{"id":1674,"date":"2019-07-19T14:59:27","date_gmt":"2019-07-19T14:59:27","guid":{"rendered":"https:\/\/www.uberbau-house.org\/site\/?page_id=1674"},"modified":"2026-07-28T19:16:34","modified_gmt":"2026-07-28T19:16:34","slug":"past-residencies","status":"publish","type":"page","link":"https:\/\/www.uberbau-house.org\/site\/past-residencies\/","title":{"rendered":"past residencies"},"content":{"rendered":"<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 12px; padding-bottom: 11px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h4 class=\"wp-block-heading\" style=\"text-align: right;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">[espa\u00f1ol]<\/a> &nbsp;<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a>&nbsp; <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/h4>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 17px; padding-bottom: 18px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<p class=\"\">On this Uberbau_house page, we present a summary of information about past residencies, which have hosted more than <em>207 art workers from 27 countries and 63 cities<\/em>, and allow you to learn about the work carried out in residence, offering a valuable resource for those interested in contemporary art and research. carried out in this area.<\/p>\r\n<p class=\"\">In these years, we have hosted collective and collaborative work activities and residencies, such as the <strong>Diploma in Art Applied to Society<\/strong>, <strong>Systematic and Seductive<\/strong>, and <strong>Espacio de Fala<\/strong>, addressing topics such as art and social processes, biennials of contemporary art, gender, sexuality, race, and class.<\/p>\r\n<p class=\"\">The <strong>Final Research Presentations made by participants since 2016<\/strong> are available in the section, and the <strong>Map of Participants in residencies from 2016 to 2026<\/strong>&nbsp;provides an overview of the diversity and scope of collaborations in Uberbau_house.<\/p>\r\n<p class=\"\">This Uberbau_house page looks at past activities and residencies, which have addressed relevant topics in contemporary art, such as art and social processes, contemporary art biennials, gender, sexuality, race, and class.<\/p>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h1 class=\"\"><strong>QUICK ACCESS TO CONTENT<\/strong><\/h1>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><a href=\"#mapa2025\">Map of Participants in the Uberbau_house residences 2016 \u2013 2026<\/a><\/li>\r\n<li><a href=\"#temas\">Diagram of participants organized by research topic. 2016 \u2013 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2026\">Final presentations 2026<\/a><\/li>\r\n<li><a href=\"#presentaciones2025\">Final presentations 2025<\/a><\/li>\r\n<li><a href=\"#presentaciones2024\">Final presentations 2024<\/a><\/li>\r\n<li>Final presentations 2023<\/li>\r\n<li>Final presentations 2022<\/li>\r\n<li>Final presentations 2016 \u2013 2021<\/li>\r\n<li>Who has participated in the residency?<\/li>\r\n<li>Informative fanzine 6 years of Uberbau_house (2016 \u2013 2022)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<p class=\"\" style=\"text-align: center;\"><a href=\"https:\/\/www.instagram.com\/uberbau_house\/\" target=\"_blank\" rel=\"noopener\">Instagram<\/a> | <a href=\"https:\/\/www.facebook.com\/Uberbau.house\" target=\"_blank\" rel=\"noopener\">Facebook<\/a> | <a href=\"https:\/\/www.tiktok.com\/@uberbau_house\" target=\"_blank\" rel=\"noopener\">TikTok<\/a> | <a href=\"https:\/\/www.linkedin.com\/company\/uberbau-house\/\" target=\"_blank\" rel=\"noopener\">LinkedIn<\/a><br><a href=\"http:\/\/tiny.cc\/uberbau_house\" target=\"_blank\" rel=\"noopener\">conversation group on WhatsApp<\/a> | <a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noopener\">conversation group on Telegram<\/a>.<\/p>\r\n<h1 class=\"\"><strong>Do you want to participate in the Uberbau_house Residencies?<\/strong><\/h1>\r\n<p class=\"\">By following these links, select the type of residence, duration period, and available dates.<\/p>\r\n<ul class=\"\">\r\n<li style=\"list-style-type: none;\">\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/residency\/\" target=\"_blank\" rel=\"noopener\">Art research residency<\/a> (18 and 45 days long)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Contemporary art production residency<\/a> (2 months)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-research\/\" target=\"_blank\" rel=\"noopener\">LONG TERM RESIDENCES art research residencies<\/a> (3 and 6 months long)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row color3-background-color color-3-text-contrast bg-background-color\" style=\"padding-top: 19px; padding-bottom: 16px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"mapa2025\" class=\"\" style=\"text-align: center;\"><strong>Map of participants at Uberbau House Residences. 2016 \u2013 2026<br><\/strong>v. 1.3 &#8211; January 2026<strong><br><\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\">| <a href=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2026\/01\/Mapa-Residencias_Uberbau_house_2016-2026.pdf\" target=\"_blank\" rel=\"noopener\">Open on a new window |<\/a><\/p>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 17px; padding-bottom: 29px;\" id=\"temas\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"2023\" class=\"\" style=\"text-align: center;\"><strong><br>Diagram of participants organized by research topic. 2016 \u2013 2026<br><\/strong>v. 1.3 &#8211; January 2026<strong><br><\/strong><\/h1>\r\n<p class=\"\" style=\"text-align: center;\">&nbsp;| <a href=\"https:\/\/www.uberbau-house.org\/site\/wp-content\/uploads\/2026\/01\/Diagrama-ResidentesEjesTematicos_2016-2026.pdf\" target=\"_blank\" rel=\"noopener\">Open on a new window&nbsp;|<\/a><\/p>\r\n<p class=\"\" style=\"text-align: center;\"><\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2026\" class=\"\"><strong>Final Presentations 2026<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/12078697\/embed\" frameborder=\"0\"><\/iframe><\/div>\r\n<h1 id=\"presentaciones2025\" class=\"\"><strong>Final Presentations 2025<\/strong><\/h1>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/11549056\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\"><\/div>\r\n<\/div>\r\n<div class=\"row\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 id=\"presentaciones2024\" class=\"\"><strong>Final Presentations 2024<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\">\r\n<p class=\"\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/10942218\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 26px; padding-bottom: 15px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 class=\"\"><strong>Final Presentations 2023<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/10163247\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 15px; padding-bottom: 26px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1><strong>Final Presentations 2022<\/strong><\/h1>\r\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/9312557\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 16px; padding-bottom: 18px;\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<h1 class=\"\"><strong>Final Presentations 2016 &#8211; 2020<\/strong><\/h1>\r\n<div style=\"padding: 45.55% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" src=\"https:\/\/vimeo.com\/showcase\/8245630\/embed\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\"><\/div>\r\n<\/div>\r\n<div class=\"wp-block-columns\"><\/div>\r\n<!-- \/wp:post-content -->\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\" style=\"text-align: center;\">\r\n<h1 id=\"participantes\" class=\"wp-block-heading\" style=\"box-shadow: #cecece 0px 0px 0px 0px inset;\"><strong>Who Has Participated in Uberbau_house Residencies?<\/strong><\/h1>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-2 col-md-12 col-xs-12 col-sm-12\">\r\n<p class=\"\">More than <strong>200 art workers<\/strong> have already participated in the <strong>Uberbau_house Contemporary Art Research Residency<\/strong>.<\/p>\r\n<\/div>\r\n<div class=\"col-lg-10 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<p class=\"\"><strong><br>Uberbau_house <\/strong>has hosted the following collective work programs and residency initiatives:<strong><br><\/strong><\/p>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/diplomado\/\"><strong>Diplomado Arte Aplicada a la Sociedad<\/strong> <\/a>(2020 and 2021) &#8211; Art and social processes.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"http:\/\/www.cooperativadearte.org\/sistematicayseductora\/investigacion\/\"><strong>Sistem\u00e1tica y Seductora<\/strong><\/a> (2018) &#8211; Contemporary art biennials.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/www.cooperativadearte.org\/espaciodefala\/nuestra-investigacion\/\"><strong>Espacio de Fala<\/strong><\/a> (2019, 2020 and 2022) &#8211; Gender, sexuality, race, and class.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong>Habeas Data<\/strong> (2016, 2017, 2018 and 2019) &#8211; Archives and data research.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong>Acci\u00f3n \/ Transacci\u00f3n<\/strong> (2018 and 2019) &#8211; Art economy and the art market.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong>The Real Fake<\/strong> (2017) &#8211; Art and social processes.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 0px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><strong>Uberbau_house Residents 2026 \/ Research<\/strong><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/johanna_boya\/\"><span style=\"text-decoration: underline;\"><strong>Johanna Boya<\/strong> <\/span><\/a>(Colombia \/ Chile) &#8211; Collage and Decolonization: Narratives for Dignifying the Archive.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/josuetorreschavez\/\"><span style=\"text-decoration: underline;\"><strong>Josu\u00e9 Torres Ch\u00e1vez<\/strong><\/span><\/a> (M\u00e9xico) &nbsp;&#8211; <em>Circus in My Hands.<\/em> A socio-educational circus intervention model.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/07\/28\/yannehoras\/\"><span style=\"text-decoration: underline;\"><strong>Yanne Horas<\/strong><\/span><\/a> (Germany) &#8211; <em>What Comes After Contemporary Art?<\/em> Towards a New Political Economy.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-katherinemoyafarias\/\"><span style=\"text-decoration: underline;\"><strong>Katherine Moya Far\u00edas <\/strong><\/span><\/a>(Chile \/ Argentina) &nbsp;&#8211; <em>Reclaiming \u00abFruna\u00bb:<\/em> Deviation and Vulgarity as Spatial Methods for Overcoming Cultural Domination.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/06\/30\/residents-june-2026-guillerminabravo\/\"><span style=\"text-decoration: underline;\"><strong>Guillermina Bravo<\/strong><\/span><\/a> (Argentina) &#8211; <em>Memory Is a Toy.<\/em> Collective strategies for assembling and disassembling memory.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-epifania-queta\/\"><strong>Epifania Queta<\/strong> <\/a><\/span>(Angola \/ Netherlands) &#8211; <em>Blackness in Context: Geography, Culture, and the Gaze of Global Art.<\/em> An examination of how her position as a dark-skinned Black woman shifts according to geographical and cultural context, and what these changes reveal about the construction of Blackness within the predominantly white art world.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-majo-abreu-2\/\"><strong>Majo Abreu<\/strong> <\/a><\/span>(Guanajuato, M\u00e9xico) &nbsp;&#8211; <em>Building Community Relationships: Diagnosis and Proposals for Caja de Cambios (Guanajuato, Mexico).<\/em> A research project aimed at strengthening community ties and enhancing the social impact of this space.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-rita-gajardo\/\"><strong>Rita Gajardo<\/strong><\/a><\/span> (Rancagua, Chile) &#8211; Professional strategies for her work as an artist, cultural manager, and producer within the local art scene of Rancagua, Chile. An analysis focused on career development and sustainability in a regional cultural context.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-sara-pirani\/\"><strong>Sara Pirani<\/strong><\/a><\/span> (Italy\/ Ireland) &#8211; <em>Ideas for Delaying the End of Humanity at the Hands of Machines.<\/em> Her presentation explores how contemporary art can operate as a mechanism for negotiation within anthropocentric systems, questioning our role in the face of technological advancement.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-carmin-santos-posca\/\"><strong>Carmin Santos<\/strong> <\/a><\/span>(Argentina) &#8211; Research on the knowledge of Indigenous women in Brazil during the 16th and 17th centuries as a way of challenging the colonial gaze.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-elisabeth-verdugo\/\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) &#8211; Developing a publication that brings together her work on personal experiences of nomadism and the history of migration in Argentine Patagonia.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-federico-mattioli\/\"><strong>Federico Mattioli<\/strong><\/a><\/span> (Argentina) &#8211; Examining how different arbitrary conceptions of time produce distinct forms of subjectivity.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-kiki-pertinez-heidenreich\/\"><strong>Kiki Perti\u00f1ez<\/strong><\/a><\/span> (Venezuela \/ Spain) -Field research conducted in Brazil for the development of the +Latina Latin American Contemporary Art Festival in Europe. Their participation is supported by Boom! Art Community and Festival +Latina.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-luis-lujan\/\"><strong>Luis Luj\u00e1n<\/strong><\/a><\/span> (Chihuahua, M\u00e9xico) &#8211; Imagining new dynamics for collective editorial production and systematization processes with migrant communities.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-oscar-manrique-ares\/\"><strong>Oscar Manriquez<\/strong><\/a><\/span> (Spain) -Field research conducted in Brazil for the development of the +Latina Latin American Contemporary Art Festival in Europe. Their participation is supported by Boom! Art Community and Festival +Latina.<\/li>\r\n<\/ul>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2025 \/ Production<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2026\/04\/15\/residents-january-2026-cleo-fuentes\/\"><strong>Cleo Fuentes<\/strong><\/a><\/span> (Chile)<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2025 \/ Investigation<\/strong><br><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-joaquin-henriquez-valdebenito\/\"><span style=\"text-decoration: underline;\"><strong>Joaqu\u00edn Henr\u00edquez Valdebenito<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Santiago de Chile, Chile) &#8211; Analysis of curatorial practices and models in Chile. The relationship between the Art System and Local Scenes.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-georgina-sanchez-celaya\/\"><span style=\"text-decoration: underline;\"><strong>Georgina S\u00e1nchez Celaya<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; <em>Performance, Ritual, and Environmental Struggles in Latin America.<\/em> Case studies and theoretical contributions.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-charlotte-rohde\/\"><span style=\"text-decoration: underline;\"><strong>Charlotte Rohde<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Germany) &#8211; The Soft Shell of a Word\u2122 \u2013 On Writing Desire (Part 2) and the Economy of Linguistic Control.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-ana_maria_bernal_cortes\/\"><span style=\"text-decoration: underline;\"><strong>Ana Mar\u00eda Bernal Cort\u00e9s<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Ibagu\u00e9, Colombia) &#8211; Interactions between curatorship and mediation in biennial events in Colombia and Brazil in 2025 and their politics.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-manuel-saldana-minchala\/\"><span style=\"text-decoration: underline;\"><strong>Manuel Salda\u00f1a Minchala<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Ecuador) &#8211; Diagnosis of the Local Art Scene for the development of Trayectoria.<br><\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-hannah-westphal\/\"><span style=\"text-decoration: underline;\"><strong>Hannah Westphal<\/strong><\/span><\/a>&nbsp;<span class=\"\">(Germany) &#8211; Exploring how visual storytelling and performance art become pathways for collective regulation and healing through the lens of Brazilian cultural practices and contemporary artists.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-ana-carolina-benitez-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carolina Benitez Bravo <\/strong><\/span><\/a>(Quito, Ecuador) &#8211; <em>Open Archive.<\/em> Memory of artistic practices by women and LGBTQI+ people in Ecuador and Brazil since 2020.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-lorena-santamaria-2\/\"><span style=\"text-decoration: underline;\"><strong>Lorena Santamar\u00eda&nbsp;<\/strong><\/span><\/a><span class=\"\">(Cuenca, Ecuador) &#8211; Designing models of horizontal pedagogies and artistic creation within the urban ecosystems of Cuenca (Ecuador).<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/17\/residents-november-2025-claudia-vidal-sepulveda\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Vidal Sep\u00falveda&nbsp;<\/strong><\/span><\/a><span class=\"\">(Santiago de Chile, Chile) &#8211; Transformations in exhibition spaces. A study of institutions, mediation devices, and audiences in contemporary art.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong> <\/span><\/a>(Chaco, Argentina) &#8211; <em>Lataxac Residency: Art, Territory, and Community.<\/em> Residency models and community practices in Latin America.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-november-2025-maria-gavaldon\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Gavaldon<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; <em>How?<\/em> An approach to production strategies in contemporary art from the perspective of the visual and performing arts.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/12\/04\/residents-october-2025-erika-venecia-ramirez-garcia\/\"><span style=\"text-decoration: underline;\"><strong>\u00c9rika Venecia Ramirez Garc\u00eda<\/strong><\/span><\/a> (Oaxaca, M\u00e9xico) &#8211; <em>Living Tradition: Dance and Costume Through Art and Culture.<\/em> The evolution of dance and costume in Mexico from the pre-Hispanic period to the present.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-olgamargarita-davila\/\"><span style=\"text-decoration: underline;\"><strong>olgaMargarita D\u00e1vila<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; <em>Relationality(ies):<\/em> An approach to three S\u00e3o Paulo Biennials (Brazil).<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-mitchel-lopez-granados\/\"><strong><span style=\"text-decoration: underline;\">Mitchel L\u00f3pez Granados <\/span><\/strong>(Salamanca, M\u00e9xico)<\/a>&#8211; Curatorial criticism as an intellectual practice that finds its materiality through writing.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-victoria-papagni\/\" target=\"_blank\" rel=\"noopener\"><strong><span style=\"text-decoration: underline;\">Victoria Papagni<\/span>&nbsp;<\/strong><\/a>(Buenos Aires, Argentina \/ Zurich, Switzerland) \u2013 Tension and complementarity between career strategies and production strategies.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-majo-abreu\/\"><strong><span style=\"text-decoration: underline;\">Majo Abreu <\/span><\/strong><\/a>(Guanajuato, M\u00e9xico) &#8211; Diagnosis of agents, institutions, and communities to strengthen relationships within Local Scenes.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-arasy-benitez\/\"><span style=\"text-decoration: underline;\"><strong>Arasy Ben\u00edtez<\/strong><\/span><\/a> (Asunci\u00f3n, Paraguay \/ Serra da Mantiqueira, Brazil) &#8211; Micro-experimentaci\u00f3n Social Curatorial para una accesibilidad participativa.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-lucia-ramundo\/\" target=\"_blank\" rel=\"noopener\"><strong>Luc\u00eda Ramundo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; Curatorial social micro-experimentation for participatory accessibility.<\/span><\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-paula-martinez-montt\/\">Paula Mart\u00ednez Montt<\/a>&nbsp;<\/span><\/strong>(Concepci\u00f3n, Chile) &#8211; Ecologies in Latin America&#8217;s sacrifice zones.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-september-2025-luis-daniel-jaramillo-vazquez\/\"><strong><span style=\"text-decoration: underline;\">Luis Daniel Jaramillo V\u00e1zquez<\/span><\/strong><\/a> (Salamanca, M\u00e9xico) &#8211; On grand hyperstitions.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-david-duponchel\/\"><span style=\"text-decoration: underline;\"><strong>David Duponchel<\/strong><\/span><\/a> (Lima, Per\u00fa) &#8211; Comparative analysis of the representation of Death in cinema.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-luis-mata\/\"><strong><span style=\"text-decoration: underline;\">Luis Mata<\/span> <\/strong><\/a>(Margarita \/ Caracas, Venezuela) &#8211; Analysis and organization of artistic production.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-susan-elizabeth-rocha-ramirez\/\"><span style=\"text-decoration: underline;\"><strong>Susan Elizabeth Rocha Ram\u00edrez&nbsp;<\/strong><\/span><\/a> (Quito, Ecuador) -Production of votive art in Ecuador.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-cristian-hidalgo\/\">Cristian Hidalgo<\/a> <\/strong><\/span>(Pasto, Colombia) &#8211; How can contemporary art and documentary function as participatory systems in situated contexts?<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-pryianca-ambalvi\/\">Pryianca Ambalvi<\/a><\/strong><\/span> (Goa, India) &#8211; Cultural production processes and nonfiction writing on migration, the caste system, and gender\/sexuality. Relationships between autobiography, belonging, and collective processes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-maria-de-la-paz-heredia\/\">Mar\u00eda de la Paz Heredia<\/a><\/strong><\/span> (Zapala, Argentina) &#8211; Visual language tools for identifying the limits of cultural construction in relational education.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-july-2025-alma-sofia-velazquez-garcia\/\">Alma Sof\u00eda Vel\u00e1zquez Garc\u00eda<\/a><\/strong><\/span> (Quer\u00e9taro, M\u00e9xico) &#8211; Contemporary art produced over the last ten years by Latin American women artists as a catalyst for reflections, exercises, and dynamics that foster critical thinking among adolescents.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/08\/22\/residents-june-2025-hastur-mora\/\">Hastur Mora<\/a><\/strong> <\/span>(Pasto, Colombia) &#8211; Analysis of how the concept of identity has changed over time in direct relation to the development of information technologies.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-carlos-silva\/\"><span style=\"text-decoration: underline;\"><strong>Carlos Silva<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Social movements and popular artistic representations in Mexico and Brazil.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-claudia-piquet\/\"><span style=\"text-decoration: underline;\"><strong>Claudia Piquet<\/strong><\/span><\/a> (La Plata, Argentina) &#8211; Towards the collective experience of contemporary public art.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-esteban-vivalda-matus\/\"><strong>Esteban Vivalda-Matus<\/strong><\/a><\/span> (Santiago de Chile) &#8211; Artistic intervention in public spaces for the creation of socio-political experiences.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/25\/residents-february-2025-ivone-flores-balseca\/\"><span style=\"text-decoration: underline;\"><strong>Ivone Flores Balseca<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Notes on light and sound in urban environments.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/10\/residents-february-2025-alejandra-karina-florez-bayona\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra Karina Fl\u00f3rez Beyona<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; Dialogue between literature and objecthood. Tools for supporting the evaluation of an artist&#8217;s book.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/03\/11\/residents-february-2025-blu-azcue\/\"><strong>Bl\u00fa Azcue<\/strong><\/a><\/span> (Guanajuato, M\u00e9xico) &#8211; Assemblies to generate community agreements and consensus for the development of public policies.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-claudia-marcela-cadena-sandoval\/\"><strong>Claudia Marcela Cadena Sandoval<\/strong> <\/a><\/span>(Toluca, M\u00e9xico) -Dynamics of cooperation and collectivization within organized communities.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-leonardo-glenza\/\"><span style=\"text-decoration: underline;\"><strong>Leonardo Glenza<\/strong> <\/span><\/a>(Buenos Aires, Argentina) -The relationship between music and cosmology in Guaran\u00ed cultures.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-carmen-mendoza-chavez\/\">Carmen Mendoza Ch\u00e1vez<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Career strategies and the consolidation of prestige within the art system.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-camila-cuervo\/\"><strong>Camila Cuervo<\/strong><\/a><\/span> (Buenos Aires, Argentina) &#8211; <em>Text as Image:<\/em> Communities and convergences.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luz-moyano\/\"><span style=\"text-decoration: underline;\"><strong>Luz Moyano<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; Career strategies and network building.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-luiz-lujan\/\"><span style=\"text-decoration: underline;\"><strong>Luis Lujan<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; Relationships with migrant communities in transit and processes of identity formation.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-february-2025-gonzalo-zurita\/\"><span style=\"text-decoration: underline;\"><strong>Gonzalo Zurita<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Memory and political movements.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/02\/10\/residents-january-2025-elisabeth-verdugo\/\" target=\"_blank\" rel=\"noopener\"><strong>Elisabeth Verdugo<\/strong><\/a><\/span> (Neuqu\u00e9n, Argentina) &#8211; Migration processes and nomadism.<\/span><\/li>\r\n<\/ul>\r\n<ul class=\"\"><!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\"><\/div>\r\n<div class=\"row\" style=\"padding-top: 4px; padding-bottom: 0px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2024 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-mel-gross\/\">Mel Gross<\/a> <\/strong><\/span>(Tyler, Estados Unidos) &#8211; <em>Ephemerality and Fluidity.<\/em> <em>Aquilombar<\/em> as a topological process.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-jada-imani\/\"><strong>Jada Imani<\/strong><\/a> <\/span>(Oakland, Estados Unidos) &#8211; <em>Bamboo SZN (A Relaunch).<\/em> Cultivating locational, creative, and financial freedom.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hugo-palmar\/\"><strong>Hugo Palmar<\/strong><\/a><\/span> (Amsterdam, Netherlands) &#8211; <em>Appearing Together <span class=\"text-token-text-primary cursor-text rounded-sm\" data-placeholder-token=\"true\">[Genealogy of a Syndrome]<\/span>.<\/em> Connecting the paintings of Albert Eckhout and Frans Post from the period of Dutch colonial rule in Brazil, together with other historiographical references, to the concept of Dutch Disease.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\">Hannah<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/01\/24\/residents-november-2024-hannah-hughes\/\"><strong> Hughes <\/strong><\/a><\/span>(Los Angeles, Estados Unidos)<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-2024-maria-alejandra-daza\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Alejandra Daza<\/strong><\/span><\/a> (Medell\u00edn, Colombia) &#8211; <em>Voices of Water.<\/em> A traveling museum through recycling.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-jose-antonio-torres\/\"><strong><span style=\"text-decoration: underline;\">Jos\u00e9 Antonio Torres<\/span><\/strong><\/a> (Lima, Per\u00fa) &#8211; The relationship between memory and popular music.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-alejandro-paz-romero\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Paz Romero<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; A study of pop culture through the analysis of its mythology.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-naledi-wiberg\/\"><span style=\"text-decoration: underline;\"><strong>Naledi Wiberg<\/strong> <\/span><\/a>(California, Estados Unidos) &#8211; Queer dimensions of art and their implementation.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/29\/residents-october-november-2024-karen-lorena-palacios\/\"><span style=\"text-decoration: underline;\"><strong>Karen Lorena Palacios<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; Developing a festival model dedicated to light in public space.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-dyan-del-rivero-teran\/\"><span style=\"text-decoration: underline;\"><strong>Dyan del Rivero Ter\u00e1n<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; A historical analysis of Mexico&#8217;s private cultural institutions.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-alberto-jimenez-melendez\/\" target=\"_blank\" rel=\"noopener\"><strong>Alberto Jim\u00e9nez Mel\u00e9ndez<\/strong><\/a> (Bogot\u00e1, Colombia) &#8211; Vertical photography as a structure for post-photography.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-wladimir-ojeda-sendra\/\"><span style=\"text-decoration: underline;\"><strong>Wladimir Ojeda Sendra<\/strong><\/span><\/a> (Rosario, Argentina) &#8211; The political networks behind forest fires.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-september-2024-daniel-benoit\/\"><span style=\"text-decoration: underline;\"><strong>Daniel Benoit<\/strong> <\/span><\/a>(Montevideo, Uruguay) &#8211; Montevideo&#8217;s local art scene and possibilities for market development.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-christiana-dafni-tatsi\/\"><strong>Christiana Dafni Tatsi <\/strong><\/a>(Athens, Greece \/ Madrid, Spain) &#8211; Analysis of encrypted language, calligraphy, and the occupation of public space.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/25\/residents-september-2024-xavier-delgado\/\"><span style=\"text-decoration: underline;\"><strong>Xavier Delgado<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Queer epistemology for the performing arts.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/26\/residents-september-2024-ricardo-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>Ricardo Caicedo<\/strong><\/span><\/a> (Cali, Colombia) &#8211; Analysis of masculinity in pagan rituals connected to rivers in Colombia.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-july-august-2024-joan-soto\/\"><span style=\"text-decoration: underline;\"><strong>Joan Soto<\/strong><\/span> <\/a>(Concepci\u00f3n, Chile) &#8211; Queer architecture and non-normative spaces.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-raul-eduardo-balderrama\/\"><span style=\"text-decoration: underline;\"><strong>Ra\u00fal Eduardo Balderrama<\/strong> <\/span><\/a>(Chihuahua, M\u00e9xico) &#8211; Analysis of public policies for dignity and social respect.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-alejandro-loiacono\/\"><span style=\"text-decoration: underline;\"><strong>Alejandro Loiacono<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; Models for the installation and circulation of painting.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-duponchel\/\">David Duponchel<\/a> <\/strong><\/span>(Lima, Per\u00fa \/ France) &#8211; Management and conceptual models for documenting traditional Peruvian rituals.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-david-samaniego\/\"><span style=\"text-decoration: underline;\"><strong>David Samaniego Almeida<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Transmedia devices for collaborative work between art and community.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-denise-koziura\/\"><span style=\"text-decoration: underline;\"><strong>Denise Koziura<\/strong><\/span><\/a> (Quilmes, Argentina) &#8211; History of art criticism in Argentina.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/08\/28\/residents-august-2024-miriam-diaz\/\"><span style=\"text-decoration: underline;\"><strong>Miriam D\u00edaz Manzano<\/strong><\/span><\/a> (Puebla, M\u00e9xico) &#8211; Discussions on ableism and the creation of welcoming spaces for difference through artistic practices.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/07\/29\/residents-july-2024-cecilia-andino\/\"><span style=\"text-decoration: underline;\"><strong>Cecilia Andino<\/strong><\/span><\/a> (Chaco, Argentina) &#8211; Models of community-based art practice through muralism.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-alejandra-diaz-rodriguez\/\"><span style=\"text-decoration: underline;\"><strong>Alejandra D\u00edaz Rodr\u00edguez<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) -Research on gender-based violence and artistic practices.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-maria-paula-botero-vivas\/\"><span style=\"text-decoration: underline;\"><strong>Mar\u00eda Paula Botero<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; Contemporary art pedagogy for teacher emancipation.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-paz-escadon-bossi\/\"><span style=\"text-decoration: underline;\"><strong>Paz Escadon Bossi<\/strong><\/span><\/a> (Santiago, Chile) &#8211; Art and culinary practices in Latin America.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-ana-carillo-tureo\/\"><span style=\"text-decoration: underline;\"><strong>Ana Carillo Tureo<\/strong><\/span><\/a> (Concepci\u00f3n, Chile)&nbsp; &#8211; <em>Pixa\u00e7\u00e3o<\/em> and urban art in S\u00e3o Paulo.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-isabela-parra\/\"><span style=\"text-decoration: underline;\"><strong>Isabela Parra<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Systematization of Ecuador&#8217;s photographic and audiovisual archive.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/06\/27\/residents-june-2024-david-caicedo\/\"><span style=\"text-decoration: underline;\"><strong>David Caicedo<\/strong> <\/span><\/a>(Cali, Colombia) &#8211; Fictions of a dystopian tropical future.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fabiana-alonso\/\"><strong><span style=\"text-decoration: underline;\">Fabiana Alonso <\/span><\/strong><\/a>(Buenos Aires, Argentina) &#8211; Curatorship and analysis of ableist discourse.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-fernando-zegarra\/\"><span style=\"text-decoration: underline;\"><strong>Fernando Zerraga <\/strong><\/span><\/a>(Trujillo, Per\u00fa) &#8211; Field research.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-2024-joao-parente\/\"><span style=\"text-decoration: underline;\"><strong>Jo\u00e3o Parente<\/strong><\/span><\/a> (Manaos, Brazil \/ Lisboa, Portugal) &#8211; Research methodology for one&#8217;s own artistic production, focusing on subjectivity and fiction-making.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-laura-puerta-barco\/\"><span style=\"text-decoration: underline;\"><strong>Laura Puerta Barco<\/strong><\/span><\/a> (Manizales, Colombia) &#8211; Work and funding strategies within the art market.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-cecilia-rejtman-nadia-isabel-callau-montero\/\"><strong>Cecilia Rejtman (Lima, Per\u00fa) + Nadia Isabel Callau Montero (La Paz, Bolivia)<\/strong><\/a> &#8211; Feminist epistemology for understanding the power and oppression of structural violence.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jorge-luis-rincon-roberto\/\"><span style=\"text-decoration: underline;\"><strong>Jorge Luis Rinc\u00f3n Roberto<\/strong><\/span><\/a> (Bogot\u00e1, Colombia) &#8211; Visibility of the Indigenous LGBTQIAPN+ population.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-yoalli-quetzal-alfaro\/\"><span style=\"text-decoration: underline;\"><strong>Yoalli Quetzal Alfaro<\/strong><\/span><\/a> (CDMX, M\u00e9xico) &#8211; Pedagogical strategies against oppression.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/04\/04\/residents-february-2024-jenny-alexandra-prado-bernal-colombia-mauricio-colin-castillo-mexico\/\">Jenny Alexandra Prado Bernal (Bogot\u00e1, Colombia) + Mauricio Colin Castillo (CDMX, M\u00e9xico)<\/a> <\/strong><\/span>&#8211; Changes in the perception of pictorial space through the use of technology.<\/li>\r\n<\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Uberbau_house Residents 2025 \/ Production<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-2025-gina-bello\/\"><strong><span style=\"text-decoration: underline;\">Gina Bello&nbsp;<\/span><\/strong><\/a>(Guanajuato, M\u00e9xico)&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-andres-hadeser\/\"><strong><span style=\"text-decoration: underline;\">Andr\u00e9s Hadeser<\/span><\/strong><\/a>&nbsp;(Quito, Ecuador)&nbsp;<\/li>\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2025\/10\/20\/residents-august-september-2025-guillermo-reyes\/\">Guillermo Reyes<\/a>&nbsp;<\/span><\/strong> (Quito, Ecuador)&nbsp;<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<ul class=\"\">\r\n<li>\r\n<h2 class=\"\"><span style=\"color: #808080;\"><strong>Uberbau_house Residents 2024 \/ Production<\/strong><\/span><\/h2>\r\n<ul class=\"\">\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/02\/05\/residents-january-febreuary-2024-dafne-valdivia-yllades\/\">Dafne Valdivia Yllades<\/a> <\/span><\/strong>(Guanajuato, M\u00e9xico) &#8211; The relationship between nature and private property.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/09\/27\/residents-august-september-2024-mitzy-reyna\/\"><span style=\"text-decoration: underline;\"><strong>Mitzi Reyna<\/strong><\/span><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Participatory art spaces for conversations about the undesirable.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2024\/10\/30\/residents-october-november-2024-mara-bravo\/\"><span style=\"text-decoration: underline;\"><strong>Mara Bravo<\/strong><\/span><\/a> (Barranquilla, Colombia)<\/li>\r\n<\/ul>\r\n<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 14px; padding-bottom: 12px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2023 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><strong><span style=\"text-decoration: underline;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-camila-lucero\/\">Camila Lucero<\/a> <\/span><\/strong>(Concepci\u00f3n, Chile \/ Basel, Switzerland) \u2013 The narrative of images.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-gabriela-hijar\/\">Gabriela Hijar <\/a><\/strong><\/span>(Chihuahua, M\u00e9xico) &#8211; Ceramics and sound.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-henrique-fagundez\/\">Henrique Fagundez <\/a><\/strong>(<\/span>Canoas, Brazil) &#8211; Images and artificial intelligence.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-jimena-granados\/\">Jimena Granados<\/a><\/strong> (<\/span>Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Containment strategies in public space.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-february-2023-kiana-de-tramontana\/\">Kiana de Tramontana<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; How to create an art residency.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-adali-torres\/\">Adal\u00ed Torres<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; Representations of trans masculinity in reggaeton music.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-felipe-ortiz\/\">Felipe Ortiz <\/a><\/strong><\/span>(Santiago, Chile) &#8211; Muralism and public policy.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-jose-gilberto-castillejo\/\" target=\"_blank\" rel=\"noopener\"><strong>Jos\u00e9 Castillejo&nbsp;<\/strong><\/a>(Barranquilla, Colombia) &#8211; Violent conflicts in Latin America.<\/span><\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-mayte-miranda\/\">Mayte Miranda<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Subjectivity in social media.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-natalia-document\/\">Natalia Documet<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; Common understandings of neurodivergence in popular culture.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-2023-pierre-dalpe\/\">Pierre Dalp\u00e9 <\/a><\/strong><\/span>(Montreal, Canad\u00e1) &#8211; Representations of subjectivity and masks in photography.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/02\/19\/residents-january-february-2023-renato-almeida\/\">Renato Almeida<\/a> <\/strong><\/span>(S\u00e3o Paulo, Brazil) &#8211; The visuality and discursivity of colonization in Latin America.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-mitzi-reyna\/\">Mitzi Reyna<\/a> <\/strong><\/span>(Ciudad de M\u00e9xico) &#8211; Analysis of performance and d\u00e9rive strategies in public space.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-july-2023-ana-del-aguila\/\">Ana del \u00c1guila<\/a><\/strong><\/span> (Tijuana, M\u00e9xico) -Visual orders and the looting of archaeological artifacts.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-parker-brookie\/\">Parker Brookie<\/a> <\/strong><\/span>(Estados Unidos) &#8211; Marginalized subjectivities, women, and LGBTQIAPN+ people during Latin American dictatorships.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-june-2023-dayana-lamb\/\">Dayana Lamb<\/a> <\/strong><\/span>(Bucaramanga, Colombia) &#8211; Art, ecology, and community in river territories.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-graciela-alvarez-maroccolo\/\">Graciela \u00c1lvarez Maroccolo<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; Career strategies in art, culture, and sex work.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/07\/14\/residents-july-2023-mafer-ortiz-ballarta\/\">Mafer Ortiz Ballarta<\/a> <\/strong><\/span>(Lima, Per\u00fa) -Relationships between music and contemporary art.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Cristina Carrasco&nbsp;<\/strong><\/span>(Cuenca, Ecuador) &#8211; Institutional frameworks and heritage policies for contemporary art.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (M\u00e9rida, Venezuela) &#8211; The history of Venezuelan art in recent decades.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/11\/07\/residents-september-2023-adriana-cesar\/\">Adriana Cesar<\/a><\/strong> (Montevideo, Uruguay) &#8211; Family genealogy from a feminist perspective.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-billy-klotsa\/\"><strong>Billy Klotsa<\/strong><\/a> (Greece \/ London, England) -A documentary on non-binary identities in urban environments.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-carlos-guzman\/\">Carlos Guzm\u00e1n<\/a><\/strong> (Cachipay, Colombia) -Art, sustainable economies, and ecology.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-jose-antonio-torres\/\"><strong>Jos\u00e9 Antonio Torres<\/strong><\/a> (Lima, Per\u00fa) &#8211; The relationship between music and painting.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-stefany-jaramillo\/\"><strong>Stefany Jaramillo<\/strong> <\/a>(Bogot\u00e1, Colombia) &#8211;&nbsp;<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-september-2023-yunuen-diaz\/\"><strong>Yunuen D\u00edaz<\/strong><\/a> (Morelos, M\u00e9xico) &#8211; Traces of colonization in popular gastronomy.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-fernando-colman\/\"><strong>Fernando Colman<\/strong><\/a> (Asunci\u00f3n, Paraguay) -The history of the local art scene in Asunci\u00f3n, Paraguay.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-jorge-augusto-gamarra\/\"><strong>Jorge Augusto Gamarra<\/strong> <\/a>(La Paz, Bolivia) &#8211; Analysis of masculinity in relation to architecture and graphic practices.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-lucina-l-pedrozo\/\">Lucina L.<\/a><\/strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-2023-lucina-l-pedrozo\/\" target=\"_blank\" rel=\"noopener\"><strong>Pedrozo&nbsp;<\/strong><\/a>(Ciudad de M\u00e9xico, M\u00e9xico) &#8211; The history of Latin American video art.<\/li>\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-marcos-jinguba\/\" target=\"_blank\" rel=\"noopener\"><strong>Marcos Jinguba&nbsp;<\/strong><\/a>(Luanda, Angola) &#8211; Relationships within the art system and networks between Africa and Latin America.<\/span><\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/07\/residents-october-november-2023-mayra-huerta\/\"><strong>Mayra Huerta<\/strong><\/a> (Guadalajara, M\u00e9xico) &#8211; Art, culture, and social processes.<\/li>\r\n<li><span style=\"text-decoration: underline;\"><strong>Manuel V\u00e1zquez Ortega<\/strong><\/span> (M\u00e9rida, Venezuela).<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-ximena-pita\/\"><strong>Ximena Pita<\/strong> <\/a>(Rafaela, Argentina) &#8211; Comparative study of biennial institutions in Latin America.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-yinna-higuera\/\"><strong>Yinna Higuera<\/strong><\/a> (Quito, Ecuador) &#8211; Building a network around the photobook format.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-tania-guadalupe-martinez-trujillo\/\"><strong>Tania Guadalupe Mart\u00ednez Trujillo<\/strong><\/a> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Inclusive pedagogical models through artistic practices.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-fabiana-puentes\/\"><strong>Fabiana Puentes<\/strong><\/a> (Montevideo, Uruguay) -The relationship between political events and artistic processes in Latin America.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-gabriel-xillovich\/\"><strong>Gabriel Xillovich<\/strong><\/a> (Bah\u00eda Blanca, Argentina) &#8211; Ageism and sexual practices in the queer community.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-lucia-scarselleta\/\"><strong>Lucia Scarselleta<\/strong><\/a> (La Pampa, Argentina \/ Londres, Inglaterra) &#8211; R.A.R.O. Scholarship \u2013 The history of Gaucho braiding.<\/li>\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/08\/residents-november-2023-monica-martinez\/\"><strong>M\u00f3nica Mart\u00ednez<\/strong> <\/a>(Rosario, Argentina) &#8211; Methodologies for object theatre production.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-gil-mualem-doron\/\">Gil Mualem-Doron<\/a><\/strong> (Londres, Inglaterra) &#8211; Independent management practices linking art and community.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-geo-moon\/\">Geo Moon<\/a><\/strong>&nbsp;<span style=\"font-weight: 400;\">(Se\u00fal, <\/span>South Korea) &#8211; Technology, music, and sound.<\/li>\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2023-nina-kraus\/\">Nina Kraus<\/a><\/strong> (Berl\u00edn, Germany) &#8211; Feminist influences on art institutions and curatorial practice.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2022 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-francisca-paris\/\">Francisca Paris<\/a><\/strong><\/span> (Puerto Montt, Chile) &#8211; Investment models for art and culture.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-daniela-stevens\/\">Daniela Stevens<\/a> <\/strong><\/span>(San Luis Potos\u00ed, M\u00e9xico) &#8211; Career strategy.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-ricardo-caicedo-cardona\/\">Ricardo Caicedo Cardona<\/a> <\/strong><\/span>(Cali, Colombia) -Representations of masculinities in photography.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-renan-teles\/\">Renan Teles <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil) &#8211; Afrofuturism and identity formation in racialized communities.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-veronica-zapata\/\">Ver\u00f3nica Zapata<\/a><\/strong><\/span> (Santiago de Chile, Chile) &#8211; Pedagogical models based on artistic processes.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/04\/06\/residents-february-2022-aaron-jimenez\/\">Aaron Jim\u00e9nez<\/a> <\/strong><\/span>(Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Contemporary opera.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-alejandro-orozco\/\">Alejandro Orozco<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) -Diagrammatic thinking.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-ale-sotelo\/\">Ale Sotelo <\/a><\/strong><\/span>(Lima, Per\u00fa) &#8211; Representations of the LGBTQIAPN+ community.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-miguel-keerveld\/\">Miguel Keerveld <\/a><\/strong><\/span>(Surinam) &#8211; Curatorial models for political ecology and climate change.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-june-2022-rosario-capanegra\/\">Rosario Capanegra<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; Architecture, urbanism, and contemporary art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-gianna-salamanca\/\">Gianna Salamanca<\/a> <\/strong><\/span>(Concepci\u00f3n, Chile) &#8211; Political ecology and social change.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-julian-cardona\/\">Julian Cardona <\/a><\/strong><\/span>(Medell\u00edn, Colombia) &#8211; Queer epistemology.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-mia-zavalia\/\">M\u00eda Zavalia<\/a><\/strong><\/span> (Pilar, Argentina) &#8211; Poetic production models.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-monica-romero\/\">M\u00f3nica Romero<\/a><\/strong><\/span> (Bogot\u00e1, Colombia) &#8211; Politics of care.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-august-2022-sergio-gerson-zamora\/\">Sergio Gerson Zamora <\/a><\/strong><\/span>(Morelos, M\u00e9xico) &#8211; Alternative methodologies for narrating the history of art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/08\/12\/residents-july-2022-yumi-fukuda\/\">Yumi Fukuda<\/a><\/strong><\/span> (Japan) -Identity processes within the Japanese migrant community.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-septembre-2022-tin-ayala\/\">Tin Ayala<\/a><\/strong><\/span> (Quito, Ecuador) &#8211; Industrial design and critical culture.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-astrid-suarez\/\">Astrid Su\u00e1rez<\/a> <\/strong>(Medell\u00edn, Colombia) &#8211; Community-based practices addressing forced disappearance in Colombia and Mexico.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-beatriz-paiva\/\">Beatriz Paiva<\/a><\/strong><\/span> (Belem, Brasil) &#8211; Black subjectivity in Northern Brazil.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-october-2022-mika-sampaio\/\">Mika Sampaio<\/a><\/strong><\/span> (Teresinha, Brasil).&nbsp;<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/11\/01\/residents-september-october-2022-lennyn-sant\">Lennyn Santacruz <\/a><\/strong><\/span>(Quito, Ecuador) &#8211; The history and methodology of art education in Latin America.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-alexandra-trujillo\/\"><span style=\"text-decoration: underline;\"><strong>Alexandra Trujillo<\/strong><\/span><\/a> (Quito, Ecuador) &#8211; Career production and legitimization processes.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-tatyana-zambrano\/\"><span style=\"text-decoration: underline;\"><strong>Tatyana Zambrano<\/strong><\/span><\/a> (Medell\u00edn, Colombia) &#8211; Production processes surrounding a labor union movement for artists.&nbsp;<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2023\/12\/14\/residents-november-2022-ely_dd\/\"><span style=\"text-decoration: underline;\"><strong>Ely_dd<\/strong><\/span><\/a> (Buenos Aires, Argentina) &#8211; Research on guttural sound.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<p class=\"\">&nbsp;<\/p>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 11px; padding-bottom: 7px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2021 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-andres-ovelar\/\">Andr\u00e9s Ovelar<\/a><\/strong><\/span> (Asunci\u00f3n, Paraguay).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/09\/14\/residents-july-2021-ximena-garcia-alvarez\/\">Ximena Garc\u00eda<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2021\/12\/28\/residents-september-2021-andrea-chavez\/\">Andrea Ch\u00e1vez<\/a><\/strong><\/span> (Morelia, M\u00e9xico).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-2021-alberto-patino\/\">Alberto Pati\u00f1o<\/a> <\/strong><\/span>(Lima, Per\u00fa).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-december-2021-sofia-enriquez-gonzalez\/\">Sof\u00eda Enr\u00edquez Gonz\u00e1lez<\/a> <\/strong><\/span>(Vi\u00f1a del Mar, Chile)<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-october-november-2021-cecilia-coddou-y-fernanda-radetich\/\">Cecilia Coddou y Fernanda Radetich<\/a><\/strong><\/span> (Santiago de Chile, Chile).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-mariane-beline\/\">Mariane Beline <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-elisabeth-verdugo\/\">Elisabeth Verdugo<\/a> <\/strong><\/span>(Cipolletti, Argentina).<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2022\/01\/07\/residents-november-2021-karem-morales\/\">Karem Morales<\/a><\/strong><\/span> (Santiago de Chile) &#8211; comparaci\u00f3n entre las pol\u00edticas p\u00fablicas chilenas y brasile\u00f1as.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2020<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/02\/06\/residents-january-2020-miguel-keerveld\/\">Miguel Keerveld <\/a><\/strong><\/span>(Commewijne, Suriname) &#8211; el ser humano como un cyborg en relaci\u00f3n con las ciudades.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-january-2020-francisco-garcia-villavicencio\/\">Francisco&nbsp;Garc\u00eda&nbsp;Villavicencio <\/a><\/strong><\/span>(Lima, Per\u00fa) &#8211; arte y pedagog\u00eda.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/03\/05\/residents-january-2020-abari-ruiz\/\">Abari&nbsp;Antonio Ruiz<\/a><\/strong><\/span> (Tepic, M\u00e9xico) &#8211; el valor del objeto de arte.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-pamela-gonzales\/\">Pamela Gonz\u00e1lez<\/a><\/strong><\/span> (Tucum\u00e1n, Argentina) &#8211; gesti\u00f3n aut\u00f3noma en una comunidad de arte.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-uilton-juni\">Uilton J\u00fanior <\/a><\/strong><\/span>(S\u00e3o Paulo, Brasil) &#8211; historia del arte negro en Brasil.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-camila-lacroze\/\">Camila Lacroze<\/a><\/strong><\/span> (Montevideo, Uruguay) &#8211; ilustraci\u00f3n y pintura contempor\u00e1nea.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2020\/05\/14\/residents-february-2020-lyzu-carcamo\/\">Lyz\u00fa C\u00e1rcamo<\/a><\/strong><\/span> (Valpara\u00edso, Chile) &#8211; feminismo aplicado para arte y cultura.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12 color4-background-color color-4-text-contrast bg-background-color\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2019 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/08\/residentes-junho-junho-2019-lia-arenas\/\">L\u00eda Arenas<\/a><\/strong><\/span> (Santiago de Chile) &#8211; Cultural management as a mobile body in space.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/20\/residentes-junho-junho-2019-wynnie-mynerva-mendoza\/\">Wynnie Mynerva Mendoza<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; The LGBTQIA+ community in relation to religious hegemony in Peru and Brazil.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-viviana-errecalde\/\">Viviana Errecalde<\/a><\/strong> (San Mart\u00edn de los Andes) -The local art scene of San Mart\u00edn de los Andes, Argentina.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/06\/30\/residentes-junho-junho-2019-luis-enrique-zela-koort\/\">Luis Enrique Zela-Koort<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; The relationship between capitalist machinery, nature, and the construction of subjectivity.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/02\/residents-july-2019-manuel-la-rosa\/\">Manuel La Rosa<\/a><\/strong><\/span> (Santiago de Chile) &#8211; The relationship between nature and technology in contemporary art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/08\/01\/residents-july-2019\/\">M. Rom\u00e1n<\/a> <\/strong><\/span>(Lima, Per\u00fa) -Contemporary art and normative social institutions.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-andres-arguelles\/\">Andr\u00e9s Arg\u00fcelles<\/a><\/strong><\/span> (Lima, Per\u00fa) &#8211; The question of painting in contemporary art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/07\/23\/residents-july-2019-heleen-de-hoon\/\">Heleen de Hoon<\/a> <\/strong><\/span>(Netherlands) &#8211; Contemporary art in public spaces.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-november-2019-martha-leon-pellat\/\">Martha Le\u00f3n Nava<\/a><\/strong><\/span> (Ciudad de M\u00e9xico, M\u00e9xico) &#8211; Art residency and community models.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/10\/28\/residents-october-2019-alexandra-mora-montes-ursula-ramirez-giraldo\/\"><span style=\"text-decoration: underline;\"><strong>Alexandra Mora -\u00darsula Ramirez Giraldo<\/strong><\/span> &#8211;<\/a> (Manizales, Colombia) &#8211; Journalistic clowning and performance in the Colombian art scene.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2019\/11\/08\/residents-november-2019-nancy-alvarado\/\">Nancy Alvarado<\/a><\/strong><\/span> (Tucum\u00e1n, Argentina) &#8211; Ceramics in the tension between craft and contemporary art.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\">\r\n<div class=\"row\" style=\"padding-top: 7px; padding-bottom: 11px;\">\r\n<div class=\"col-lg-6 col-md-12 col-xs-12 col-sm-12\">\r\n<div class=\"row bg-editor-hr-wrap\">\r\n<div class=\"col-lg-12 col-md-12 col-xs-12 col-sm-12\">\r\n<div>\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2016-2017 \/ Investigation<\/strong><\/span><\/h2>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2016\/11\/16\/residentes-diciembre-dezembro-2016\/\">Juan Fernando L\u00f3pez<\/a> <\/strong><\/span>(Bogot\u00e1, Colombia) &#8211; Economics in independent art management.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/01\/04\/residentes-enero-janeiro-2017\/\">Laura Carvalho<\/a><\/strong><\/span> (S\u00e3o Paulo, Brasil) &#8211; The relationship between color, architecture, and context.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/14\/residentes-febrero-fevereiro-2017-3\/\">Dafne Valdivia<\/a> <\/strong><\/span>(Guanajuato, M\u00e9xico) &#8211; Formal institutions vs. independent art management.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/07\/residentes-febrero-fevereiro-2017\/\">Dana Ferrrari<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; The history of the artist&#8217;s role.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/02\/09\/residentes-febrero-fevereiro-2017-2\/\">Jazmin Saidman<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; Pedagogy and teaching methodologies in art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/07\/residentes-marzo-marco-2017\/\">Guillermo Rodr\u00edguez<\/a><\/strong><\/span> (San Juan, Puerto Rico) -Art and technology<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/03\/03\/residentes-marzo-marco-2017-3\/\">Leonel Mittmann<\/a><\/strong><\/span> (Porto Alegre, Brazil) &#8211; <em>Pixa\u00e7\u00e3o<\/em>, graffiti, and urban art.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017\/\">Abhishek Panchal<\/a><\/strong><\/span> (Mumbai, India) &#8211; The role of the artist-educator.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/05\/29\/residentes-junio-junho-2017-2\/\">Est\u00edbaliz Barato<\/a><\/strong><\/span> (Madrid, Spain) &#8211; Analytical models for artistic production.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/07\/14\/andreaospina\/\">Andrea Ospina<\/a><\/strong><\/span> (Manizales, Colombia) &#8211; Arts management, cultural management, and the temporary autonomous zone.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/29\/fernanda_avendano\/\">Fernanda Avenda\u00f1o<\/a><\/strong><\/span> (Santiago de Chile) &#8211; Architecture and the social body.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/30\/natalia_murcia\/\">Natalia Murcia<\/a><\/strong><\/span> (Bogot\u00e1, Colombia) &#8211; Contemporary art as a research methodology.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/31\/silvia_mariotti\/\">Silvia Mariotti<\/a><\/strong><\/span> (Mil\u00e1n, Italy) &#8211; The relationship between visual and literary production.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2017\/08\/28\/naoko_mabon\/\">Naoko Mabon<\/a><\/strong><\/span> (Scotland, UK) &#8211; The construction of Japanese identity within Brazilian culture.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<div class=\"col-lg-6 col-md-6 col-sm-12 col-xs-12\">\r\n<h2 class=\"\"><span style=\"color: #000000;\"><strong>Uberbau_house Residents 2018 \/ Investigation<\/strong><\/span><\/h2>\r\n<ul class=\"\"><!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018\/\">Michel Marx<\/a><\/strong><\/span> (Montevideo, Uruguay) &#8211; The role of the artist and the Local Art Scene of Montevideo.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/01\/11\/residentes-enero-janeiro-2018-2\/\">Andrea Ferrero<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; Memory processes in Latin America.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018\/\">Romina Estecher<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; Recurrence in artistic production processes.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/03\/11\/residentes-marzo-marco-2018-2\/\">Pablo Foladori<\/a><\/strong><\/span> (Buenos Aires, Argentina) &#8211; The relationship between opera and contemporary artistic practices.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"margin: 0px; padding: 0px;\"><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-5\/\" target=\"_blank\" rel=\"noopener\"><strong>Felipe N\u00fa\u00f1ez<\/strong><\/a><strong>&nbsp;<\/strong>(Oaxaca, M\u00e9xico) &#8211; The possibility of a manifesto for contemporary painting.<\/span><\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-4\/\">Mar\u00eda de los \u00c1ngeles Otarola<\/a> <\/strong><\/span>(Mar del Plata, Argentina) &#8211; Cultural management and arts management.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-2\/\">Majo Vidal<\/a> <\/strong><\/span>(Buenos Aires, Argentina) &#8211; Art and feminism.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018-3\/\">Jes\u00fas Jimenez<\/a><\/strong><\/span> (Morelia, M\u00e9xico) &#8211; Concrete poetry and violence.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/06\/08\/residentes-junho-junho-2018\/\">Tarix Sep\u00falveda<\/a> <\/strong><\/span>(Santiago de Chile) &#8211; Architecture.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-mateo-lopez\/\" target=\"_blank\" rel=\"noopener\"><strong>Mateo L\u00f3pez Im\u00e1n<\/strong><\/a><strong>&nbsp;<\/strong>(El Bols\u00f3n, Argentina) &#8211; Linguistic genocide. <em>Symbol, Power, and Contemporary Art in Latin America.<\/em><\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-genietta-varsi\/\">Genietta Varsi<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; Discipline and the domestication of the human body.<\/li>\r\n<!-- \/wp:list-item -->\r\n\r\n<!-- wp:list-item -->\r\n<li><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.uberbau-house.org\/site\/2018\/07\/11\/residentes-frances-munar\/\">Frances Munar<\/a> <\/strong><\/span>(Lima, Per\u00fa) &#8211; The Architecture of Sound. Dialogues between codes and intersubjectivity in Latin America.<\/li>\r\n<!-- \/wp:list-item --><\/ul>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<\/div>\r\n<div class=\"boldgrid-section\">\r\n<div class=\"container\" style=\"text-align: center;\">\r\n<h1 id=\"fanzine\" class=\"row\" style=\"padding-top: 12px; padding-bottom: 12px; text-align: center; box-shadow: #cecece 0px 0px 0px 0px inset;\"><span style=\"color: #000000;\"><strong><span class=\"\" style=\"font-size: 1.25rem;\">Uberbau_house Zine: 6 Years (2016\u20132022)<\/span><\/strong><\/span><\/h1>\r\n<p class=\"\"><\/p>\r\n<p class=\"\">&nbsp;<\/p>\r\n<p class=\"\"><strong>[<a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas-2\/\">espa\u00f1ol]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/residencias-pasadas\/\">[portugues]<\/a> <a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\">[english]<\/a><\/strong><\/p>\r\n<h2 class=\"\"><strong>Would you like to participate in the Uberbau_house Residencies?<\/strong><\/h2>\r\n<p class=\"\">| <a href=\"https:\/\/www.uberbau-house.org\/site\/\" target=\"_blank\" rel=\"noopener\"><strong>Contemporary Art Research Residency<\/strong><\/a> |&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/long-term-residencies-produccion\/\" target=\"_blank\" rel=\"noopener\">Contemporary Art Production Residency<\/a><\/strong> |&nbsp;<strong><a href=\"https:\/\/www.uberbau-house.org\/long-term-residencies\/\" target=\"_blank\" rel=\"noopener\">Long-Term Contemporary Art Research Residencies<\/a><\/strong>&nbsp;|&nbsp;<br>Talk to us on <strong><a class=\"\" href=\"https:\/\/wa.me\/5511988772306\" target=\"_blank\" rel=\"noreferrer noopener\" data-type=\"URL\" data-id=\"https:\/\/wa.me\/5511988772306\">whatsapp<\/a><\/strong><strong>\/&nbsp;<a href=\"https:\/\/t.me\/uberbau_house\" target=\"_blank\" rel=\"noreferrer noopener\">telegram<\/a><\/strong><\/p>\r\n<\/div>\r\n<\/div>\r\n<!-- \/wp:paragraph -->","protected":false},"excerpt":{"rendered":"<p>[espa\u00f1ol] &nbsp;[portugues]&nbsp; [english] On this Uberbau_house page, we present a summary of information about past residencies, which have hosted more than 207 art workers from 27 countries and 63 cities, and allow you to learn about the work carried out in residence, offering a valuable resource for those interested in contemporary art and research. carried &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.uberbau-house.org\/site\/past-residencies\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abpast residencies\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"template\/page\/fullwidth.php","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-1674","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/comments?post=1674"}],"version-history":[{"count":10,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1674\/revisions"}],"predecessor-version":[{"id":5032,"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/pages\/1674\/revisions\/5032"}],"wp:attachment":[{"href":"https:\/\/www.uberbau-house.org\/site\/wp-json\/wp\/v2\/media?parent=1674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}