An\u00e1lise da masculinidade nos rituais pag\u00e3os vinculados aos rios na Col\u00f4mbia.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-july-august-2024-joan-soto\/\"><span style=\"text-decoration: underline;\"><strong>Joan Soto<\/strong><\/span> <\/a>(Concepci\u00f3n, Chile) &#8211; Arquitetura desviada e espa\u00e7os n\u00e3o normativos.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-raul-eduardo-balderrama\/\"><span style=\"text-decoration: underline;\"><strong>Ra\u00fal Eduardo Balderrama<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; An\u00e1lise de pol\u00edticas p\u00fablicas para a dignidade e o respeito social.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-alejandro-loiacono\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Loiacono<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; Modelos de montagem e circula\u00e7\u00e3o da pintura.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-duponchel\/\">David Duponchel<\/a> <\/strong><\/span>(Lima, Per\u00fa \/ Fran\u00e7a) \u2013 Modelos de gest\u00e3o e conceitua\u00e7\u00e3o para o registro de rituais tradicionais do Peru.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-samaniego\/\"><span style=\"text-decoration: underline;\"><strong>David Samaniego Almeida<\/strong><\/span><\/a> (Quito, Equador) &#8211; Dispositivos transm\u00eddia para o trabalho entre arte e comunidade.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-denise-koziura\/\"><span style=\"text-decoration: underline;\"><strong>Denise Koziura<\/strong><\/span><\/a> (Quilmes, Argentina) &#8211; Hist\u00f3ria da cr\u00edtica de arte na Argentina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-miriam-diaz\/\"><span style=\"text-decoration: underline;\"><strong>Miriam D\u00edaz Manzano<\/strong><\/span><\/a> (Puebla, M\u00e9xico) &#8211; Discuss\u00e3o sobre o capacitismo e cria\u00e7\u00e3o de espa\u00e7os de acolhimento da diferen\u00e7a por meio das pr\u00e1ticas art\u00edsticas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/07\/29\/residents-july-2024-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong><\/span><\/a> (Chaco, Argentina) &#8211; Modelos de trabalho entre arte e comunidade atrav\u00e9s do muralismo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-alejandra-diaz-rodriguez\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra D\u00edaz Rodr\u00edguez<\/strong><\/span><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 Pesquisa sobre viol\u00eancia de g\u00eanero e pr\u00e1ticas art\u00edsticas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-maria-paula-botero-vivas\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Paula Botero<\/strong><\/span><\/a> (Bogot\u00e1, Col\u00f4mbia) \u2013 Pedagogia da arte contempor\u00e2nea para a emancipa\u00e7\u00e3o docente.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-paz-escadon-bossi\/\"><span style=\"text-decoration: underline;\"><strong>Paz Escadon Bossi<\/strong><\/span><\/a> (Santiago, Chile) &#8211; arte e culin\u00e1ria na Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-ana-carillo-tureo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carillo Tureo<\/strong><\/span><\/a> (Concepci\u00f3n, Chile)&nbsp; &#8211; pixa\u00e7\u00e3o e arte urbana em S\u00e3o Paulo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-isabela-parra\/\"><span style=\"text-decoration: underline;\"><strong>Isabela Parra<\/strong><\/span><\/a> (Quito, Equador) &#8211; Sistematiza\u00e7\u00e3o do arquivo fotogr\u00e1fico e audiovisual do Equador.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-david-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>David Caicedo<\/strong> <\/span><\/a>(Cali, Col\u00f4mbia) \u2013 Fic\u00e7\u00f5es de um futuro dist\u00f3pico dos tr\u00f3picos.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fabiana-alonso\/\"><strong><span style=\"text-decoration: underline;\">Fabiana Alonso <\/span><\/strong><\/a>(Buenos Aires, Argentina) &#8211; Curadoria e an\u00e1lise do discurso capacitista.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fernando-zegarra\/\"><span style=\"text-decoration: underline;\"><strong>Fernando Zerraga <\/strong><\/span><\/a>(Trujillo, Per\u00fa) &#8211; Pesquisa de campo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-joao-parente\/\"><span style=\"text-decoration: underline;\"><strong>Jo\u00e3o Parente<\/strong><\/span><\/a> (Manaos, Brasil \/ Lisboa, Portugal) &#8211; Metodologia de pesquisa da pr\u00f3pria produ\u00e7\u00e3o sobre subjetividade e ficcionaliza\u00e7\u00e3o.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-laura-puerta-barco\/\"><span style=\"text-decoration: underline;\"><strong>Laura Puerta Barco<\/strong><\/span><\/a> (Manizales,<strong> Col\u00f4mbia) \u2013<\/strong> Estrat\u00e9gias de trabalho e financiamento no mercado da arte.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-cecilia-rejtman-nadia-isabel-callau-montero\/\"><strong>Cecilia Rejtma (Lima, Per\u00fa) + Nadia Isabel Callau Montero (La Paz, Bolivia)<\/strong><\/a> &#8211; Epistemologia feminista para compreender a pot\u00eancia e a opress\u00e3o das viol\u00eancias estruturais.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jorge-luis-rincon-roberto\/\"><span style=\"text-decoration: underline;\"><strong>Jorge Luis Rinc\u00f3n Roberto<\/strong><\/span><\/a> (Bogot\u00e1,<strong> Col\u00f4mbia)<\/strong> \u2013 Visibilidade da popula\u00e7\u00e3o LGBTQIAPN+ ind\u00edgena.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-yoalli-quetzal-alfaro\/\"><span style=\"text-decoration: underline;\"><strong>Yoalli Quetzal Alfaro<\/strong><\/span><\/a> (CDMX, M\u00e9xico) &#8211; Estrat\u00e9gias pedag\u00f3gicas contra a opress\u00e3o.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jenny-alexandra-prado-bernal-colombia-mauricio-colin-castillo-mexico\/\">Jenny Alexandra Prado Bernal (Bogot\u00e1, Col\u00f4mbia) + Mauricio Colin Castillo (CDMX, M\u00e9xico)<\/a> <\/strong><\/span>&#8211; Transforma\u00e7\u00f5es na percep\u00e7\u00e3o do espa\u00e7o pict\u00f3rico a partir do uso da tecnologia.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Residentes Uberbau_house 2025 \/ Produ\u00e7\u00e3o<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-gina-bello\/\"><strong><span style=\"text-decoration: underline;\">Gina Bello&nbsp;<\/span><\/strong><\/a>(Guanajuato, M\u00e9xico)&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-andres-hadeser\/\"><strong><span style=\"text-decoration: underline;\">Andr\u00e9s Hadeser<\/span><\/strong><\/a>&nbsp;(Quito, Ecuador)&nbsp;<\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-guillermo-reyes\/\">Guillermo Reyes<\/a>&nbsp;<\/span><\/strong> (Quito, Ecuador)&nbsp;<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Residentes Uberbau_house 2024 \/ Produ\u00e7\u00e3o<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-febreuary-2024-dafne-valdivia-yllades\/\">Dafne Valdivia Yllades<\/a> <\/span><\/strong>(Guanajuato, M\u00e9xico) &#8211; A rela\u00e7\u00e3o entre a natureza e a propriedade privada.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-august-september-2024-mitzy-reyna\/\"><span style=\"text-decoration: underline;\"><strong>Mitzi Reyna<\/strong><\/span><\/a> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; Espa\u00e7os de participa\u00e7\u00e3o art\u00edstica para promover conversas sobre o indesej\u00e1vel.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-mara-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Mara Bravo<\/strong><\/span><\/a> (Barranquilla, Colombia)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 14px; padding-bottom: 12px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><strong>Residentes Uberbau_house 2023<\/strong><\/h2>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-camila-lucero\/\">Camila Lucero <\/a><\/strong>(Concepci\u00f3n, Chile \/ Basel, Sui\u00e7a) &#8211; narrativas nas imagems<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-gabriela-hijar\/\">Gabriela Hijar <\/a><\/strong>(Chihuahua, M\u00e9xico) &#8211; ceramica e som<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-henrique-fagundez\/\">Henrique Fagundez<\/a> <\/strong>(Canoas, Brasil) &#8211; imagems e intelig\u00eancia artificial<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-jimena-granados\/\">Jimena Granados<\/a><\/strong> (Cidade do M\u00e9xico, M\u00e9xico) &#8211; procedimentos de conten\u00e7\u00e3o do espa\u00e7o<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-kiana-de-tramontana\/\">Kiana de Tramontana<\/a><\/strong> (Lima, Per\u00fa) &#8211; como fazer uma resid\u00eancia de arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-adali-torres\/\">Adal\u00ed Torres <\/a><\/strong>(Lima, Per\u00fa) &#8211; representa\u00e7\u00e3o da masculinidade trans na m\u00fasica reggeton<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-felipe-ortiz\/\">Felipe Ortiz<\/a><\/strong> (Santiago de Chile, Chile) &#8211; muralismo e pol\u00edticas p\u00fablicas<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-jose-gilberto-castillejo\/\">Jos\u00e9 Castillejo<\/a><\/strong> (Barranquilla, Col\u00f4mbia) &#8211; conflitos de viol\u00eancia na am\u00e9rica latina<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-mayte-miranda\/\">Mayte Miranda<\/a><\/strong> (Mexicali, M\u00e9xico) &#8211; subjetividade nas redes sociais<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-natalia-document\/\">Natalia Documet<\/a><\/strong> (Lima, Per\u00fa) &#8211; senso comum sobre neodiverg\u00eancia na cultura pop<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-pierre-dalpe\/\">Pierre Dalp\u00e9 <\/a><\/strong>(Montreal, Canada) &#8211; representa\u00e7\u00e3o da subjetividade e \u00e1s mascaras na fotografia<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-renato-almeida\/\">Renato Almeida<\/a><\/strong> (S\u00e3o Paulo, Brasil) &#8211; a visualidade e discursividade da colononiza\u00e7\u00e3o em America Latina<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-mitzi-reyna\/\">Mitzi Reyna<\/a><\/strong> (Cidade de Mexico) &#8211; an\u00e1lise das estrat\u00e9gias de performance e da deriva no espa\u00e7o p\u00fablico<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-ana-del-aguila\/\">Ana del \u00c1guila<\/a><\/strong> (Tijuana, M\u00e9xico) &#8211; ordens visuais e saques de artefatos arqueol\u00f3gicos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-parker-brookie\/\">Parker Brookie<\/a><\/strong> (Estados Unidos) &#8211; subjetividades marginais, mulheres e pessoas lgtbqiapn+ nas ditaduras em America Latina<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-dayana-lamb\/\">Dayana Lamb<\/a> <\/strong>(Bucaramanga, Col\u00f4mbia) &#8211; arte, ecolog\u00eda e comunidade no territorio do rio<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-graciela-alvarez-maroccolo\/\">Graciela \u00c1lvarez Maroccolo<\/a> <\/strong>(Buenos Aires, Argentina) &#8211; estrat\u00e9gias de carreira nas artes, na cultura e no trabalho sexual<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-mafer-ortiz-ballarta\/\">Mafer Ortiz Ballarta<\/a><\/strong> (Lima, Per\u00fa) &#8211; rela\u00e7\u00e3o entre m\u00fasica e arte contempor\u00e2nea<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Cristina Carrasco&nbsp;<\/strong><\/span>(Cuenca, Equador) &#8211; institucionalidade e pol\u00edticas de patrim\u00f4nio para arte contempor\u00e2nea<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (Merida, Venezuela) &#8211; hist\u00f3ria da arte venezuelana nos \u00faltimos anos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/11\/07\/residents-september-2023-adriana-cesar\/\">Adriana Cesar<\/a><\/strong> (Montevideo Uruguay) &#8211; genealogia familiar de uma perspectiva faminista<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-billy-klotsa\/\"><strong>Billy Klotsa<\/strong><\/a> (Gr\u00e9cia \/ Londres, Inglaterra) &#8211; document\u00e1rio sobre identidades n\u00e3o bin\u00e1rias em ambientes urbanos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-carlos-guzman\/\">Carlos Guzm\u00e1n<\/a><\/strong> (Cachipay, Col\u00f4mbia) &#8211; arte, economia sustent\u00e1vel e ecologia<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-jose-antonio-torres\/\"><strong>Jos\u00e9 Antonio Torres<\/strong><\/a> (Lima, Per\u00fa) &#8211; rela\u00e7\u00e3o entre m\u00fasica e pintura<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-stefany-jaramillo\/\"><strong>Stefany Jaramillo<\/strong> <\/a>(Bogot\u00e1, Col\u00f4mbia)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-yunuen-diaz\/\"><strong>Yunuen D\u00edaz<\/strong><\/a> (Morelos, M\u00e9xico) &#8211; registros de coloniza\u00e7\u00e3o na gastronomia popular<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-fernando-colman\/\"><strong>Fernando Colman<\/strong><\/a> (Asunci\u00f3n, Paraguay) &#8211; hist\u00f3ria da cena local em Assun\u00e7\u00e3o, Paraguai<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-jorge-augusto-gamarra\/\"><strong>Jorge Augusto Gamarra<\/strong> <\/a>(La Paz, Bolivia) &#8211; an\u00e1lise da masculinidade em rela\u00e7\u00e3o \u00e0 arquitetura e aos gr\u00e1ficos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-lucina-l-pedrozo\/\">Lucina L. Pedrozo<\/a><\/strong>(Ciudad de M\u00e9xico, M\u00e9xico) &#8211; hist\u00f3ria da videoarte latino-americana<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-marcos-jinguba\/\"><strong>Marcos Jinguba <\/strong><\/a>(Luanda, Angola) &#8211; rela\u00e7\u00f5es dentro do sistema art\u00edstico e redes entre a \u00c1frica e a Am\u00e9rica Latina<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-mayra-huerta\/\"><strong>Mayra Huerta<\/strong><\/a> (Guadalajara, M\u00e9xico) &#8211; arte, cultura e processos sociais<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (Merida, Venezuela)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-ximena-pita\/\"><strong>Ximena Pita<\/strong> <\/a>(Rafaela, Argentina) &#8211; estudo comparativo da estrutura institucional das bienais na Am\u00e9rica Latina<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-yinna-higuera\/\"><strong>Yinna Higuera<\/strong><\/a> (Quito, Equador) &#8211;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-tania-guadalupe-martinez-trujillo\/\"><strong>Tania Guadalupe Mart\u00ednez Trujillo<\/strong><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; modelos pedag\u00f3gicos inclusivos desde din\u00e2micas da arte<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-fabiana-puentes\/\"><strong>Fabiana Puentes<\/strong><\/a> (Montevideo, Uruguay) &#8211; a rela\u00e7\u00e3o entre eventos pol\u00edticos e processos art\u00edsticos na Am\u00e9rica Latina<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-gabriel-xillovich\/\"><strong>Gabriel Xillovich<\/strong><\/a> (Bah\u00eda Blanca, Argentina) &#8211; etarismo e pr\u00e1ticas sexuais na comunidade queer<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-lucia-scarselleta\/\"><strong>Lucia Scarselleta<\/strong><\/a> (La Pampa, Argentina \/ Londres, Inglaterra) &#8211; bolsa R.A.R.O. &#8211; hist\u00f3ria do tran\u00e7ado ga\u00facho<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-monica-martinez\/\"><strong>M\u00f3nica Mart\u00ednez<\/strong> <\/a>(Rosario, Argentina) &#8211; metodologia para a produ\u00e7\u00e3o de teatro de objetos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-gil-mualem-doron\/\">Gil Mualem-Doron<\/a><\/strong> (Londres, Inglaterra) &#8211; gest\u00e3o aut\u00f4noma com pr\u00e1ticas art\u00edsticas e comunit\u00e1rias<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-geo-moon\/\">Geo Moon<\/a><\/strong> (<span style=\"font-weight: 400;\">Seoul, <\/span>Coreia do Sul) &#8211; tecnologia, m\u00fasica e som<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-nina-kraus\/\">Nina Kraus<\/a><\/strong> (Berlin, Alemanha) &#8211; influ\u00eancia feminista nas institui\u00e7\u00f5es de arte e na curadoria<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2022<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-francisca-paris\/\">Francisca Paris<\/a><\/strong> (Puerto Montt, Chile) &#8211; modelos de investimento para artes e cultura<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-daniela-stevens\/\">Daniela Stevens<\/a><\/strong> (San Luis Potos\u00ed, M\u00e9xico) &#8211; estrategia de carreira<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-ricardo-caicedo-cardona\/\">Ricardo Caicedo Cardona<\/a><\/strong> (Cali, Col\u00f4mbia) &#8211; representa\u00e7\u00e3o da masculinidade na fotografia&nbsp;<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-renan-teles\/\">Renan Teles<\/a><\/strong> (S\u00e3o Paulo, Brasil) &#8211; afrofuturismo e constru\u00e7\u00f5es de identidade em comunidades racializadas<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-veronica-zapata\/\">Ver\u00f3nica Zapata<\/a><\/strong> (Santiago de Chile, Chile) &#8211; modelos de pedagogia a partir de procedimentos art\u00edsticos<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-aaron-jimenez\/\">Aaron Jim\u00e9nez<\/a> <\/strong>(Ciudad de M\u00e9xico, M\u00e9xico) &#8211;&nbsp;opera contempor\u00e2nea<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-alejandro-orozco\/\">Alejandro Orozco<\/a><\/strong> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; pensamento diagramatico&nbsp;<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-ale-sotelo\/\">Ale Sotelo <\/a><\/strong>(Lima, Per\u00fa) &#8211; representa\u00e7\u00e3o da comunidade lgtbqiapn+<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-miguel-keerveld\/\">Miguel Keerveld <\/a><\/strong>(Surinam) &#8211; modelos curatoriais para ecologia pol\u00edtica e mudan\u00e7as clim\u00e1ticas<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-rosario-capanegra\/\">Rosario Capanegra<\/a><\/strong> (Buenos Aires, Argentina) &#8211; arquitetura, urbanismo e arte contempor\u00e2nea<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-gianna-salamanca\/\">Gianna Salamanca<\/a><\/strong> (Concepci\u00f3n, Chile) &#8211; ecologia pol\u00edtica e mudan\u00e7a social<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-julian-cardona\/\">Julian Cardona <\/a><\/strong>(Medell\u00edn, Colombia) &#8211; epistemolog\u00eda queer<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-mia-zavalia\/\">M\u00eda Zavalia<\/a><\/strong> (Pilar, Argentina) &#8211; modelos de produ\u00e7\u00e3o po\u00e9tica<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-monica-romero\/\">M\u00f3nica Romero<\/a><\/strong> (Bogot\u00e1, Col\u00f4mbia) &#8211; pol\u00edticas do cuidado<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-august-2022-sergio-gerson-zamora\/\">Sergio Gerson Zamora <\/a><\/strong>(Morelos, M\u00e9xico) &#8211; metodologias alternativas para a narra\u00e7\u00e3o da hist\u00f3ria da arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-yumi-fukuda\/\">Yumi Fukuda<\/a><\/strong> (Jap\u00f3n) &#8211; processos de identidade na comunidade migrante japonesa<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-septembre-2022-tin-ayala\/\"><strong>Tin Ayala<\/strong> <\/a>(Quito, Ecuador \/ Fran\u00e7a) &#8211; design industrial e cultura cr\u00edtica<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-astrid-suarez\/\"><strong>Astrid Su\u00e1rez<\/strong> <\/a>(Medell\u00edn, Col\u00f4mbia) &#8211; pr\u00e1tica comunit\u00e1ria sobre o processo de desaparecimento na Col\u00f4mbia e no M\u00e9xico<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-beatriz-paiva\/\">Beatriz Paiva <\/a><\/strong>(Belem, Brasil) &#8211; Subjetividade negra no norte do Brasil<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-mika-sampaio\/\">Mika Sampaio<\/a><\/strong> (Teresinha, Brasil) &#8211;&nbsp;<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-september-october-2022-lennyn-sant\">Lennyn Santacruz<\/a><\/strong> (Quito, Equador) &#8211; arte e hist\u00f3ria da pedagogia na Am\u00e9rica Latina<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-alexandra-trujillo\/\"><span style=\"text-decoration: underline;\"><strong>Alexandra Trujillo<\/strong><\/span> <\/a>(Quito, Equador) &#8211; processos de produ\u00e7\u00e3o e legitima\u00e7\u00e3o de carreiras<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-tatyana-zambrano\/\"><span style=\"text-decoration: underline;\"><strong>Tatyana Zambrano<\/strong><\/span> <\/a>(Medell\u00edn, Col\u00f4mbia) &#8211; processos de produ\u00e7\u00e3o em um movimento sindical para artistas<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-ely_dd\/\"><span style=\"text-decoration: underline;\"><strong>Ely_dd<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; pesquisa sobre o som gutural<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 11px; padding-bottom: 7px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 class=\"\"><strong>Residentes Uberbau_house 2021<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-andres-ovelar\/\">Andr\u00e9s Ovelar<\/a> <\/strong>(Asunci\u00f3n, Paraguai)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-ximena-garcia-alvarez\/\">Ximena Garc\u00eda<\/a><\/strong> (Cidade do M\u00e9xico, M\u00e9xico)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/12\/28\/residents-september-2021-andrea-chavez\/\">Andrea Ch\u00e1vez<\/a><\/strong> (Morelia, M\u00e9xico)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-2021-alberto-patino\/\">Alberto Pati\u00f1o<\/a><\/strong> (Lima, Per\u00fa)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-december-2021-sofia-enriquez-gonzalez\/\">Sof\u00eda Enr\u00edquez Gonz\u00e1lez<\/a><\/strong> (Vi\u00f1a del Mar, Chile)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-2021-cecilia-coddou-y-fernanda-radetich\/\">Cecilia Coddou e Fernanda Radetich<\/a><\/strong> (Santiago de Chile, Chile)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-mariane-beline\/\">Mariane Beline<\/a><\/strong> (S\u00e3o Paulo, Brasil)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-elisabeth-verdugo\/\">Elisabeth Verdugo<\/a><\/strong> (Cipolletti, Argentina)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-karem-morales\/\">Karem Morales<\/a><\/strong> (Santiago de Chile) &#8211; compara\u00e7\u00e3o entre as pol\u00edticas p\u00fablicas do Chile e do Brasil<\/li>\r\n<\/ul>\r\n<h2 class=\"has-white-background-color has-background\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2020<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/02\/06\/residents-january-2020-miguel-keerveld\/\">Miguel Keerveld<\/a><\/strong> (Commewijne, Suriname) &#8211; humano como um ciborgue em rela\u00e7\u00e3o \u00e0s cidades<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-january-2020-francisco-garcia-villavicencio\/\">Francisco&nbsp;Garc\u00eda&nbsp;Villavicencio<\/a> <\/strong>(Lima, Per\u00fa) &#8211; valor no objeto de arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/03\/05\/residents-january-2020-abari-ruiz\/\">Abari&nbsp;Antonio Ruiz<\/a><\/strong> (Tepic, M\u00e9xico) &#8211; arte e pedagogia<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-pamela-gonzales\/\">Pamela Gonz\u00e1lez<\/a><\/strong> (Tucum\u00e1n, Argentina) &#8211; gest\u00e3o aut\u00f4noma em uma comunidade de arte.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-uilton-juni\">Uila J\u00fanior<\/a><\/strong> (S\u00e3o Paulo, Brasil) &#8211; historia da arte negra em Brasil<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-camila-lacroze\/\">Camila Lacroze<\/a><\/strong> (Montevideo, Uruguai) &#8211; ilustra\u00e7\u00e3o e pintura contempor\u00e2nea<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-lyzu-carcamo\/\">Lyz\u00fa C\u00e1rcamo<\/a><\/strong> (Valpara\u00edso, Chile) &#8211; feminismo aplicado para arte e cultura<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h1 class=\"\"><strong>Residentes Uberbau_house 2019<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/08\/residentes-junho-junho-2019-lia-arenas\/\">L\u00eda Arenas<\/a><\/strong> (Santiago de Chile, Chile) &#8211; a gest\u00e3o cultural como um corpo m\u00f3vil no espa\u00e7o.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/20\/residentes-junho-junho-2019-wynnie-mynerva-mendoza\/\">Wynnie Mynerva Mendoza<\/a><\/strong> (Lima Per\u00fa) &#8211; a comunidade lgtbaiapn+ em rela\u00e7\u00e3o \u00e0 hegemonia religiosa no Peru e no Brasil.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-viviana-errecalde\/\">Viviana Errecalde<\/a><\/strong> (San Mart\u00edn de los Andes) &#8211; a cena local de San Mart\u00edn de los Andes, Argentina.&nbsp;<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-luis-enrique-zela-koort\/\">Luis Enrique Zela-Koort<\/a><\/strong> (Lima, Per\u00fa) &#8211; a rela\u00e7\u00e3o entre a maquinaria capitalista, a natureza e a constru\u00e7\u00e3o da subjetividade.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/02\/residents-july-2019-manuel-la-rosa\/\">Manuel La Rosa<\/a><\/strong> (Santiago de Chile) &#8211; a rela\u00e7\u00e3o entre natureza e tecnolog\u00eda na arte contempor\u00e2nea.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/01\/residents-july-2019\/\">M. Rom\u00e1n<\/a> <\/strong>(Lima, Per\u00fa) &#8211; arte contempor\u00e2nea e institucionalidade social normativa.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-andres-arguelles\/\">Andr\u00e9s Arg\u00fcelles<\/a><\/strong> (Lima, Per\u00fa) &#8211; o problema da pintura na arte contempor\u00e2nea.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-heleen-de-hoon\/\">Heleen de Hoon<\/a><\/strong> (Pa\u00edses Baixos) &#8211; arte contempor\u00e2nea em espa\u00e7os p\u00fablicos.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-november-2019-martha-leon-pellat\/\">Martha Le\u00f3n Nava <\/a><\/strong>(Ciudade de M\u00e9xico, M\u00e9xico) &#8211; modelos de resid\u00eancia de arte e comunidade.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-2019-alexandra-mora-montes-ursula-ramirez-giraldo\/\"><strong>Alexandra Mora -\u00darsula Ramirez Giraldo<\/strong><\/a>&nbsp;(Manizales, Col\u00f4mbia) &#8211; clown period\u00edstico e performance nas Cenas colombianas.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/11\/08\/residents-november-2019-nancy-alvarado\/\">Nancy Alvarado<\/a><\/strong> (Tucum\u00e1n, Argentina) &#8211; a cer\u00e2mica na tens\u00e3o entre o artesanal e arte contempor\u00e2nea.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 7px; padding-bottom: 11px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<div class=\"row bg-editor-hr-wrap\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<div>\r\n<h1><strong style=\"font-size: 1rem;\"><strong style=\"font-size: 1.5rem;\">Residentes Uberbau_house 2016\/2017<\/strong><\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2016\/11\/16\/residentes-diciembre-dezembro-2016\/\">Juan Fernando L\u00f3pez<\/a> <\/strong>(Bogot\u00e1, Col\u00f4mbia) &#8211;&nbsp;economia na gest\u00e3o aut\u00f4noma da arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/01\/04\/residentes-enero-janeiro-2017\/\">Laura Carvalho<\/a><\/strong> (S\u00e3o Paulo, Brasil) &#8211; rela\u00e7\u00e3o de cor e arquitetura com o contexto<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/14\/residentes-febrero-fevereiro-2017-3\/\">Dafne Valdivia<\/a><\/strong> (Guanajuato, M\u00e9xico) &#8211; institui\u00e7\u00f5es formais v.s. gest\u00e3o aut\u00f4noma da arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/07\/residentes-febrero-fevereiro-2017\/\">Dana Ferrrari<\/a><\/strong> (Buenos Aires, Argentina) &#8211; hist\u00f3ria do rol do artista<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/09\/residentes-febrero-fevereiro-2017-2\/\">Jazmin Saidman<\/a> <\/strong>(Buenos Aires, Argentina) &#8211; pedagogia e did\u00e1tica na arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/07\/residentes-marzo-marco-2017\/\">Guillermo Rodriguez<\/a><\/strong> (San Juan, Puerto Rico) &#8211; arte e tecnologia<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/03\/residentes-marzo-marco-2017-3\/\">Leonel Mittmann<\/a><\/strong> (Porto Alegre, Brasil) &#8211; pixa\u00e7ao, graffiti e arte urbana<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017\/\">Abhishek Panchal<\/a><\/strong> (Mumbai, India) &#8211; rol do artista educador<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017-2\/\">Est\u00edbaliz Barato<\/a><\/strong> (Madrid, Espa\u00f1a) &#8211; modelos de an\u00e1lise para produ\u00e7\u00e3o de obra<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/07\/14\/andreaospina\/\">Andrea Ospina<\/a><\/strong> (Manizales, Colombia) &#8211; gest\u00e3o de arte, gest\u00e3o de cultura e zona de exce\u00e7\u00e3o tempor\u00e1ria<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/29\/fernanda_avendano\/\">Fernanda Avenda\u00f1o<\/a><\/strong> (Santiago de Chile) &#8211; arquitetura e corpo social<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/30\/natalia_murcia\/\">Natalia Murcia<\/a><\/strong> (Bogot\u00e1, Col\u00f4mbia) &#8211; arte contempor\u00e2nea como metodologia de pesquisa<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/31\/silvia_mariotti\/\">Silvia Mariotti<\/a><\/strong> (Milan, Italia) &#8211; rela\u00e7\u00e3o entre produ\u00e7\u00e3o visual e liter\u00e1ria<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/28\/naoko_mabon\/\">Naoko Mabon<\/a><\/strong> (Escocia, UK) &#8211; constru\u00e7\u00e3o da identidade na cultura japonesa no Brasil<strong style=\"font-size: 1.5rem;\"><br><\/strong><\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<p class=\"\"><strong style=\"font-size: 1.5rem;\">Residentes Uberbau_house 2018<\/strong><\/p>\r\n<ul class=\"\">\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018\/\">Michel Marx<\/a><\/strong> (Montevideo, Uruguay) &#8211; rol do artista e Cena Local de Montevideo<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018-2\/\">Andrea Ferrero<\/a><\/strong> (Lima, Peru) &#8211; processos de mem\u00f3ria na Am\u00e9rica Latina<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018\/\">Romina Estecher<\/a><\/strong> (Buenos Aires, Argentina)&nbsp;&#8211; recorr\u00eancia em processos de produ\u00e7\u00e3o art\u00edstica<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018-2\/\">Pablo Foladori<\/a><\/strong> (Buenos Aires, Argentina) &#8211;&nbsp;la rela\u00e7\u00e3o entre a \u00f3pera e pr\u00e1ticas contempor\u00e2neas<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-5\/\">Felipe Nu\u00f1ez<\/a><\/strong> (Oaxaca, M\u00e9xico) &#8211;&nbsp;a possibilidade de manifesto de pintura contempor\u00e2nea<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-4\/\">Mar\u00eda de los \u00c1ngeles Otarola<\/a><\/strong> (Mar del Plata, Argentina) &#8211; gest\u00e3o cultural e gest\u00e3o de arte<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-2\/\">Majo Vidal<\/a><\/strong> (Buenos Aires, Argentina) &#8211; arte e feminismo<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-3\/\">Jes\u00fas Jimenez<\/a><\/strong> (Morelia, M\u00e9xico) &#8211;&nbsp;poesia concreta e viol\u00eancia<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018\/\">Tarix Sep\u00falveda<\/a><\/strong> (Santiago de Chile) &#8211; arquitectura<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-mateo-lopez\/\">Mateo Lopez Im\u00e1n<\/a><\/strong> (El Bols\u00f3n, Argentina) &#8211;&nbsp;genoc\u00eddio lingu\u00edstico. S\u00edmbolo, Poder e Arte Contempor\u00e2nea na Am\u00e9rica Latina.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-genietta-varsi\/\">Genietta Varsi<\/a><\/strong> (Lima, Per\u00fa) &#8211; disciplina e domestica\u00e7\u00e3o do corpo humano.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-frances-munar\/\">Frances Munar<\/a><\/strong> (Lima, Per\u00fa) &#8211; arquitetura de som. Di\u00e1logos entre c\u00f3digos e intersubjetividade para a Am\u00e9rica Latina.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\" style=\"text-align: center;\">\r\n<h1 id=\"fanzine\" class=\"row\" style=\"padding-top: 12px; padding-bottom: 12px; text-align: center; box-shadow: #cecece 0px 0px 0px 0px inset;\"><span style=\"color: #000000;\"><strong><span class=\"\" style=\"font-size: 1.25rem;\">Fanzine Uberbau_house 6 anos (2016 a 2022)<\/span><\/strong><\/span><\/h1>\r\n<p class=\"\"><\/p>\r\n<p class=\"\">&nbsp;<\/p>\r\n<p class=\"\"><strong>[<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">espa\u00f1ol]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/strong><\/p>\r\n<h2 class=\"\"><strong>Voc\u00ea quer participar das Resid\u00eancias Uberbau_house?<\/strong><\/h2>\r\n<p class=\"\">| <a href=\"https:\/\/www.uberbau-house.org\/site\/\" target=\"_blank\" rel=\"noopener\"><strong>Resid\u00eancia de Pesquisa em Arte<\/strong><\/a>&nbsp;|&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Resid\u00eancia de Produ\u00e7\u00e3o em Arte Contempor\u00e2nea<\/a><\/strong> |&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">Resid\u00eancias de Pesquisa em Arte \u2013 LONG TERM RESIDENCIES<\/a><\/strong>&nbsp;|&nbsp;<br>Converse conosco <strong><a class=\"\" href=\"https:\/\/wa.me\/5511988772306\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/wa.me\/5511988772306\">whatsapp<\/a><\/strong><strong>\/&nbsp;<a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noreferrer noopener\">telegram<\/a><\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n","protected":false},"excerpt":{"rendered":"<p>[espa\u00f1ol] &nbsp;[portugues]&nbsp; [english] Nesta p\u00e1gina da Uberbau_house apresentamos um panorama das resid\u00eancias realizadas, que j\u00e1 acolheram mais de 207 trabalhadores da arte provenientes de 27 pa\u00edses e 63 cidades. O conte\u00fado permite conhecer as pesquisas e os processos desenvolvidos durante as resid\u00eancias, oferecendo um recurso valioso para pessoas interessadas em arte contempor\u00e2nea e nas investiga\u00e7\u00f5es &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abresid\u00eancias pasadas\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1674,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template\/page\/fullwidth.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-4992","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/4992","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=4992"}],"version-history":[{"count":10,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/4992\/revisions"}],"predecessor-version":[{"id":5024,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/4992\/revisions\/5024"}],"up":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1674"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=4992"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}