{"id":1686,"date":"2019-07-19T15:13:48","date_gmt":"2019-07-19T15:13:48","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?page_id=1686"},"modified":"2026-08-27T15:32:56","modified_gmt":"2026-08-27T15:32:56","slug":"residencias-pasadas-2","status":"publish","type":"page","link":"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/","title":{"rendered":"residencias pasadas"},"content":{"rendered":"<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 21px; padding-bottom: 16px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h4 class=\"wp-block-heading\" style=\"text-align: right;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">[espa\u00f1ol]<\/a> &nbsp;<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a>&nbsp; <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div>\r\n<div>\r\n<div>\r\n<div><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 17px; padding-bottom: 18px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<p class=\"\"><span class=\"\">En esta p\u00e1gina de Uberbau_house presentamos un resumen de la&nbsp; informaci\u00f3n sobre la residencias pasadas, que <em>han acogido a m\u00e1s de 207 trabajadores de arte provenientes de 27 pa\u00edses y 63 ciudades<\/em>, y permite conocer el trabajo desarrollado en la residencia ofreciendo un recurso valioso para aquellos interesados en el arte contempor\u00e1neo y las investigaciones realizadas en este \u00e1mbito.<\/span><\/p>\r\n<p class=\"\"><span class=\"\">En estos a\u00f1os hemos albergado actividades y residencias de trabajo colectivo y colaborativo, como el <strong>Diplomado Arte Aplicada a la Sociedad<\/strong>, <em><strong>Sistem\u00e1tica y Seductora<\/strong><\/em>, y <em><strong>Espacio de Fala<\/strong><\/em>, abordando temas como arte y procesos sociales, bienales de arte contempor\u00e1neo, g\u00e9nero, sexualidad, raza y clase. <\/span><\/p>\r\n<p class=\"\"><span class=\"\">En la secci\u00f3n, se encuentran disponibles las <strong>Presentaciones Finales de investigaci\u00f3n<\/strong> realizadas por los participantes desde 2016, y el <a href=\"#residentes2016-2023\"><strong>Mapa de Participantes en las residencias desde 2016 hasta 2026<\/strong><\/a>&nbsp;proporciona una visi\u00f3n general de la diversidad y alcance de las colaboraciones en Uberbau_house.<\/span><\/p>\r\n<p class=\"\"><span class=\"\">Esta p\u00e1gina de Uberbau_house ofrece un vistazo a las actividades y residencias pasadas, que han abordado temas relevantes en el arte contempor\u00e1neo, como arte y procesos sociales, bienales de arte contempor\u00e1neo, g\u00e9nero, sexualidad, raza y clase. <\/span><\/p>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>ACCESO R\u00c1PIDO AL CONTENIDO<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><a href=\"#residentes2016-2023\">Mapa de Participantes en las residencias Uberbau_house 2016 &#8211; 2026<\/a><\/li>\r\n<li><a href=\"#temas\">Diagrama de Participantes organizados por tema de investigaci\u00f3n 2016 &#8211; 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2026\">Presentaciones finales 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2025\">Presentaciones finales 2025<\/a><\/li>\r\n<li><a href=\"#presentaciones2024\">Presentaciones finales 2024<\/a><\/li>\r\n<li><a href=\"#presentaciones2023\">Presentaciones finales 2023<\/a><\/li>\r\n<li><a href=\"#presentaciones2022\">Presentaciones finales 2022<\/a><\/li>\r\n<li><a href=\"#presentaciones2016\">Presentaciones finales 2016 &#8211; 2021<\/a><\/li>\r\n<li><a href=\"#participantes\">\u00bfQuienes han participado en la residencia?<\/a><\/li>\r\n<li><a href=\"#fanzine\">Fanzine informativo 6 a\u00f1os de Uberbau_house (2016 &#8211; 2022)<\/a><\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.instagram.com\/uberbau_house\/\" target=\"_blank\" rel=\"noopener\">instagram<\/a> | <a href=\"https:\/\/www.facebook.com\/Uberbau.house\" target=\"_blank\" rel=\"noopener\">facebook<\/a> | <a href=\"https:\/\/www.tiktok.com\/@uberbau_house\" target=\"_blank\" rel=\"noopener\">tiktok <\/a>| <a href=\"https:\/\/www.linkedin.com\/company\/uberbau-house\/\" target=\"_blank\" rel=\"noopener\">linkedin<\/a><br><a href=\"http:\/\/tiny.cc\/uberbau_house\" target=\"_blank\" rel=\"noopener\">grupo de conversaci\u00f3n en whatsapp<\/a> | <a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noopener\">grupo de conversaci\u00f3n en&nbsp;telegram<\/a>.<\/p>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>\u00bfQuieres participar en las Residencias Uberbau_house?<\/strong><\/span><\/h2>\r\n<p class=\"\">Selecciona el tipo de residencia, per\u00edodo de duraci\u00f3n y fechas disponibles siguiendo estos enlaces.&nbsp;<\/p>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/\" target=\"_blank\" rel=\"noopener\"><strong>Residencia de investigaci\u00f3n en arte<\/strong><\/a> (18 y 45 d\u00edas de duraci\u00f3n)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Residencia de producci\u00f3n de arte contempor\u00e1neo<\/a><\/strong> (2 meses)<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">Residencias de investigaci\u00f3n en arte LONG TERM RESIDENCIES<\/a><\/strong> (3 y 6 meses de duraci\u00f3n)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row color3-background-color color-3-text-contrast bg-background-color\" style=\"padding-top: 0px;\" id=\"residentes2016-2023\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"2023\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset; text-align: center;\"><strong>Mapa de participantes en las Residencias Uberbau_house. 2016 &#8211; 2026<br><\/strong>v 1.3 &#8211; Enero 2026<strong><br><\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2026\/01\/Mapa-Residencias_Uberbau_house_2016-2026.pdf\" target=\"_blank\" rel=\"noopener\">Abrir en una ventana nueva<\/a><\/p>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 11px; padding-bottom: 19px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" id=\"temas\">\r\n<h1 id=\"2023\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset; text-align: center;\"><strong>Diagrama de participantes organizados por tema de investigaci\u00f3n. 2016 &#8211; 2026<br><\/strong>v 1.3 &#8211; Enero 2026<strong><br><\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2025\/01\/Uberbau_house-Residentes_por_Ejes_Tematicos_2025.pdf\" target=\"_blank\" rel=\"noopener\">Abrir en una ventana nueva<\/a><\/p>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2026\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Presentaciones finales 2026.<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/12078697\/embed2\" frameborder=\"0\"><\/iframe><\/div>\r\n<h1 id=\"presentaciones2025\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Presentaciones finales 2025.<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" style=\"text-align: center;\">\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/11549056\/embed2\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 19px; padding-bottom: 15px;\" id=\"presentaciones2023\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2024\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Presentaciones finales 2024.<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/10942218\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<h1 class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\">&nbsp;<\/h1>\r\n<h1 id=\"presentaciones2023\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Presentaciones finales 2023.<\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\"><iframe title=\"Uberbau_house [Pesquisa de Arte Contempor\u00e2nea] - 2023\" src=\"https:\/\/vimeo.com\/showcase\/10163247\/embed2\" width=525 height=295 allowfullscreen frameborder=\"0\"><\/iframe><\/p>\r\n<h1 id=\"presentaciones2022\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px;\"><strong>Presentaciones finales 2022.<\/strong><\/h1>\r\n<p class=\"\"><\/p>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/9312557\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 13px; padding-bottom: 8px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2016\" class=\"\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Presentaciones finales 2016 &#8211; 2021<\/strong><\/h1>\r\n<p class=\"\"><\/p>\r\n<div style=\"padding: 45.53% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/8245630\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 8px; padding-bottom: 8px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\"><\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" style=\"text-align: center;\">\r\n<h1 id=\"participantes\" class=\"wp-block-heading\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>\u00bfQuienes ya han participado en las residencias Uberbau_house?<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-2 col-md-12 col-xs-12 col-sm-12\">\r\n<p class=\"\"><br><br>En la residencia de investigaci\u00f3n en arte contempor\u00e1neo ya han participado m\u00e1s de 200 trabajadores de arte.<\/p>\r\n<\/div>\r\n<div class=\"col-lg-10 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<p class=\"\"><strong><br>Uberbau_house<\/strong> ha sido sede de las siguientes actividades y residencias de trabajo colectivo:<\/p>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/diplomado\/\"><strong>Diplomado Arte Aplicada a la Sociedad<\/strong> <\/a>(2020 y 2021) &#8211; arte y procesos sociales<\/li>\r\n\r\n\r\n\r\n<li><a href=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\"><strong>Sistem\u00e1tica y Seductora<\/strong><\/a> (2018) &#8211; bienales de arte contempor\u00e1neo.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\"><strong>Espacio de Fala<\/strong><\/a> (2019, 2020 y 2022) &#8211; g\u00e9nero, sexualidad, raza y clase.<\/li>\r\n\r\n\r\n\r\n<li><strong>Habeas Data<\/strong> (2016, 2017, 2018 y 2019) &#8211; archivos e investigaci\u00f3n de datos<\/li>\r\n\r\n\r\n\r\n<li><strong>Acci\u00f3n \/ Transacci\u00f3n<\/strong> (2018 y 2019) &#8211; econom\u00eda y mercado de arte<\/li>\r\n\r\n\r\n\r\n<li><strong>The Real Fake<\/strong> (2017) &#8211; arte y procesos sociales<\/li>\r\n<\/ul>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2026 \/ Investigaci\u00f3n<\/strong><br><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/08\/27\/residents-august-2026-maria-portaluppi\/\"><strong><span style=\"text-decoration: underline;\">Mar\u00eda Portaluppi<\/span><\/strong> (Ecuador)<\/a>&#8211; \u201cPROCESOS PARA CREAR UN ECOTONO DE FICCI\u00d3N\u201d es una investigaci\u00f3n sobre el intercambio de din\u00e1micas de manejo y sonidos de fauna entre comunidades como estrategia para fortalecer el apoyo mutuo, generar cohesi\u00f3n y desarrollar modelos de conservaci\u00f3n adaptables a contextos vulnerables.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/johanna_boya\/\"><span style=\"text-decoration: underline;\"><strong>Johanna Boya<\/strong> <\/span><\/a>(Colombia \/ Chile) &#8211; Collage y descolonizaci\u00f3n: narrativas para dignificar el archivo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/josuetorreschavez\/\"><span style=\"text-decoration: underline;\"><strong>Josu\u00e9 Torres Ch\u00e1vez<\/strong><\/span><\/a> (M\u00e9xico) &nbsp;&#8211; Circo en mis manos. Modelo de intervenci\u00f3n circo-socio-educativo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/yannehoras\/\"><span style=\"text-decoration: underline;\"><strong>Yanne Horas<\/strong><\/span><\/a> (Alemania) &#8211; \u00bfQu\u00e9 viene despu\u00e9s del arte contempor\u00e1neo? Hac\u00eda una nueva econom\u00eda pol\u00edtica.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-katherinemoyafarias\/\"><span style=\"text-decoration: underline;\"><strong>Katherine Moya Far\u00edas <\/strong><\/span><\/a>(Chile \/ Argentina) &nbsp;&#8211; Reivindicar lo fruna: el desv\u00edo y la vulgaridad como m\u00e9todo espacial de superaci\u00f3n de la dominaci\u00f3n cultural.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-guillerminabravo\/\"><span style=\"text-decoration: underline;\"><strong>Guillermina Bravo<\/strong><\/span><\/a> (Argentina) &#8211; La memoria es un juguete. Estrategias colectivas para armar y desarmar las memorias.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-epifania-queta\/\"><strong>Epifania Queta<\/strong> <\/a><\/span>(Angola \/ Pa\u00edses Bajos) &#8211; Negritud en contexto: geograf\u00eda, cultura y la mirada del arte global. Un examen sobre c\u00f3mo su posicionamiento como mujer negra de piel oscura se transforma seg\u00fan el entorno geogr\u00e1fico y cultural, y lo que estos cambios revelan sobre la construcci\u00f3n de la negritud dentro del mundo del arte, predominantemente blanco.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-majo-abreu-2\/\"><strong>Majo Abreu<\/strong> <\/a><\/span>(Guanajuato, M\u00e9xico) &nbsp;&#8211; Articulaci\u00f3n de relaciones comunitarias: diagn\u00f3stico y propuestas para Caja de Cambios (Guanajuato, M\u00e9xico). Una investigaci\u00f3n orientada a fortalecer los v\u00ednculos comunitarios y potenciar el impacto social de este espacio.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-rita-gajardo\/\"><strong>Rita Gajardo<\/strong><\/a><\/span> (Rancagua, Chile) &#8211; Estrategias profesionales para su trabajo de artista, gestora y productora en la escena local de Rancagua, Chile. Un an\u00e1lisis enfocado en el desarrollo de carrera y la sostenibilidad en el contexto cultural regional.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-sara-pirani\/\"><strong>Sara Pirani<\/strong><\/a><\/span> (Italia \/ Irlanda)&nbsp;&#8211; Ideas para postergar el fin de la humanidad a manos de las m\u00e1quinas. Su presentaci\u00f3n explora c\u00f3mo el arte contempor\u00e1neo puede operar como un mecanismo de negociaci\u00f3n en sistemas antropoc\u00e9nicos, cuestionando nuestro rol frente al avance tecnol\u00f3gico.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-carmin-santos-posca\/\"><strong>Carmin Santos<\/strong> <\/a><\/span>(Argentina) &#8211; Investiga sobre saberes de mujeres ind\u00edgenas en el Brasil de los siglos XVI y XVII para discutir la mirada colonial.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-elisabeth-verdugo\/\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) &#8211; Organiza una publicaci\u00f3n que recopila su trabajo sobre su propia experiencia de nomadismo y la historia de la migraci\u00f3n en la Patagonia Argentina,<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-federico-mattioli\/\"><strong>Federico Mattioli<\/strong><\/a><\/span> (Argentina) &#8211; Revisa la manera en que diferentes concepciones arbitrarias del tiempo producen diversos tipos de subjetividades.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-kiki-pertinez-heidenreich\/\"><strong>Kiki Perti\u00f1ez<\/strong><\/a><\/span> (Venezuela \/ Espa\u00f1a) &#8211; Presentan la investigaci\u00f3n de campo realizada en Brasil para su modelo de festival de arte contempor\u00e1neo Latino Americano +Latina en Europa \/ Sus participaciones son posibles gracias al apoyo de Boom! Art Community y Festival + Latina&nbsp;<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-luis-lujan\/\"><strong>Luis Luj\u00e1n<\/strong><\/a><\/span> (Chihuahua, M\u00e9xico) &#8211; Imagina din\u00e1micas para experiencias y sistematizaci\u00f3n de producciones editoriales colectivas con comunidades migrantes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-oscar-manrique-ares\/\"><strong>Oscar Manriquez<\/strong><\/a><\/span> (Espa\u00f1a) &#8211; Presentan la investigaci\u00f3n de campo realizada en Brasil para su modelo de festival de arte contempor\u00e1neo Latino Americano +Latina en Europa \/ Sus participaciones son posibles gracias al apoyo de Boom! Art Community y Festival + Latina<\/li>\r\n<\/ul>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2026 \/ Producci\u00f3n<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-cleo-fuentes\/\"><strong>Cleo Fuentes<\/strong><\/a><\/span> (Chile)<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2025\/ Investigaci\u00f3n<\/strong><br><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-joaquin-henriquez-valdebenito\/\"><span style=\"text-decoration: underline;\"><strong>Joaqu\u00edn Henr\u00edquez Valdebenito<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Santiago de Chile, Chile) &#8211; An\u00e1lisis de pr\u00e1cticas y modelos curatoriales en Chile. Relaci\u00f3n entre Sistema de Arte y Escenas Locales.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-georgina-sanchez-celaya\/\"><span style=\"text-decoration: underline;\"><strong>Georgina S\u00e1nchez Celaya<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Performance, Ritual y luchas por el medio ambiente en Am\u00e9rica Latina. Estudio de casos y aportes te\u00f3ricos.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-charlotte-rohde\/\"><span style=\"text-decoration: underline;\"><strong>Charlotte Rohde<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Alemania) &#8211; &nbsp;La C\u00e1scara Suave de una Palabra\u2122\ufe0f &#8211; Sobre escribir el deseo (parte 2) y la econom\u00eda del control ling\u00fc\u00edstico<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-ana_maria_bernal_cortes\/\"><span style=\"text-decoration: underline;\"><strong>Ana Mar\u00eda Bernal Cort\u00e9s<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Ibagu\u00e9, Colombia) &#8211; Interacciones de la curadur\u00eda y la mediaci\u00f3n en los eventos bienalizados en Colombia y Brasil 2025 y sus pol\u00edticas<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-manuel-saldana-minchala\/\"><span style=\"text-decoration: underline;\"><strong>Manuel Salda\u00f1a Minchala<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Ecuador) &#8211; Diagn\u00f3stico de la Escena Local de Arte para la proyecci\u00f3n de Trayectoria.<br><\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-hannah-westphal\/\"><span style=\"text-decoration: underline;\"><strong>Hannah Westphal<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Alemania) &#8211; &nbsp;Explorando c\u00f3mo la narraci\u00f3n visual y el arte de performance se convierten en un camino para la regulaci\u00f3n colectiva y la sanaci\u00f3n, a trav\u00e9s de la lente de las pr\u00e1cticas culturales brasile\u00f1as y de artistas contempor\u00e1neos.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-ana-carolina-benitez-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carolina Benitez Bravo <\/strong><\/span><\/a>(Quito, Ecuador) &#8211; Archivo Abierto. Memoria de pr\u00e1cticas art\u00edsticas de mujeres y personas LGBTIQ+ en Ecuador y Brasil desde 2020<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-lorena-santamaria-2\/\"><span style=\"text-decoration: underline;\"><strong>Lorena Santamar\u00eda&nbsp;<\/strong><\/span><\/a><span class=\"\">(Cuenca, Ecuador) &#8211; Dise\u00f1o de modelos de pedagog\u00edas horizontales y creaci\u00f3n art\u00edstica en los ecosistemas urbanos de Cuenca (Ecuador)<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-claudia-vidal-sepulveda\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Vidal Sep\u00falveda&nbsp;<\/strong><\/span><\/a><span class=\"\">(Santiago de Chile, Chile) &#8211; Transformaciones en los espacios de exhibici\u00f3n. Estudio de instituciones, dispositivos de mediaci\u00f3n y p\u00fablicos de Arte Contempor\u00e1neo.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong> <\/span><\/a>(Chaco, Argentina) &#8211; Residencia Lataxac: arte, territorio y comunidad. Modelos de Residencia, comunidad en Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-november-2025-maria-gavaldon\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Gavaldon<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; \u00bfC\u00f3mo?<br>Una aproximaci\u00f3n a las estrategias de producci\u00f3n en arte contempor\u00e1neo desde las artes visuales y esc\u00e9nicas<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-erika-venecia-ramirez-garcia\/\"><span style=\"text-decoration: underline;\"><strong>\u00c9rika Venecia Ramirez Garc\u00eda<\/strong><\/span><\/a> (Oaxaca, M\u00e9xico) &#8211; Tradici\u00f3n Viva: Danza y Vestuario a Trav\u00e9s del Arte y la Cultura. Evoluci\u00f3n de la danza y el vestuario en M\u00e9xico desde la \u00e9poca prehisp\u00e1nica hasta la actualidad.&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-olgamargarita-davila\/\"><span style=\"text-decoration: underline;\"><strong>olgaMargarita D\u00e1vila<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Relacionalidad(es): una aproximaci\u00f3n a 3 Bienales de S\u00e3o Paulo (Brasil).&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-mitchel-lopez-granados\/\"><strong><span style=\"text-decoration: underline;\">Mitchel L\u00f3pez Granados <\/span><\/strong>(Salamanca, M\u00e9xico)<\/a>&#8211; &nbsp;La cr\u00edtica curatorial como pr\u00e1ctica intelectual que encuentra su materialidad en la escritura.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-victoria-papagni\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"text-decoration: underline;\">Victoria Papagni<\/span>&nbsp;<\/strong><\/a>(Buenos Aires, Argentina \/ Z\u00farich, Suiza) &#8211; Tensi\u00f3n y complementaci\u00f3n entre estrategias de carrera y estrategias de producci\u00f3n.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-majo-abreu\/\"><strong><span style=\"text-decoration: underline;\">Majo Abreu <\/span><\/strong><\/a>(Guanajuato, M\u00e9xico) &#8211; Diagn\u00f3stico de agentes, instituciones y comunidades para la articulaci\u00f3n de relaciones en Escenas Locales&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-arasy-benitez\/\"><span style=\"text-decoration: underline;\"><strong>Arasy Ben\u00edtez<\/strong><\/span><\/a> (Asunci\u00f3n, Paraguay \/ Serra da Mantiqueira, Brasil) &#8211; Micro-experimentaci\u00f3n Social Curatorial para una accesibilidad participativa.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-lucia-ramundo\/\" target=\"_blank\" rel=\"noopener\"><strong>Luc\u00eda Ramundo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; Paisaje como metodolog\u00eda curatorial en la 36\u00ba Bienal de Sao Paulo.&nbsp;<\/span><\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-paula-martinez-montt\/\">Paula Mart\u00ednez Montt<\/a>&nbsp;<\/span><\/strong>(Concepci\u00f3n, Chile) &#8211; &nbsp;Ecolog\u00edas en Zonas de Sacrificio en Am\u00e9rica Latina.&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-luis-daniel-jaramillo-vazquez\/\"><strong><span style=\"text-decoration: underline;\">Luis Daniel Jaramillo V\u00e1zquez<\/span><\/strong><\/a> (Salamanca, M\u00e9xico) &#8211; Sobre grandes hipersticiones.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-david-duponchel\/\"><span style=\"text-decoration: underline;\"><strong>David Duponchel<\/strong><\/span><\/a> (Lima, Per\u00fa) &#8211; &nbsp;An\u00e1lisis comparativo de la representaci\u00f3n de la Muerte en el cine.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-luis-mata\/\"><strong><span style=\"text-decoration: underline;\">Luis Mata<\/span> <\/strong><\/a>(Margarita \/ Caracas, Venezuela) &#8211; An\u00e1lisis y organizaci\u00f3n de la producci\u00f3n.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-susan-elizabeth-rocha-ramirez\/\"><span style=\"text-decoration: underline;\"><strong>Susan Elizabeth Rocha Ram\u00edrez&nbsp;<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Producci\u00f3n de arte votivo en Ecuador.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-cristian-hidalgo\/\">Cristian Hidalgo<\/a> <\/strong><\/span>(Pasto, Colombia) &#8211; \u00bfC\u00f3mo el arte contempor\u00e1neo y el documental pueden ser sistemas participativos en contextos situados?<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-pryianca-ambalvi\/\">Pryianca Ambalvi<\/a><\/strong><\/span> (Goa, India) &#8211; Procesos de producci\u00f3n cultural y escritura no ficcional sobre migraci\u00f3n, sistema de castas, y genero\/sexualidad. Relaci\u00f3n entre autobiograf\u00eda, arraigo\/pertenencia y procesos colectivos.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-maria-de-la-paz-heredia\/\">Mar\u00eda de la Paz Heredia<\/a><\/strong><\/span> (Zapala, Argentina) &#8211; Herramientas en el lenguaje visual para distinguir los l\u00edmites de la construcci\u00f3n cultural en la educaci\u00f3n vincular.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-alma-sofia-velazquez-garcia\/\">Alma Sof\u00eda Vel\u00e1zquez Garc\u00eda<\/a><\/strong><\/span> (Quer\u00e9taro, M\u00e9xico) &#8211; El arte contempor\u00e1neo realizado en los \u00faltimos diez a\u00f1os por mujeres artistas latinoamericanas, como catalizador para encausar reflexiones, ejercicios y din\u00e1micas que fomentan el pensamiento cr\u00edtico en adolescentes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-june-2025-hastur-mora\/\">Hastur Mora<\/a><\/strong> <\/span>(Pasto, Colombia) &#8211; An\u00e1lisis acerca de c\u00f3mo el concepto de identidad ha cambiado a lo largo del tiempo en relaci\u00f3n directa con el desarrollo de las tecnolog\u00edas de la informaci\u00f3n.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-carlos-silva\/\"><span style=\"text-decoration: underline;\"><strong>Carlos Silva<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Movimientos sociales y representaciones art\u00edsticas populares en M\u00e9xico y Brasil.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-claudia-piquet\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Piquet<\/strong><\/span><\/a> (La Plata, Argentina) &#8211; Rumbo a la experiencia colectiva de Arte P\u00fablico Contempor\u00e1neo<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-esteban-vivalda-matus\/\"><strong>Esteban Vivalda-Matus<\/strong><\/a><\/span> (Santiago de Chile) &#8211; &nbsp;Intervenci\u00f3n Art\u00edstica en Espacios p\u00fablicos para la creaci\u00f3n de experiencias socio pol\u00edticas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-ivone-flores-balseca\/\"><span style=\"text-decoration: underline;\"><strong>Ivone Flores Balseca<\/strong><\/span><\/a> (Quito, Ecuador) -Algunos apuntes de la luz y el sonido en entornos urbanos.&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/10\/residents-february-2025-alejandra-karina-florez-bayona\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra Karina Fl\u00f3rez Beyona<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; &nbsp;Di\u00e1logo entre la literatura y la objetualidad. Herramientas para acompa\u00f1ar la evaluaci\u00f3n de un libro obra.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/11\/residents-february-2025-blu-azcue\/\"><strong>Bl\u00fa Azcue<\/strong><\/a><\/span> (Guanajuato, M\u00e9xico) &#8211; Asambleas para generar acuerdos comunitarios y consensos para proponer pol\u00edticas p\u00fablicas.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-claudia-marcela-cadena-sandoval\/\"><strong>Claudia Marcela Cadena Sandoval<\/strong> <\/a><\/span>(Toluca, M\u00e9xico) &#8211; din\u00e1micas de cooperaci\u00f3n y colectivizaci\u00f3n en comunidades organizadas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-leonardo-glenza\/\"><span style=\"text-decoration: underline;\"><strong>Leonardo Glenza<\/strong> <\/span><\/a>(Buenos Aires, Argentina) &#8211; relaci\u00f3n entre la m\u00fasica y la cosmogon\u00eda en las culturas guaran\u00ed.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-carmen-mendoza-chavez\/\">Carmen Mendoza Ch\u00e1vez<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; estrategia de carrera y afianzamiento de prestigio en el sistema de arte.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-camila-cuervo\/\"><strong>Camila Cuervo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; El texto como imagen: comunidades y confluencias.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luz-moyano\/\"><span style=\"text-decoration: underline;\"><strong>Luz Moyano<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; estrategias de carrera y formaci\u00f3n de redes<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luiz-lujan\/\"><span style=\"text-decoration: underline;\"><strong>Luis Lujan<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; relaci\u00f3n con comunidad migrante en tr\u00e1nsito y procesos identitarios.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-february-2025-gonzalo-zurita\/\"><span style=\"text-decoration: underline;\"><strong>Gonzalo Zurita<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; memoria y movimientos pol\u00edticos<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-elisabeth-verdugo\/\" target=\"_blank\" rel=\"noopener\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) &#8211; procesos migratorios y nomadismo.<\/span><\/li>\r\n<\/ul>\r\n<ul class=\"\"><\/ul>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\"><\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2024 \/ Investigaci\u00f3n<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-mel-gross\/\">Mel Gross<\/a> <\/strong><\/span>(Tyler, Estados Unidos) &#8211; Fugacidad y fluidez. Aquilombar como proceso topol\u00f3gico.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-jada-imani\/\"><strong>Jada Imani<\/strong><\/a> <\/span>(Oakland, Estados Unidos) &#8211; Bamboo SZN (un relanzamiento). Cultivando libertad geogr\u00e1fica, creativa y financiera.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hugo-palmar\/\"><strong>Hugo Palmar<\/strong><\/a><\/span> (Amsterdam, Netherlands) &#8211; &nbsp;Aparecer Juntos [Genealog\u00eda de un S\u00edndrome]. Vincula la obra pict\u00f3rica de Albert Eckhout y Frans Post durante el per\u00edodo colonial neerland\u00e9s en Brasil, junto con otras referencias historiogr\u00e1ficas, con el concepto del S\u00edndrome Holand\u00e9s.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\">Hannah<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\"><strong> Hughes <\/strong><\/a><\/span>(Los Angeles, Estados Unidos)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-2024-maria-alejandra-daza\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Alejandra Daza<\/strong><\/span><\/a> (Medell\u00edn, Colombia) &#8211; Voces del agua. Museo itinerante en reciclaje.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-jose-antonio-torres\/\"><strong><span style=\"text-decoration: underline;\">Jos\u00e9 Antonio Torres<\/span><\/strong><\/a> (Lima, Per\u00fa) &#8211; la relaci\u00f3n entre la memoria y la m\u00fasica popular<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-alejandro-paz-romero\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Paz Romero<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; estudio de la cultura pop a trav\u00e9s del an\u00e1lisis de su mitolog\u00eda<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-naledi-wiberg\/\"><span style=\"text-decoration: underline;\"><strong>Naledi Wiberg<\/strong> <\/span><\/a>(California, Estados Unidos) &#8211; aspectos de lo queer en el arte y su implementaci\u00f3n .<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/29\/residents-october-november-2024-karen-lorena-palacios\/\"><span style=\"text-decoration: underline;\"><strong>Karen Lorena Palacios<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; estructuraci\u00f3n de un modelo de festival dedicado a la luz en el espacio p\u00fablico<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-dyan-del-rivero-teran\/\"><span style=\"text-decoration: underline;\"><strong>Dyan del Rivero Ter\u00e1n<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; an\u00e1lisis hist\u00f3rico de la institucionalidad mexicana privada<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-alberto-jimenez-melendez\/\" target=\"_blank\" rel=\"noopener\"><strong>Alberto Jim\u00e9nez Mel\u00e9ndez<\/strong><\/a> (Bogot\u00e1, Colombia) &#8211; la fotograf\u00eda vertical como estructura para la postfotograf\u00eda<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-wladimir-ojeda-sendra\/\"><span style=\"text-decoration: underline;\"><strong>Wladimir Ojeda Sendra<\/strong><\/span><\/a> (Rosario, Argentina) &#8211; tejidos de la pol\u00edtica detr\u00e1s de los incendios forestales.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-daniel-benoit\/\"><span style=\"text-decoration: underline;\"><strong>Daniel Benoit<\/strong> <\/span><\/a>(Montevideo, Uruguay) &#8211; escena local de Montevideo y posibilidades de construcci\u00f3n de mercado<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-christiana-dafni-tatsi\/\"><strong>Christiana Dafni Tatsi <\/strong><\/a>(Atenas, Grecia \/ Madrid, Espa\u00f1a) &#8211; an\u00e1lisis del lenguaje encriptado, caligraf\u00eda y ocupaci\u00f3n del espacio p\u00fablico<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/25\/residents-september-2024-xavier-delgado\/\"><span style=\"text-decoration: underline;\"><strong>Xavier Delgado<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; epistemolog\u00eda queer para las artes esc\u00e9nicas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-ricardo-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>Ricardo Caicedo<\/strong><\/span><\/a> (Cali, Colombia) &#8211; an\u00e1lisis de la masculinidad en los rituales paganos vinculados a los r\u00edos en Colombia.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-july-august-2024-joan-soto\/\"><span style=\"text-decoration: underline;\"><strong>Joan Soto<\/strong><\/span> <\/a>(Concepci\u00f3n, Chile) &#8211; arquitectura desviada y espacios no normativos.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-raul-eduardo-balderrama\/\"><span style=\"text-decoration: underline;\"><strong>Ra\u00fal Eduardo Balderrama<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; an\u00e1lisis de pol\u00edticas p\u00fablicas para la dignidad y el respeto social.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-alejandro-loiacono\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Loiacono<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; modelos de montaje y circulaci\u00f3n de la pintura<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-duponchel\/\">David Duponchel<\/a> <\/strong><\/span>(Lima, Per\u00fa \/ Francia) &#8211; modelos de gesti\u00f3n y conceptualizaci\u00f3n para registro de rituales tradicionales del Per\u00fa<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-samaniego\/\"><span style=\"text-decoration: underline;\"><strong>David Samaniego Almeida<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; dispositivos transmedia para el trabajo entre arte y comunidad.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-denise-koziura\/\"><span style=\"text-decoration: underline;\"><strong>Denise Koziura<\/strong><\/span><\/a> (Quilmes, Argentina) &#8211; historia de la cr\u00edtica de arte en Argentina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-miriam-diaz\/\"><span style=\"text-decoration: underline;\"><strong>Miriam D\u00edaz Manzano<\/strong><\/span><\/a> (Puebla, M\u00e9xico) &#8211; discusi\u00f3n del capacitismo y creaci\u00f3n de espacio de acogimiento de la diferencia desde las pr\u00e1cticas art\u00edsticas.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/07\/29\/residents-july-2024-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong><\/span><\/a> (Chaco, Argentina) &#8211; modelos de trabajo de arte y comunidad a trav\u00e9s del muralismo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-alejandra-diaz-rodriguez\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra D\u00edaz Rodr\u00edguez<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; investigaci\u00f3n sobre violencia de g\u00e9nero y pr\u00e1cticas art\u00edsticas<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-maria-paula-botero-vivas\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Paula Botero<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; pedagog\u00eda de arte contempor\u00e1neo para liberaci\u00f3n docente.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-paz-escadon-bossi\/\"><span style=\"text-decoration: underline;\"><strong>Paz Escadon Bossi<\/strong><\/span><\/a> (Santiago, Chile) &#8211; arte y culinaria en Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-ana-carillo-tureo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carillo Tureo<\/strong><\/span><\/a> (Concepci\u00f3n, Chile)&nbsp; &#8211; pixa\u00e7\u00e3o e arte urbano en S\u00e3o Paulo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-isabela-parra\/\"><span style=\"text-decoration: underline;\"><strong>Isabela Parra<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; sistematizaci\u00f3n del archivo fotogr\u00e1fico y audiovisual del Ecuador.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-david-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>David Caicedo<\/strong> <\/span><\/a>(Cali, Colombia) &#8211; ficciones de un futuro dist\u00f3pico del tr\u00f3pico.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fabiana-alonso\/\"><strong><span style=\"text-decoration: underline;\">Fabiana Alonso <\/span><\/strong><\/a>(Buenos Aires, Argentina) &#8211; curador\u00eda y an\u00e1lisis del discurso capacitista.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fernando-zegarra\/\"><span style=\"text-decoration: underline;\"><strong>Fernando Zerraga <\/strong><\/span><\/a>(Trujillo, Per\u00fa) &#8211; investigaci\u00f3n de campo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-joao-parente\/\"><span style=\"text-decoration: underline;\"><strong>Jo\u00e3o Parente<\/strong><\/span><\/a> (Manaos, Brasil \/ Lisboa, Portugal) &#8211; metodolog\u00eda de investigaci\u00f3n de la propia producci\u00f3n sobre subjetividad y ficcionamiento.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-laura-puerta-barco\/\"><span style=\"text-decoration: underline;\"><strong>Laura Puerta Barco<\/strong><\/span><\/a> (Manizales, Colombia) &#8211; estrategias de trabajo y financiamiento en el mercado del arte.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-cecilia-rejtman-nadia-isabel-callau-montero\/\"><strong>Cecilia Rejtma (Lima, Per\u00fa) + Nadia Isabel Callau Montero (La Paz, Bolivia)<\/strong><\/a> &#8211; epistemolog\u00eda feminista para comprender la potencia y opresi\u00f3n de las violencias estructurales.&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jorge-luis-rincon-roberto\/\"><span style=\"text-decoration: underline;\"><strong>Jorge Luis Rinc\u00f3n Roberto<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; visibilidad de la poblaci\u00f3n lgtbqiapn+ ind\u00edgena.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-yoalli-quetzal-alfaro\/\"><span style=\"text-decoration: underline;\"><strong>Yoalli Quetzal Alfaro<\/strong><\/span><\/a> (CDMX, M\u00e9xico) &#8211; estrategias pedag\u00f3gicas contra a opresi\u00f3n.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jenny-alexandra-prado-bernal-colombia-mauricio-colin-castillo-mexico\/\">Jenny Alexandra Prado Bernal (Bogot\u00e1, Colombia) + Mauricio Colin Castillo (CDMX, M\u00e9xico)<\/a> <\/strong><\/span>&#8211; cambio en la percepci\u00f3n del espacio pict\u00f3rico desde la utilizaci\u00f3n de la tecnolog\u00eda.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Residentes Uberbau_house 2025 \/ producci\u00f3n<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-gina-bello\/\"><strong><span style=\"text-decoration: underline;\">Gina Bello&nbsp;<\/span><\/strong><\/a>(Guanajuato, M\u00e9xico)&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-andres-hadeser\/\"><strong><span style=\"text-decoration: underline;\">Andr\u00e9s Hadeser<\/span><\/strong><\/a>&nbsp;(Quito, Ecuador)&nbsp;<\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-guillermo-reyes\/\">Guillermo Reyes<\/a>&nbsp;<\/span><\/strong> (Quito, Ecuador)&nbsp;<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Residentes Uberbau_house 2024 \/ producci\u00f3n<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-febreuary-2024-dafne-valdivia-yllades\/\">Dafne Valdivia Yllades<\/a> <\/span><\/strong>(Guanajuato, M\u00e9xico) &#8211; la relaci\u00f3n entre la naturaleza y la propiedad privada<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-august-september-2024-mitzy-reyna\/\"><span style=\"text-decoration: underline;\"><strong>Mitzi Reyna<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; espacios de arte participaci\u00f3n para conversaciones sobre lo indeseable.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-mara-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Mara Bravo<\/strong><\/span><\/a> (Barranquilla, Colombia)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 14px; padding-bottom: 12px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><strong>Residentes Uberbau_house 2023<\/strong><\/h2>\r\n<ul class=\"\">\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-camila-lucero\/\">Camila Lucero<\/a> <\/span><\/strong>(Concepci\u00f3n, Chile \/ Basel, Suiza) &#8211; la narrativa de las im\u00e1genes.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-gabriela-hijar\/\">Gabriela Hijar <\/a><\/strong><\/span>(Chihuahua, M\u00e9xico) &#8211; cer\u00e1mica y sonido.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-henrique-fagundez\/\">Henrique Fagundez <\/a><\/strong>(<\/span>Canoas, Brasil) &#8211; im\u00e1genes e inteligencia artificial.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-jimena-granados\/\">Jimena Granados<\/a><\/strong> (<\/span>Ciudad de M\u00e9xico, M\u00e9xico) &#8211; procedimientos de contenci\u00f3n en el espacio p\u00fablico.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-kiana-de-tramontana\/\">Kiana de Tramontana<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; c\u00f3mo hacer una residencia de arte<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-adali-torres\/\">Adal\u00ed Torres<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; representaci\u00f3n de la trans masculinidad en la m\u00fasica de reguet\u00f3n.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-felipe-ortiz\/\">Felipe Ortiz <\/a><\/strong><\/span>(Santiago, Chile) &#8211; muralismo y pol\u00edticas p\u00fablicas.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-jose-gilberto-castillejo\/\" target=\"_blank\" rel=\"noopener\"><strong>Jos\u00e9 Castillejo&nbsp;<\/strong><\/a>(Barranquilla, Colombia) &#8211; conflictos de violencia en Am\u00e9rica Latina.<\/span><\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-mayte-miranda\/\">Mayte Miranda<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; subjetividad en las redes sociales.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-natalia-document\/\">Natalia Documet<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; sentido com\u00fan sobre la neodivergencia en la cultura pop<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-pierre-dalpe\/\">Pierre Dalp\u00e9 <\/a><\/strong><\/span>(Montreal, Canad\u00e1) &#8211; representaci\u00f3n de la subjetividad y las m\u00e1scaras en la fotograf\u00eda.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-renato-almeida\/\">Renato Almeida<\/a> <\/strong><\/span>(S\u00e3o Paulo, Brasil) &#8211; visualidad y discursividad de la colonizaci\u00f3n en Am\u00e9rica Latina.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-mitzi-reyna\/\">Mitzi Reyna<\/a> <\/strong><\/span>(Ciudad de M\u00e9xico) &#8211; an\u00e1lisis de estrategias de performance y deriva en el espacio p\u00fablico.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-ana-del-aguila\/\">Ana del \u00c1guila<\/a><\/strong><\/span> (Tijuana, M\u00e9xico) &#8211; \u00f3rdenes visuales y expolio de piezas arqueol\u00f3gicas.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-parker-brookie\/\">Parker Brookie<\/a> <\/strong><\/span>(Estados Unidos) &#8211; subjetividades marginalizadas, mujeres y personas lgtbqiapn+ en las dictaduras latinoamericanas.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-dayana-lamb\/\">Dayana Lamb<\/a> <\/strong><\/span>(Bucaramanga, Colombia) &#8211; arte, ecolog\u00eda y comunidad en el territorio del rio.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-graciela-alvarez-maroccolo\/\">Graciela \u00c1lvarez Maroccolo<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; estrategias de carrera en arte, cultura y trabajo sexual.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-mafer-ortiz-ballarta\/\">Mafer Ortiz Ballarta<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; relaciones entre m\u00fasica y el arte contempor\u00e1neo.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Cristina Carrasco&nbsp;<\/strong><\/span>(Cuenca, Ecuador) &#8211; institucionalidad y pol\u00edticas de patrimonio para arte contempor\u00e1neo.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (M\u00e9rida, Venezuela) &#8211; historia del arte venezolano de los \u00faltimos a\u00f1os.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/11\/07\/residents-september-2023-adriana-cesar\/\">Adriana Cesar<\/a><\/strong> (Montevideo, Uruguay) &#8211; genealog\u00eda familiar desde una perspectiva feminista.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-billy-klotsa\/\"><strong>Billy Klotsa<\/strong><\/a> (Grecia \/ Londres, Inglaterra) &#8211; documental sobre identidades no binarias en entornos urbanos.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-carlos-guzman\/\">Carlos Guzm\u00e1n<\/a><\/strong> (Cachipay, Colombia) &#8211; arte, econom\u00eda sustentable y ecolog\u00eda.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-jose-antonio-torres\/\"><strong>Jos\u00e9 Antonio Torres<\/strong><\/a> (Lima, Per\u00fa) &#8211; relaci\u00f3n entre la m\u00fasica y la pintura<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-stefany-jaramillo\/\"><strong>Stefany Jaramillo<\/strong> <\/a>(Bogot\u00e1, Colombia) &#8211;&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-yunuen-diaz\/\"><strong>Yunuen D\u00edaz<\/strong><\/a> (Morelos, M\u00e9xico) &#8211; registros de la colonizaci\u00f3n en la gastronom\u00eda popular.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-fernando-colman\/\"><strong>Fernando Colman<\/strong><\/a> (Asunci\u00f3n, Paraguay) &#8211; historia de la escena local de Asunci\u00f3n, Paraguay,<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-jorge-augusto-gamarra\/\"><strong>Jorge Augusto Gamarra<\/strong> <\/a>(La Paz, Bolivia) &#8211; an\u00e1lisis de la masculinidad en relaci\u00f3n a la arquitectura y la gr\u00e1fica.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-lucina-l-pedrozo\/\">Lucina L.<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-lucina-l-pedrozo\/\" target=\"_blank\" rel=\"noopener\"><strong>Pedrozo&nbsp;<\/strong><\/a>(Ciudad&nbsp;de M\u00e9xico, M\u00e9xico) &#8211; historia del video de arte latinoamericano.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-marcos-jinguba\/\" target=\"_blank\" rel=\"noopener\"><strong>Marcos Jinguba&nbsp;<\/strong><\/a>(Luanda, Angola) &#8211; relaciones dentro del sistema de arte y redes entre \u00c1frica y Am\u00e9rica Latina.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-mayra-huerta\/\"><strong>Mayra Huerta<\/strong><\/a> (Guadalajara, M\u00e9xico) &#8211; arte, cultura y procesos sociales.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (M\u00e9rida, Venezuela).<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-ximena-pita\/\"><strong>Ximena Pita<\/strong> <\/a>(Rafaela, Argentina) &#8211; estudio comparativo de la institucionalidad bienal en Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-yinna-higuera\/\"><strong>Yinna Higuera<\/strong><\/a> (Quito, Ecuador) &#8211; construcci\u00f3n de una red alrededor del formato fotolibro.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-tania-guadalupe-martinez-trujillo\/\"><strong>Tania Guadalupe Mart\u00ednez Trujillo<\/strong><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; modelos pedag\u00f3gicos incluyentes desde din\u00e1micas del arte.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-fabiana-puentes\/\"><strong>Fabiana Puentes<\/strong><\/a> (Montevideo, Uruguay) &#8211; la relaci\u00f3n entre eventos pol\u00edticos y procesos art\u00edsticos en Am\u00e9rica Latina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-gabriel-xillovich\/\"><strong>Gabriel Xillovich<\/strong><\/a> (Bah\u00eda Blanca, Argentina) &#8211; etarismo y pr\u00e1cticas sexuales en la comunidad queer.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-lucia-scarselleta\/\"><strong>Lucia Scarselleta<\/strong><\/a> (La Pampa, Argentina \/ Londres, Inglaterra) &#8211; beca R.A.R.O. &#8211; historia del trenzado gaucho.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-monica-martinez\/\"><strong>M\u00f3nica Mart\u00ednez<\/strong> <\/a>(Rosario, Argentina) &#8211; metodolog\u00eda para la producci\u00f3n del teatro objeto .<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-gil-mualem-doron\/\">Gil Mualem-Doron<\/a><\/strong> (Londres, Inglaterra) &#8211; gestiones aut\u00f3nomas con pr\u00e1cticas de arte y comunidad<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-geo-moon\/\">Geo Moon<\/a><\/strong>&nbsp;<span style=\"font-weight: 400;\">(Se\u00fal, <\/span>Corea del Sur) &#8211; tecnolog\u00eda, m\u00fasica y sonido<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-nina-kraus\/\">Nina Kraus<\/a><\/strong> (Berl\u00edn, Alemania) &#8211; influencia feminista en la institucionalidad de arte y la curador\u00eda.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2022<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-francisca-paris\/\">Francisca Paris<\/a><\/strong><\/span> (Puerto Montt, Chile) &#8211; modelos de inversi\u00f3n para arte y cultura.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-daniela-stevens\/\">Daniela Stevens<\/a> <\/strong><\/span>(San Luis Potos\u00ed, M\u00e9xico) &#8211; estrategia de carrera.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-ricardo-caicedo-cardona\/\">Ricardo Caicedo Cardona<\/a> <\/strong><\/span>(Cali, Colombia) &#8211; representaci\u00f3n de las masculinidades en la fotograf\u00eda.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-renan-teles\/\">Renan Teles <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil) &#8211; afrofuturismo y construcciones identitarias en las comunidades racializadas.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-veronica-zapata\/\">Ver\u00f3nica Zapata<\/a><\/strong><\/span> (Santiago de Chile, Chile) &#8211; modelos de pedagog\u00eda desde los procedimientos art\u00edsticos.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-aaron-jimenez\/\">Aaron Jim\u00e9nez<\/a> <\/strong><\/span>(Ciudad de M\u00e9xico, M\u00e9xico) &#8211; opera contempor\u00e1nea<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-alejandro-orozco\/\">Alejandro Orozco<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; pensamiento diagram\u00e1tico.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-ale-sotelo\/\">Ale Sotelo <\/a><\/strong><\/span>(Lima, Per\u00fa) &#8211; representaci\u00f3n de la comunidad lgtbqiapn+<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-miguel-keerveld\/\">Miguel Keerveld <\/a><\/strong><\/span>(Surinam) &#8211; modelos de curadoria para ecolog\u00eda pol\u00edtica y cambio clim\u00e1tico.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-rosario-capanegra\/\">Rosario Capanegra<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; arquitectura, urbanismo y arte contempor\u00e1neo.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-gianna-salamanca\/\">Gianna Salamanca<\/a> <\/strong><\/span>(Concepci\u00f3n, Chile) &#8211; ecolog\u00eda pol\u00edtica y cambios sociales.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-julian-cardona\/\">Julian Cardona <\/a><\/strong><\/span>(Medell\u00edn, Colombia) &#8211; epistemolog\u00eda queer.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-mia-zavalia\/\">M\u00eda Zavalia<\/a><\/strong><\/span> (Pilar, Argentina) &#8211; modelos de producci\u00f3n po\u00e9ticos.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-monica-romero\/\">M\u00f3nica Romero<\/a><\/strong><\/span> (Bogot\u00e1, Colombia) &#8211; pol\u00edticas del cuidado.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-august-2022-sergio-gerson-zamora\/\">Sergio Gerson Zamora <\/a><\/strong><\/span>(Morelos, M\u00e9xico) &#8211; metodolog\u00edas alternativas para la narraci\u00f3n de la historia del arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-yumi-fukuda\/\">Yumi Fukuda<\/a><\/strong><\/span> (Jap\u00f3n) &#8211; procesos identitarios en la comunidad japonesa migrante .<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-septembre-2022-tin-ayala\/\">Tin Ayala<\/a><\/strong><\/span> (Quito, Ecuador) &#8211; dise\u00f1o industrial y cultura cr\u00edtica&nbsp;<\/li>\r\n\r\n\r\n\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-astrid-suarez\/\">Astrid Su\u00e1rez<\/a> <\/strong>(Medell\u00edn, Colombia) &#8211; pr\u00e1cticas comunitarias sobre el proceso de desaparici\u00f3n en Colombia y M\u00e9xico.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-beatriz-paiva\/\">Beatriz Paiva<\/a><\/strong><\/span> (Belem, Brasil) &#8211; subjetividad negra en el norte de Brasil<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-mika-sampaio\/\">Mika Sampaio<\/a><\/strong><\/span> (Teresinha, Brasil).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-september-october-2022-lennyn-sant\">Lennyn Santacruz <\/a><\/strong><\/span>(Quito, Ecuador) &#8211; historia y m\u00e9todo de la pedagog\u00eda de arte en Am\u00e9rica Latina.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-alexandra-trujillo\/\"><span style=\"text-decoration: underline;\"><strong>Alexandra Trujillo<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; procesos de producci\u00f3n y legitimaci\u00f3n de carrera.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-tatyana-zambrano\/\"><span style=\"text-decoration: underline;\"><strong>Tatyana Zambrano<\/strong><\/span><\/a> (Medell\u00edn, Colombia) &#8211; procesos de producci\u00f3n sobre el un movimiento sindical para artistas.&nbsp;<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-ely_dd\/\"><span style=\"text-decoration: underline;\"><strong>Ely_dd<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; investigaci\u00f3n sobre el sonido gutural.<\/li>\r\n<\/ul>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 11px; padding-bottom: 7px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 class=\"\"><strong>Residentes Uberbau_house 2021<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-andres-ovelar\/\">Andr\u00e9s Ovelar<\/a><\/strong><\/span> (Asunci\u00f3n, Paraguay).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-ximena-garcia-alvarez\/\">Ximena Garc\u00eda<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico)<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/12\/28\/residents-september-2021-andrea-chavez\/\">Andrea Ch\u00e1vez<\/a><\/strong><\/span> (Morelia, M\u00e9xico).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-2021-alberto-patino\/\">Alberto Pati\u00f1o<\/a> <\/strong><\/span>(Lima, Per\u00fa).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-december-2021-sofia-enriquez-gonzalez\/\">Sof\u00eda Enr\u00edquez Gonz\u00e1lez<\/a> <\/strong><\/span>(Vi\u00f1a del Mar, Chile)<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-2021-cecilia-coddou-y-fernanda-radetich\/\">Cecilia Coddou y Fernanda Radetich<\/a><\/strong><\/span> (Santiago de Chile, Chile).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-mariane-beline\/\">Mariane Beline <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-elisabeth-verdugo\/\">Elisabeth Verdugo<\/a> <\/strong><\/span>(Cipolletti, Argentina).<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-karem-morales\/\">Karem Morales<\/a><\/strong><\/span> (Santiago de Chile) &#8211; comparaci\u00f3n entre las pol\u00edticas p\u00fablicas chilenas y brasile\u00f1as.<\/li>\r\n<\/ul>\r\n<h2 class=\"has-white-background-color has-background\"><span style=\"color: #000000;\"><strong>Residentes Uberbau_house 2020<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/02\/06\/residents-january-2020-miguel-keerveld\/\">Miguel Keerveld <\/a><\/strong><\/span>(Commewijne, Suriname) &#8211; el ser humano como un cyborg en relaci\u00f3n con las ciudades.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-january-2020-francisco-garcia-villavicencio\/\">Francisco&nbsp;Garc\u00eda&nbsp;Villavicencio <\/a><\/strong><\/span>(Lima, Per\u00fa) &#8211; arte y pedagog\u00eda.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/03\/05\/residents-january-2020-abari-ruiz\/\">Abari&nbsp;Antonio Ruiz<\/a><\/strong><\/span> (Tepic, M\u00e9xico) &#8211; el valor del objeto de arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-pamela-gonzales\/\">Pamela Gonz\u00e1lez<\/a><\/strong><\/span> (Tucum\u00e1n, Argentina) &#8211; gesti\u00f3n aut\u00f3noma en una comunidad de arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-uilton-juni\">Uilton J\u00fanior <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil) &#8211; historia del arte negro en Brasil.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-camila-lacroze\/\">Camila Lacroze<\/a><\/strong><\/span> (Montevideo, Uruguay) &#8211; ilustraci\u00f3n y pintura contempor\u00e1nea.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-lyzu-carcamo\/\">Lyz\u00fa C\u00e1rcamo<\/a><\/strong><\/span> (Valpara\u00edso, Chile) &#8211; feminismo aplicado para arte y cultura.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h1 class=\"\"><strong>Residentes Uberbau_house 2019<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/08\/residentes-junho-junho-2019-lia-arenas\/\">L\u00eda Arenas<\/a><\/strong><\/span> (Santiago de Chile) &#8211; la gesti\u00f3n cultural como un cuerpo m\u00f3vil en el espacio.&nbsp;<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/20\/residentes-junho-junho-2019-wynnie-mynerva-mendoza\/\">Wynnie Mynerva Mendoza<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; la comunidad lgtbaiapn+ en relaci\u00f3n a la hegemon\u00eda religiosa en Per\u00fa y Brasil.<\/li>\r\n\r\n\r\n\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-viviana-errecalde\/\">Viviana Errecalde<\/a><\/strong> (San Mart\u00edn de los Andes) &#8211; la escena local de San Mart\u00edn de los Andes, Argentina.&nbsp;<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-luis-enrique-zela-koort\/\">Luis Enrique Zela-Koort<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; la relaci\u00f3n entre la maquinaria capitalista, la naturaleza y la construcci\u00f3n de la subjetividad.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/02\/residents-july-2019-manuel-la-rosa\/\">Manuel La Rosa<\/a><\/strong><\/span> (Santiago de Chile) &#8211; la relaci\u00f3n entre la naturaleza y la tecnolog\u00eda en arte contempor\u00e1neo.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/01\/residents-july-2019\/\">M. Rom\u00e1n<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; arte contempor\u00e1neo e institucionalidad social normativa.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-andres-arguelles\/\">Andr\u00e9s Arg\u00fcelles<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; el problema de la pintura en el arte contempor\u00e1neo.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-heleen-de-hoon\/\">Heleen de Hoon<\/a> <\/strong><\/span>(Netherlands) &#8211; arte contempor\u00e1neo en espacios p\u00fablicos.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-november-2019-martha-leon-pellat\/\">Martha Le\u00f3n Nava<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; modelos de residencia de arte y comunidad.<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-2019-alexandra-mora-montes-ursula-ramirez-giraldo\/\"><span style=\"text-decoration: underline;\"><strong>Alexandra Mora -\u00darsula Ramirez Giraldo<\/strong><\/span> &#8211;<\/a> (Manizales, Colombia) &#8211; clown period\u00edstico y performance en la escena colombiana.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/11\/08\/residents-november-2019-nancy-alvarado\/\">Nancy Alvarado<\/a><\/strong><\/span> (Tucum\u00e1n, Argentina) &#8211; la cer\u00e1mica en la tensi\u00f3n entre lo artesanal y el arte contempor\u00e1neo.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 7px; padding-bottom: 11px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<div class=\"row bg-editor-hr-wrap\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<div>\r\n<h1><strong style=\"font-size: 1rem;\">Residentes Uberbau_house 2016 \/ 2017<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2016\/11\/16\/residentes-diciembre-dezembro-2016\/\">Juan Fernando L\u00f3pez<\/a> <\/strong><\/span>(Bogot\u00e1, Colombia) &#8211; econom\u00eda en gesti\u00f3n aut\u00f3noma de arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/01\/04\/residentes-enero-janeiro-2017\/\">Laura Carvalho<\/a><\/strong><\/span> (S\u00e3o Paulo, Brasil) &#8211; relaci\u00f3n del color y la arquitectura con el contexto<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/14\/residentes-febrero-fevereiro-2017-3\/\">Dafne Valdivia<\/a> <\/strong><\/span>(Guanajuato, M\u00e9xico) &#8211; instituciones formales vs. gesti\u00f3n aut\u00f3noma de arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/07\/residentes-febrero-fevereiro-2017\/\">Dana Ferrrari<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; historia el rol de artista.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/09\/residentes-febrero-fevereiro-2017-2\/\">Jazmin Saidman<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; pedagog\u00eda y did\u00e1ctica en arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/07\/residentes-marzo-marco-2017\/\">Guillermo Rodr\u00edguez<\/a><\/strong><\/span> (San Juan, Puerto Rico) &#8211; arte y tecnolog\u00eda.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/03\/residentes-marzo-marco-2017-3\/\">Leonel Mittmann<\/a><\/strong><\/span> (Porto Alegre, Brasil) &#8211; pixa\u00e7ao, graffiti y arte urbano.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017\/\">Abhishek Panchal<\/a><\/strong><\/span> (Mumbai, India) &#8211; rol del artista educador.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017-2\/\">Est\u00edbaliz Barato<\/a><\/strong><\/span> (Madrid, Espa\u00f1a) &#8211; modelos de an\u00e1lisis para producci\u00f3n de obra.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/07\/14\/andreaospina\/\">Andrea Ospina<\/a><\/strong><\/span> (Manizales, Colombia) &#8211; gesti\u00f3n de arte, gesti\u00f3n de cultura y zona de excepci\u00f3n temporal.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/29\/fernanda_avendano\/\">Fernanda Avenda\u00f1o<\/a><\/strong><\/span> (Santiago de Chile) &#8211; arquitectura y cuerpo social.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/30\/natalia_murcia\/\">Natalia Murcia<\/a><\/strong><\/span> (Bogot\u00e1, Colombia) &#8211; arte contempor\u00e1neo como metodolog\u00eda de investigaci\u00f3n.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/31\/silvia_mariotti\/\">Silvia Mariotti<\/a><\/strong><\/span> (Mil\u00e1n, Italia) &#8211; relaci\u00f3n entre la producci\u00f3n visual y literaria.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/28\/naoko_mabon\/\">Naoko Mabon<\/a><\/strong><\/span> (Escocia, UK) &#8211; construcci\u00f3n de la identidad en la cultura japonesa en Brasil.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h1 class=\"\"><strong>Residentes Uberbau_house 2018<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018\/\">Michel Marx<\/a><\/strong><\/span> (Montevideo, Uruguay) &#8211; rol de artista y Escena Local de Montevideo.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018-2\/\">Andrea Ferrero<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; procesos de memoria en Am\u00e9rica Latina.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018\/\">Romina Estecher<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; recurrencia en los procesos de producci\u00f3n art\u00edstica.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018-2\/\">Pablo Foladori<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; la relaci\u00f3n entre la \u00d3pera y las pr\u00e1cticas contempor\u00e1neas.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-5\/\" target=\"_blank\" rel=\"noopener\"><strong>Felipe N\u00fa\u00f1ez<\/strong><\/a><strong>&nbsp;<\/strong>(Oaxaca, M\u00e9xico) &#8211; la posibilidad del manifiesto de la pintura contempor\u00e1nea.<\/span><\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-4\/\">Mar\u00eda de los \u00c1ngeles Otarola<\/a> <\/strong><\/span>(Mar del Plata, Argentina) &#8211; gesti\u00f3n cultural y gesti\u00f3n de arte.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-2\/\">Majo Vidal<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; arte y feminismo.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-3\/\">Jes\u00fas Jimenez<\/a><\/strong><\/span> (Morelia, M\u00e9xico) &#8211; poes\u00eda concreta y violencia.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018\/\">Tarix Sep\u00falveda<\/a> <\/strong><\/span>(Santiago de Chile) &#8211; arquitectura.&nbsp;<\/li>\r\n\r\n\r\n\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-mateo-lopez\/\" target=\"_blank\" rel=\"noopener\"><strong>Mateo L\u00f3pez Im\u00e1n<\/strong><\/a><strong>&nbsp;<\/strong>(El Bols\u00f3n, Argentina) &#8211; genocidio ling\u00fc\u00edstico.&nbsp;S\u00edmbolo, Poder y Arte Contempor\u00e1neo en Am\u00e9rica Latina.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-genietta-varsi\/\">Genietta Varsi<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; disciplina y domesticaci\u00f3n del cuerpo humano.<\/li>\r\n\r\n\r\n\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-frances-munar\/\">Frances Munar<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; arquitectura del Sonido. Di\u00e1logos entre c\u00f3digos e intersubjetividad para Latinoam\u00e9rica.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\" style=\"text-align: center;\">\r\n<h1 id=\"fanzine\" class=\"row\" style=\"padding-top: 12px; padding-bottom: 12px; text-align: center; box-shadow: #cecece 0px 0px 0px 0px inset;\"><span style=\"color: #000000;\"><strong><span class=\"\" style=\"font-size: 1.25rem;\">Fanzine Uberbau_house 6 a\u00f1os (2016 a 2022)<\/span><\/strong><\/span><\/h1>\r\n<p class=\"\"><\/p>\r\n<p class=\"\">&nbsp;<\/p>\r\n<p class=\"\"><strong>[<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">espa\u00f1ol]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/strong><\/p>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>\u00bfQuieres participar en las Residencias Uberbau_house?<\/strong><\/span><\/h2>\r\n<p class=\"\">| <a href=\"https:\/\/www.uberbau-house.org\/site\/\" target=\"_blank\" rel=\"noopener\"><strong>Residencia de investigaci\u00f3n en arte<\/strong><\/a> |&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Residencia de producci\u00f3n de arte contempor\u00e1neo<\/a><\/strong> |&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">Residencias de investigaci\u00f3n en arte LONG TERM RESIDENCIES<\/a><\/strong> |&nbsp;<br>conversa con nosotros en&nbsp;<strong><a class=\"\" href=\"https:\/\/wa.me\/5511988772306\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/wa.me\/5511988772306\">whatsapp<\/a><\/strong><strong>\/&nbsp;<a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noreferrer noopener\">telegra<\/a><\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<!-- \/wp:post-content -->","protected":false},"excerpt":{"rendered":"<p>[espa\u00f1ol] &nbsp;[portugues]&nbsp; [english] En esta p\u00e1gina de Uberbau_house presentamos un resumen de la&nbsp; informaci\u00f3n sobre la residencias pasadas, que han acogido a m\u00e1s de 207 trabajadores de arte provenientes de 27 pa\u00edses y 63 ciudades, y permite conocer el trabajo desarrollado en la residencia ofreciendo un recurso valioso para aquellos interesados en el arte contempor\u00e1neo &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abresidencias pasadas\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1674,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template\/page\/fullwidth.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-1686","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=1686"}],"version-history":[{"count":10,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1686\/revisions"}],"predecessor-version":[{"id":5089,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1686\/revisions\/5089"}],"up":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1674"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=1686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}